harmonyharmony
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« Reply #765 on: 10:44:36, 30-08-2008 » |
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Heady days when poetry readings were big events.
I only ever went to one poetry reading, actually. It was by Geoffrey Hill, a poet I like quite a bit (though not without some fairly major reservations), and all most of it served to do was to convince me yet again that a man is not his work. There was one exception - a beautiful moment when he stopped ranting and recited from memory some of his favourite poems by other writers (admittedly there were other moments when he stopped ranting to read his own, but I can do that myself) - but I don't think I want to hear him talk again. This made me want to say something about reading poetry aloud. Until a few years ago I'd never really done it. And now I've started I don't want to stop. Not ever. I started with The Prelude in a quartet, Taking turns at arbitrary intervals. And then c got me reading Keats, Pound, Eliot, all sorts Out loud. The night we first kissed was prefaced by a drunken recital by me of my favourites. And an exuberant gesture that claimed the life of a candle. And a tablecloth. How did we lose sight or hearing of the poem as a HEARD thing Rather than a READ thing? It'll take More Than Benjamin Zephaniah to sort this one out I fear. A Song in Chinese Tapestries Vachel Lindsay.
It doesn't really say nightingale anywhere in the poem. Also I can not say that I understand everything in this poem. There are several words that I don't know, but I like the sound of it.
I think that 'I like the sound of it' is possibly the best recommendation for a poem I know. If I like the way that a poem feels then I'll find out what it means. I enjoyed the Lindsay t-p, so thanks for posting it. I don't know a lot of his poetry but what I have read has endeared itself to me. I should really post something about the Kinsella that I was reading on the train yesterday but I'm finding it difficult to order my thoughts. I'll have to go back and decide which of his poems I like (a handful) and why. And then the book has to go in the post back to c.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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time_is_now
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« Reply #766 on: 10:50:28, 30-08-2008 » |
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How did we lose sight or hearing of the poem as a HEARD thing Rather than a READ thing? From the preface to Basil Bunting's Collected Poems: With sleights learned from others and an ear open to melodic analogies I have set down words as a musician pricks his score, not to be read in silence, but to trace in the air a pattern of sound that may sometimes, I hope, be pleasing. Unabashed boys and girls may enjoy them. This book is theirs.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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trained-pianist
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« Reply #767 on: 01:30:39, 31-08-2008 » |
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Khodasevich, the poem is called About myself
No, I didn’t lost the beauty, but in whole, I’m put to shame to see it by my eyes, By eyes of men – else more, for my soul Will not agree with their offensive prize.
And so I live, hiding my heart, divine, Into the breast of a low, nasty rebel … D’ you see a spider on the green blade, fine, And on its back – the cruciform black label?
A little child will run away from it, And in a heist, you ever try to hit – By squeamish hands – it off your neck of fairy.
It runs away of your unbound wrath, Ashamed and known not what means the cross, It always bears on his back so hairy.
Before the mirror
‘I, I, I’. What a word! It’s unfair! Is this man I? Is this not a fake? Could his mother love him anywhere – Grayish-yellow, gray in his hair, And such witty and wise as a snake?
Can it be that the boy who liked dances In the summer Ostankino’s balls -- Is I? I who, by each of my answers, Call for anger’s and fear’s upraises Of the poets, beginning their toils.
Can it be that the same youthful person Who put vigor in his arguments – Is I? I, who, at tragic and passion’s Elements, met in all conversations, Has learnt usage of silence or jests.
Yet it’s always when you just freeze on The midways through your baleful life: >From the trivial reasons to reasons, And behold, you are lost in wild regions, And couldn’t find former trace of your strife.
Under garrets of France, not a fear Of a panther has set me, at last. Virgil does not inspire me here… There is loneliness – framed in the mirror That is speaking the truth of the glass.
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harmonyharmony
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« Reply #768 on: 23:24:27, 02-09-2008 » |
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In Westminster Abbey
Let me take this other glove off As the vox humana swells, And the beauteous fields of Eden Bask beneath the Abbey bells. Here, where England's statesmen lie, Listen to a lady's cry.
Gracious Lord, oh bomb the Germans. Spare their women for Thy Sake, And if that is not too easy We will pardon Thy Mistake. But, gracious Lord, whate'er shall be, Don't let anyone bomb me.
Keep our Empire undismembered Guide our Forces by Thy Hand, Gallant blacks from far Jamaica, Honduras and Togoland; Protect them Lord in all their fights, And, even more, protect the whites.
Think of what our Nation stands for, Books from Boots and country lanes, Free speech, free passes, class distinction, Democracy and proper drains. Lord, put beneath Thy special care One-eighty-nine Cadogan Square.
