Stanley Stewart
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« Reply #3090 on: 20:26:44, 16-07-2008 » |
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Thanks, Don. The music used was RVW's own setting of 'Come, thou, O Love Divine' sung by the choir and congregation. A voyage of discovery, too, as the commentary was spoken by Richard Dimbleby.
Interested to read in the liner notes, by Stephen Connock, Chairman, RVW Society:
'The short extract from the funeral service in Westminster Abbey on 19 September 1958 is a poignant conclusion to this 50th anniversary commemorative release. It was a warm late summer morning as Vaughan Williams' ashes were laid in the Musicians' Aisle, fittingly alongside Charles Villiers Stanford. A privileged few were to see these ashes again when, on Monday, 21 April 2008, Ursula Vaughan Williams' remains were interred alongside her beloved husband, united at last in death.'
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perfect wagnerite
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« Reply #3091 on: 20:37:08, 16-07-2008 » |
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Finally, a brief excerpt from the Funeral Service of RVW at Westminster Abbey, 19 September 1958.
As a matter of interest, what was the music? Michael Kennedy's biography of RVW describes the Commemoration in Music at RVW's funeral service. I don't have my copy to hand, but IIRC it included the Five Variants on Dives and Lazarus and Bach's concerto for two violins. Adrian Boult conducted.
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« Last Edit: 20:43:48, 16-07-2008 by perfect wagnerite »
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
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JP_Vinyl

Gender: 
Posts: 37
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« Reply #3092 on: 05:11:39, 18-07-2008 » |
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Re: the album of South Indian temple music mentioned earlier, I'm not sure it would be the same as what you'd hear in a South Indian classical, or Carnatic *concert* setting - (although I intend to listen and find out), a lot of temple music tends to be distinct from concert-hall classical, although part of the same overall system of music. The devotional drum music of Kerala, for instance, is very different from 'cutchery' fare, and this seems like something on similar lines, with added nadaswaram (reed instument).
NP: Nielsen: The Complete Concertos, Naxos.
(Edited because I can no longer type. Angry kittens ripped my hands after vaccinations)
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« Last Edit: 11:16:22, 18-07-2008 by JP_Vinyl »
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I am not going to be shot in a wheel-barrow, for the sake of appearances, to please anybody.
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Ron Dough
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« Reply #3093 on: 11:14:16, 18-07-2008 » |
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Thanks for that info, JP_V: please keep us posted.
Ron
[Edit: posted before the additional news re the hands. Kittens have claws like needles - not pleasant to be on the receiving end of them. Speedy recovery!]
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« Last Edit: 12:24:10, 18-07-2008 by Ron Dough »
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Don Basilio
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« Reply #3094 on: 12:08:53, 18-07-2008 » |
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Careful where you criticise, jp. There are some passionate cat lovers here.
(Sorry about the injuries. Hope they are healing nicely.)
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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JP_Vinyl

Gender: 
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« Reply #3095 on: 12:24:41, 18-07-2008 » |
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I support a large brood of cats myself.  Doesn't get me any slack when they have to vent after shots! To stay on-topic: NP: Shostakovich, Symphony 5, Kondrashin. I miss the hang-it-all jagged vehemence of the 4th, my introduction to Shokstakovich, but it's interesting how this one is just shades away from that at times.
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I am not going to be shot in a wheel-barrow, for the sake of appearances, to please anybody.
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Bryn
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« Reply #3096 on: 19:30:12, 18-07-2008 » |
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MT Wessel
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« Reply #3097 on: 20:22:04, 18-07-2008 » |
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Gor Blimey! Nice one Bryn. 
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lignum crucis arbour scientiae
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egf

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« Reply #3098 on: 01:14:57, 19-07-2008 » |
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Listen up! (or down, your choice): [inappropriate link removed]
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« Last Edit: 17:51:10, 19-07-2008 by Ron Dough »
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MT Wessel
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« Reply #3099 on: 01:51:51, 19-07-2008 » |
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« Last Edit: 02:01:57, 19-07-2008 by MT Wessel »
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lignum crucis arbour scientiae
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autoharp
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« Reply #3100 on: 03:36:54, 19-07-2008 » |
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Listen up! (or down, your choice): [inappropriate link removed]
Hmmm. Couldn't discover the answer by googling.
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« Last Edit: 17:52:16, 19-07-2008 by Ron Dough »
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Bryn
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« Reply #3101 on: 07:30:13, 19-07-2008 » |
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Listen up! (or down, your choice): [[inappropriate link removed]]
Hmmm. Couldn't discover the answer by googling. But we've heard the story before, haven't we, either here or at TOP.
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« Last Edit: 17:53:35, 19-07-2008 by Ron Dough »
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Stanley Stewart
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« Reply #3102 on: 13:01:52, 19-07-2008 » |
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Thanks for the heads-up on the Frank Zappa disc, Bryn. I still recall his great gig at Manchester, in 1969.
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John W
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« Reply #3103 on: 16:14:29, 19-07-2008 » |
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I cashed in some commission/gift certs at Amazon to order this:  Put it on first time this rainy afternoon. Having listened to and enjoyed Handel favourites for three decades it is very refreshing to suddenly find 145 mins on 'unheard' Handel, very varied and inventive baroque ensemble work, organ, fine vocals, beautifully played and sung. Interesting notes explain that Corelli himself was playing violin in Handel's performances and found the violin parts difficult to play in the French style! John
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strinasacchi
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« Reply #3104 on: 16:35:03, 19-07-2008 » |
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Interesting notes explain that Corelli himself was playing violin in Handel's performances and found the violin parts difficult to play in the French style!
John, can you elaborate on what the notes say about this? I had thought the story was that Corelli refused to play as high as Handel wrote, not that there was any issue of French style. But I'd be curious to hear more.
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