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Author Topic: Welcome Pianola!  (Read 330 times)
thompson1780
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« on: 14:22:17, 30-06-2008 »

A very hearty welcome to member Pianola, who has identified himself as Rex Lawson.

What an honour to be joined by a person who had been mentioned on the boards before they joined!

Pianola - hope you manage to overcome any difficulties you have with messageboards and end up having some great discussions on this forum.

Very best wishes

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Morticia
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« Reply #1 on: 14:32:28, 30-06-2008 »

 Gosh! A very warm welcome indeed to Pianola Smiley There will be more than a few people here who will want to 'talk' to you . Welcome to this motley crew.
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John W
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« Reply #2 on: 14:36:35, 30-06-2008 »

Big welcome Rex, the most interesting member introduction scenario yet!

And I'm sure there's a couple of blushes from contributors to the Pianola Restoration thread, but I'm sure I guess right that Rex is having a chuckle at all of that.


John W
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Ruby2
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There's no place like home


« Reply #3 on: 14:36:54, 30-06-2008 »

Gosh! A very warm welcome indeed to Pianola Smiley There will be more than a few people here who will want to 'talk' to you . Welcome to this motley crew.
Hello!  Yes, I'm certainly one of those.  Smiley



 Smiley
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"Two wrongs don't make a right.  But three rights do make a left." - Rohan Candappa
martle
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« Reply #4 on: 15:10:39, 30-06-2008 »

A hearty welcome, pianola/Rex!!  Smiley Hope you can stick around.

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Green. Always green.
Stanley Stewart
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Well...it was 1935


« Reply #5 on: 15:14:00, 30-06-2008 »

Warmest greetings, Pianola!  

Are you like the lyrics in naughty "Lola" who plays her pianola?

     "The boys all know my secrets
      don't ask me, if you please;
      For a little bit of Lola
      Is always bound to please!      Smiley Smiley Smiley

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Ron Dough
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WWW
« Reply #6 on: 15:50:42, 30-06-2008 »

A warm welcome from me too, Pianola/Rex.

Ron
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ahinton
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WWW
« Reply #7 on: 18:03:04, 30-06-2008 »

And another one from this member who wonders where you've been over the past 18 months or so!

Hope all's well...
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pianola
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« Reply #8 on: 21:19:11, 30-06-2008 »

Well, thank you to one and all, I'm overwhelmed!

Hello, ahinton, I should have guessed you wouldn't be far away - rather pleased about that. Invitation to visit still holds.

Ruby2, I'm out of practice with other people's repairs, but your piano looks like either a Triumph Auto or a Higel. The tubes to your wind motor governor could certainly do with being replaced. Grin You can still buy decent rubber tube of the right sizes from W. Mannering and Co, in Bellingham, south-east London - http://www.mannering-rubber.co.uk.

In general terms, pianola repairs are not difficult, but they are time-consuming. Those who do it for a living don't get rich, because customers don't really believe the time it takes. For the piano side of things, you can obtain piano sundries from Heckshers in Camden Town - http://www.uk-piano.org/heckscher. Rubbercloth is not as easy to find as it used to be. Rick Alabaster in Australia used to sell good cloth, and you'll find his details if you scroll down the page here - http://www.player-care.com/supplies.html.

But for most people wanting small quantities of a variety of materials, try the following suppliers in Kidderminster - http://www.musicanic.com. I haven't used them myself, but their penultimate predecessor was a lovable rogue whom I used to visit in the 1980s and '90s, who smoked like a chimney and charged for secondhand piano rolls according to their length!

To those wanting to know what a pianolist does, to save me copying it all out longhand, might I refer you to the webpage at http://www.pianola.org/history/history_pianolists.cfm? You'll find the explanation starts there, and continues on other linked pages. There's also a list of some well-known pianolists, and if you dig, you'll find freely downloadable pdfs of various manuals. I shall never finish the website, so there are areas which are incomplete, but if you look carefully, you will find most of the important topics are covered, and there are many mp3s of musical examples. Please don't all download immediately - we are limited to 250 Mb download each day for the whole world, or we risk being taken off the air!

Questions about Stravinsky and the pianola can mostly be answered at http://www.pianola.org/history/history_stravinsky.cfm.

Someone will ask why you need a pianolist when Paderewski already recorded the roll. That's not the pianola, it's the reproducing piano, which is different. http://www.pianola.org/history.history.cfm will explain it all.

Finally, do remember that the pianola is simply an instrument, dependent on the way in which it is played. It can be used for mechanical-sounding music, though it was not designed for it, and it can be used for classical and romantic music, jazz, pop of various vintages and so on. If you hear it being played mechanically, that will reflect the choice or perhaps the standard of the player. You don't have to go far for that, since YouTube is full of such performances. Angry

Oh, and by the way, I am not a Cardinal. Cardinal Rex Lawson was a Nigerian band leader from the '50s and '60s whose name still resonates in the world music community. Our Nigerian postman delivered a parcel last year and couldn't stop grinning when he read my name.

Good to meet you all. Cheesy
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martle
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« Reply #9 on: 22:08:50, 30-06-2008 »

Gotta love this board. Great stuff, pianola!  Smiley
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Green. Always green.
blue_sheep
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« Reply #10 on: 14:00:32, 01-07-2008 »

Hello Rex:)
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richard barrett
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« Reply #11 on: 14:26:27, 01-07-2008 »

Oh yes, welcome Pianola. I very nearly contacted you recently with an enquiry I had about the Hupfeld Violina, or its repertoire to be more precise, but another board member stepped in first with the answer, it's a bit like that round here.
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pianola
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« Reply #12 on: 23:09:44, 01-07-2008 »

What welcoming people!

I will say that I have never heard a Hupfeld Phonoliszt-Violina (or Dea-Violina, which was another sort) play like I think they must have done once. It was such a clever system, with the vibrato controlled by perforations, so that it could be started gently. To design that subtlety into a mechanism means that the whole instrument must have worked well, in my view. Not quite like a real violinist, but at least acceptable. The Mills Violano Virtuoso on the other hand, designed for amusement arcades and background music, had the vibrato on a fixed cam. Five minutes is enough - take it from me!
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