Stanley Stewart
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« Reply #3075 on: 17:02:14, 14-07-2008 » |
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A performance on DVD from a 1992 BBC transmission of Shostakovitch's 24 Preludes & Fugues, Op 87 by Tatiana Nikolayeva. She thrilled us at the Wigmore Hall, a couple of years earlier, and received the rare accolade of a standing ovation. A lovely warm presence, too. Reminded me so much of the distinguished Russian actress, Maria Ouspenskaya ((1876-1949) who brought the same majestic presence and a sense of earthy wisdom to so many Hollywood epics in the late 30s and throughout the 40s: "The Rains Came" (1939) and "King's Row" (1941).
The DVD is on the Classic archive label. The recital is timed at 150 mins and the bonus material from the label's archive includes:
Michelangeli (1981) Beethoven Piano Sonata, No 12, Op 26 Richter (1989) Chopin Etude Op 10, No 2 Weissenberg (1965) Stravinsky Petrushka Danse Russe
Exceptional value at less than £10 from hmv.online
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Bryn
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« Reply #3076 on: 17:50:01, 14-07-2008 » |
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A performance on DVD from a 1992 BBC transmission of Shostakovitch's 24 Preludes & Fugues, Op 87 by Tatiana Nikolayeva. Snap. [By the way, I thought the sound was too good for Dolby Digital (which the packaging claims it to be). It is actually 2 channel LPCM at 48ksps and 16 bit quantization. ]
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« Last Edit: 18:34:25, 14-07-2008 by Bryn »
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Stanley Stewart
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« Reply #3077 on: 19:02:52, 14-07-2008 » |
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Thanks, Bryn. I naturally defer to your technical proficiency and the quality of the sound recording fully complements Nikolayeva's mastery and, yes, wit! We've had had to wait some time for the right mix of picture and sound and this DVD is certainly a step in the right direction. A most compulsive experience.
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Ron Dough
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« Reply #3078 on: 19:09:46, 14-07-2008 » |
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Bryn
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« Reply #3079 on: 19:41:14, 14-07-2008 » |
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48k samples per second. I don't approve of the use of Hz for sample rate. It is a unit of wave motion frequency, is it not?
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Bryn
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« Reply #3080 on: 22:27:22, 14-07-2008 » |
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 Which, along with the violin concertos (also Abbado), and the Shostakovich Preludes and Fugues DVD, arrived today.
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Ron Dough
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« Reply #3081 on: 22:56:55, 14-07-2008 » |
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48k samples per second. I don't approve of the use of Hz for sample rate. It is a unit of wave motion frequency, is it not?
A rather isolationist stand surely, though, when the industry has adopted Hz (whether or not it's strictly accurate)?
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Bryn
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« Reply #3082 on: 23:16:43, 14-07-2008 » |
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A rather isolationist stand surely ... ?
Not really. 
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brassbandmaestro
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« Reply #3083 on: 08:45:22, 15-07-2008 » |
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Brahms, Symphony no.4/Vienna PO/Carlos Kleiber. probably the best recording of this fine work?
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Eruanto
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« Reply #3084 on: 15:54:28, 15-07-2008 » |
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Perotin: Viderunt omnes. Tenebrae / Nigel Short. And I thought Machaut was odd. 
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"It is not our part to master all the tides of the world, but to do what is in us for the succour of those years wherein we are set"
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Ron Dough
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« Reply #3085 on: 21:52:56, 15-07-2008 » |
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Since Coro was so persuasively recommended by a couple of members I trust, and I'd never quite got round to it, I found this alternative recording - live from the second performance before the piece was revised - at a good price. An added advantage is the virtuoso performance of the amazing Cathy Berberian in Epifanie, proving beyond all doubt that here was a singer who needed no studio artifice to deliver the most demanding of vocal lines. Excellent sound, a well-filled disc, both works revealing a rich and communicative aural imagination, emotional power and frequently beauty: the only drawback I can think of is that it's already sent me surfing to find the commercial recordings. Thanks, guys. 
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martle
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« Reply #3086 on: 09:07:27, 16-07-2008 » |
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Oooh, now, Ron... I had no idea about that disc. But now I do! Epifanie is another knockout score, for sure. 
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Green. Always green.
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Stanley Stewart
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« Reply #3087 on: 18:11:46, 16-07-2008 » |
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An endearing 2CD disc from Albion Records for less than a tenner; hmv.online.
Ralph Vaughan Williams: Music in the Heart
Serenade to Music; RFH, Nov 1951. Liverpool P.O. conducted by RVW. Stiles Allen, Isobel Baillie, Elsie Suddaby, Muriel Brunskill, Astra Desmond, Mary Jarred, Heddle Nash, Norman Allin, Robert Easton, Roy Henderson & Harold Williams - all from the first performance conducted by Sir Henry Wood in 1938. The new team included Ena Mitchell, Gladys Ripley, William Herbert, Richard Lewis and Stephen Manton.
The Pilgrim's Journey - A Cantata (arr by Roy Douglas); a 54 minute extract, recorded at Plymouth Church of the Pilgrims, Brooklyn, New York City, on 4 April 1965.
The bonus disc - a real highlight - is a 28 minute talk by RVW on The Teachings of Parry and Stanford, edited from a broadcast on 17 November 1955. So humorous and affectionate; lovely to hear his voice again.
Finally, a brief excerpt from the Funeral Service of RVW at Westminster Abbey, 19 September 1958.
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Don Basilio
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« Reply #3088 on: 19:06:17, 16-07-2008 » |
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Finally, a brief excerpt from the Funeral Service of RVW at Westminster Abbey, 19 September 1958.
As a matter of interest, what was the music?
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Il Grande Inquisitor
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« Reply #3089 on: 19:39:09, 16-07-2008 » |
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I've spun this a few times over the last three days; it's incredibly good and makes the old credit card itchy for the imminent release of Nos.3 & 6! 
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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