Ron Dough
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« on: 23:47:21, 15-07-2007 » |
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There's another new member to greet, I've just noticed.
Welcome sambeckett.
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increpatio
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« Reply #1 on: 23:55:11, 15-07-2007 » |
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Welcome.
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Stanley Stewart
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« Reply #2 on: 00:20:07, 16-07-2007 » |
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A warm welcome, sambeckett
Are we waiting for Vladimir, Estragon, Pozzo or Lucky?
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Ron Dough
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« Reply #3 on: 00:25:18, 16-07-2007 » |
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And don't forget the boy, Stanley!
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aaron cassidy
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« Reply #4 on: 01:58:46, 16-07-2007 » |
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welcome welcome.
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dotcommunist
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« Reply #5 on: 07:54:10, 16-07-2007 » |
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hallo sambeckett, much hearty welcome please contribute some prose on yourself if you like ping over
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Stanley Stewart
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« Reply #6 on: 13:28:19, 16-07-2007 » |
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# 3 Indeed, the boy, Ron. Not so disputatious as the strife between Oberon and Titania over the changeling boy but an important cypher nevertheless.
I've just been looking at my postcard collection of Maggi Hambling paintings of Max Wall as Godot's Vladimir (still available at the NPG, I trust). Wall in particularly good form at the Roundhouse production in the 70s. He was also a distinguished Archie Rice at Greenwich Theatre, a few years earlier. Don't think he was ever given his due.
Have also been reading Colin Wilson's "The Angry Years", an enjoyable retread of his emerging years with sharp portraits of Kingsley Amis and Philip Larkin but he totally fails to see the humour in Samuel Beckett or the music in his writing. I do hope that our new and welcome poster is willing to give us his views.
I did see the original production of "Godot" at The Arts in 1955 but the lingering memory is of a pair of tattered boots, abandoned by the "floats" and a shrivelled tree with only one green leaf - and the timeless reactionary audience. Peter Bull, in a hilarious memoir (To Sea in a Sieve?) writes about the post-London tour of "Godot" ending a disastrous week at Blackpool - a Beckettian theme in itself. They steamrolled through every pause in an attempt to catch the last train out of town and to escape the inevitable lynching posse.
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Ron Dough
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« Reply #7 on: 13:42:06, 16-07-2007 » |
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Godot in Blackpool? Now there's almost as enticing a prospect as the absurities behind Marat/Sade, Stanley. I can just imagine an Alan Bennet talking head of a confused spectator at one of those very performances.
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Stanley Stewart
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« Reply #8 on: 14:42:57, 16-07-2007 » |
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Better still, Ron, I'm now tempted to write to Harold Pinter and ask him for a sketch based on his characters in "The Birthday Party" (Pete & Meg?) who own a Blackpool boarding house. They could go to The Grand to see a visiting production of "Godot", accompanied by my brainwashed namesake, Stanley. The conversation on the homebound tram would be a revelation!
If I can find my copy of the Peter Bull memoir, I'll photostat the appropriate chapter and send it to you as it has made me laugh for many years.
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sambeckett
Posts: 51
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« Reply #9 on: 17:53:01, 22-07-2007 » |
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greetings all...
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What's empirical about sound? You can't write an article about it in die Reihe, that's for sure.
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Biroc
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« Reply #10 on: 17:57:21, 22-07-2007 » |
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Good day Sam, pleasure to have you. Hope that last post wasn't your endgame...
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"Believe nothing they say, they're not Biroc's kind."
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xyzzzz__
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« Reply #11 on: 21:53:28, 22-07-2007 » |
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Had to be done!
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Biroc
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« Reply #12 on: 21:54:10, 22-07-2007 » |
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Had to be done!
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"Believe nothing they say, they're not Biroc's kind."
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pim_derks
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« Reply #13 on: 22:33:23, 23-07-2007 » |
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Godot in Blackpool? Now there's almost as enticing a prospect as the absurities behind Marat/Sade, Stanley. I can just imagine an Alan Bennet talking head of a confused spectator at one of those very performances.
Have you ever heard about the first performance in the Netherlands, Ron?
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"People hate anything well made. It gives them a guilty conscience." John Betjeman
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