Although dear Lord I am a sinner, I have done no major crime; Now I'll come to Evening Service Whensoever I have the time. So, Lord, reserve for me a crown. And do not let my shares go down.
I will labour for Thy Kingdom, Help our lads to win the war, Send white feathers to the cowards Join the Women's Army Corps, Then wash the Steps around Thy Throne In the Eternal Safety Zone.
Now I feel a little better, What a treat to hear Thy word, Where the bones of leading statesmen, Have so often been interr'd. And now, dear Lord, I cannot wait Because I have a luncheon date.
John Betjeman
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Don Basilio
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« Reply #769 on: 23:27:47, 02-09-2008 » |
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Another Betjeman I can recit by heart.
Indeed, not only is poetry only to be appreciated when read out loud, I feel I only appreciate it when I can recit it by heart.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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harmonyharmony
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« Reply #770 on: 23:28:40, 02-09-2008 » |
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Did This Happen to Your Mother? Did Your Sister Throw Up a Lot?
I love a man who is not worth my love. Did this happen to your mother? Did your grandmother wake up for no good reason in the middle of the night?
I thought love could be controlled. It cannot. Only behavior can be controlled. By biting your tongue purple rather than speak. Mauling your lips. Obliterating his number too thoroughly to be able to phone.
Love has made me sick.
Did your sister throw up a lot? Did your cousin complain of a painful knot in her back? Did your aunt always seem to have something else troubling her mind?
I thought love would adapt itself to my needs. But needs grow too fast; they come up like weeds. Through cracks in the conversation. Through silences in the dark. Through everything you thought was concrete.
Such needful love has to be chopped out or forced to wilt back, poisoned by disapproval from it's own soil.
This is bad news, for the conservationist.
My hand shakes before this killing. My stomach sits jumpy in my chest. My chest is the Grand Canyon sprawled empty over the world.
Whoever he is, he is not worth all this.
And I will never unclench my teeth long enough to tell him so.
Alice Walker
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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harmonyharmony
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« Reply #771 on: 23:34:48, 02-09-2008 » |
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I'm going a bit ballistic with three long-ish poems tonight. I'm just in one of those moods. There's nothing really to connect them other than they're in the same anthology (believe it or not, The Nation's Favourite Twentieth Century Poems) and they all have something connected with anger in my own mind. Sharing poetry validates it more for me than the reading of it aloud or from heart. Often reading aloud is sharing (I find it strange to think of reciting poetry to myself) but when I read a poem I like, or that has moved me, I want to share it with others.
Without you
Without you every morning would feel like going back to work after a holiday, Without you I couldn't stand the smell of the East Lancs Road, Without you ghost ferries would cross the Mersey manned by skeleton crews, Without you I'd probably feel happy and have more money and time and nothing to do with it, Without you I'd have to leave my stillborn poems on other people's doorsteps, wrapped in brown paper, Without you there'd never be sauce to put on sausage butties, Without you plastic flowers in shop windows would just be plastic flowers in shop windows, Without you I'd spend my summers picking morosley over the remains of train crashes, Without you white birds would wrench themselves free from my paintings and fly off dripping blood into the night, Without you green apples wouldn't taste greener, Without you Mothers wouldn't let their children play out after tea, Without you every musician in the world would forget how to play the blues, Without you Public Houses would be public again, Without you the Sunday Times colour suppliment would come out in black-and-white, Without you indifferent colonels would shrug their shoulders and press the button, Without you they's stop changing the flowers in Piccadilly Gardens, Without you Clark Kent would forget how to become Superman, Without you Sunshine Breakfast would only consist of Cornflakes, Without you there'd be no colour in Magic colouring books, Without you Mahler's 8th would only be performed by street musicians in derelict houses, Without you they'd forget to put the salt in every packet of crisps, Without you it would be an offence punishable by a fine of up to £200 or two months' imprisonment to be found in possession of curry powder, Without you riot police are massing in quiet sidestreets, Without you all streets would be one-way the other way, Without you there'd be no one to kiss goodnight when we quarrel, Without you the first martian to land would turn round and go away again, Without you they'd forget to change the weather, Without you blind men would sell unlucky heather, Without you there would be no landscapes/no stations/no houses no chipshops/no quiet villages/no seagulls on beaches/no hopscotch on pavements/no night/no morning/ there'd be no city no country Without you.
Adrian Henri
And of course this last one makes me sad too.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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harmonyharmony
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« Reply #772 on: 23:52:22, 02-09-2008 » |
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Oh! Oh! Oh! Have to share this one...
F. (Missive & Walk) I. #53
I'm getting tired of not wearing underwear and then again I like it strolling along feeling the wind blow softly on my genitals though I also like them encased in something firm, almost tight, like a projectile at a streetcorner I stop and a lamppost is bending over the traffic pensively like a praying mantis, not lighting anything, just looking who dropped that empty carton of cracker jacks I wonder I find the favor that's a good sign it's the blue everyone is talking about an enormous cloud which hides the observatory blimp when you ride on a 5th Avenue bus you hide on a 5th Avenue bus I mean compared to you walking don't hide there you are trying to hide behind a fire hydrant I'm not going to the Colisseum I'm going to the Russian Tea Room fooled you didn't I well it is nicer in the Park with the pond and all that okay lake and the bicyclists give you a feeling of being at leisure in the open air lazy and good-tempered which is fairly unusual these days I liked for instance carrying my old Gautier book and L'Ombra over to LeRoi's the other pale afternoon through the crowds of 3rd Avenue and the ambulance and the drunk
Frank O'Hara
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Antheil
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« Reply #773 on: 00:00:29, 03-09-2008 » |
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hh
"Without you there'd never be sauce to put on sausage butties"
Excuse moi, us foodies shudder at the very thought of it
xx
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« Last Edit: 00:02:38, 03-09-2008 by Antheil »
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Reality, sa molesworth 2, is so sordid it makes me shudder
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trained-pianist
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« Reply #774 on: 07:08:55, 03-09-2008 » |
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Enigma - Gravity of Love Притяжение Любви
"O Fortuna velut Luna"
Turn around and smell what you don't see Close your eyes ... it is so clear Here's the mirror, behind there is a screen On both ways you can get in
Don't think twice before you listen to your heart Follow the trace for a new start
What you need and everything you'll feel Is just a question of the deal In the eye of storm you'll see a lonely dove The experience of survival is the key To the gravity of love
The path of excess leads to The tower of Wisdom
Try to think about it ... That's the chance to live your life and discover What it is, what's the gravity of love
Look around just people, can you hear their voice Find the one who'll guide you to the limits of your choice
But if you're in the eye of storm Just think of the lonely dove The experience of survival is the key To the gravity of love.
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Robert Dahm
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« Reply #775 on: 07:53:52, 03-09-2008 » |
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HH - I love Frank O'Hara. How about:
Poem (Lana Turner has collapsed!)
Lana Turner has collapsed! I was trotting along and suddenly it started raining and snowing and you said it was hailing but hailing hits you on the head hard so it was really snowing and raining and I was in such a hurry to meet you but the traffic was acting exactly like the sky and suddenly I see a headline LANA TURNER HAS COLLAPSED! there is no snow in Hollywood there is no rain in California I have been to lots of parties and acted perfectly disgraceful but I never actually collapsed oh Lana Turner we love you get up
Or:
Steps
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget's steeple leaning a little to the left
here I have just jumped out of a bed full of V-days (I got tire of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even ht etraffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting's not so blue
where's Lana Turner she's out eating and Garbo's backstage at the Met everyone's taking their coat off so they can show a rib-cage to the rib-watchers and the park's full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we're all winning we're alive
the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building's no longer rivalled in interest not that we need liquor (we just like it)
and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining
oh god it's wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
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harmonyharmony
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« Reply #776 on: 08:48:03, 03-09-2008 » |
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Absolutely killer last lines! Thanks for posting those Robert.
Who are your poems by t-p?
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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harmonyharmony
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« Reply #778 on: 09:54:26, 03-09-2008 » |
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A quick google tells me that they are the lyrics of a song called Gravity of Love (note samples of Orff at the start) by an 'electronic music project' (whatever that means) called Enigma, more famous for combining Gregorian chant with a drumbeat. Ah yes. I remember this.
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« Last Edit: 09:56:07, 03-09-2008 by harmonyharmony »
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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trained-pianist
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« Reply #779 on: 11:27:07, 03-09-2008 » |
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Yes, you are right. I did not read the first page.
Still it is strange that they don't mention the author.
Russian pop music is influenced by Western music very much. They know the best UK and American bands. My friends bring self-made videos from three days festival of pop music every summer. They think that it is such a special event that we with t-p have to listen to that. I am mildly curious, but I get tired of it quickly.
It is a mixture of popular Western trends dressed in some Russian ways. For me it is strange to watch, even funny sometimes. My friends listen to the Russian pop (called popsa with stress on the a) all the time. There are some influence from continental groups (French or Mediteranian groups) and there are more traditional Russian songs. Perhaps they are getting a little better as far as the sound is concerned.
You probably would enjoy watching it, hh.
Is there anything original on that site? It says that they invite original poems.
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