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Author Topic: Gramophone Awards 2007  (Read 355 times)
time_is_now
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« on: 11:20:15, 04-10-2007 »

Thought this might be of interest:

Record of the Year (and winner of the Concerto category)
Brahms Piano Concertos
Nelson Freire; Leipzig Gewandaus Orchestra / Riccardo Chailly (Decca)

Baroque instrumental
Handel Concerti Grossi
Academy of Ancient Music / Richard Egarr (Harmonia Mundi)

Baroque vocal
Handel Messiah (Dublin version, 1742)
Dunedin Consort & Players / John Butt (Linn Records)

Chamber
Haas and Janácek String Quartets
Pavel Haas Quartet (Supraphon)

Choral
Brahms Ein Deutsches Requiem
Dorothea Röschmann; Thomas Quasthoff; Berlin Radio Choir; Berlin Philharmonic Orchestra / Sir Simon Rattle (EMI)

Contemporary
Julian Anderson Alhambra Fantasy
BBC Symphony Orchestra / Oliver Knussen (Ondine)

DVD
”Julian Bream: My Life in Music” (Avie)

Early Music
Byrd Laudibus in sanctis
The Cardinall’s Music (Hyperion)

Historic archive
Wagner Götterdämmerung
Bayreuth Festival Opera / Joseph Keilberth (Testament)

Historic reissue
Moeran Symphony etc
London Philharmonic Orchestra, New Philharmonia / Sir Adrian Boult (Lyrita)

Instrumental
Bach
Cello Suites, Steven Isserlis (Hyperion)

Opera
Rossini Matilde di Shabran
Conducted by Riccardo Frizza (Decca)

Orchestral
Prokofiev Complete Symphonies
London Symphony Orchestra / Valery Gergiev (Philips)

Recital
“Simon Keenlyside: Tales of Opera”
Munich Radio Orchestra / Ulf Schirmer (Sony Classical)

Solo vocal
R.Strauss Lieder
Jonas Kaufmann; Helmut Deutsch (Harmonia Mundi)

Editor’s Choice Award
Mahler Symphony No 2
Budapest Festival Orchestra / Ivan Fischer (Channel Classics)

Other awards
Lifetime Achievement: Montserrat Caballè
Young Artist Of The Year: Vasily Petrenko (Chief Conductor, Royal Liverpool Philharmonic Orchestra)
Classic FM Magazine Award For Audience Innovation: Royal Liverpool Philharmonic Orchestra (for their work in bringing new audiences to classical music, including their “virtual concert” on the internet network Second Life)
Label Of The Year (in association with SFH Optical Disc): Deutsche Grammophon
Special Achievement Award: Christopher Raeburn (record producer)

The recording awards were dedicated to the memory of Luciano Pavarotti.
« Last Edit: 14:14:15, 04-10-2007 by time_is_now » Logged

The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
BobbyZ
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« Reply #1 on: 13:37:17, 04-10-2007 »

What on earth have DG done in 2006 / 7 to be label of the year ? It's been my impression that they've been edging ever closer to crossover territory for some time now.
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Dreams, schemes and themes
richard barrett
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« Reply #2 on: 14:16:07, 04-10-2007 »

The only one of those Award Winners I've actually heard was Gergiev's Prokofiev set which I liked very much. Any opinions on any of the others? It looks like a pretty stodgy list to me. Awards aren't really my cup of tea, but of the new CDs of contemporary composition (at least of the sort that would stand some chance of being recognised as such by the Gramophone) released in the last year which I've heard I think my favourits was the Xenakis percussion music set with Steven Schick on Mode.

I'm assuming that DG was "label of the year" because of, rather than despite, their crossover tactics.
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time_is_now
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« Reply #3 on: 15:17:11, 04-10-2007 »

The only one of those Award Winners I've actually heard was Gergiev's Prokofiev set which I liked very much. Any opinions on any of the others? It looks like a pretty stodgy list to me.
The Jonas Kaufmann Strauss Lieder had rave reviews, but I have to admit to not having heard it yet (not that I'd be the best candidate to judge its quality even if I did). I'd imagine the Janacek Quartets, the Testament Wagner, and Ivan Fischer's Mahler might be anything but stodgy, though again I can't claim to have heard them myself.

Quote
of the new CDs of contemporary composition (at least of the sort that would stand some chance of being recognised as such by the Gramophone) released in the last year which I've heard I think my favourits was the Xenakis percussion music set with Steven Schick on Mode.
I'd have been very happy to see that set win an award, although because of the way Gramophone set their release window for each year's awards (nominations for which start around April) I've a feeling it would actually be a 2008 contender, rather than 2007. As you probably know I work for the distributor both of that set and of the Ondine disc that did win (which is a very good and well-presented disc, though I much prefer Anderson's more recent music as represented on the NMC disc released around the same time). We also distribute various other forms of 'contemporary composition' (Emanem, Psi, and the other Martin Davidson imprints, besides a few independent-minded American labels: Pi, Aum Fidelity, etc), though as you say I don't think they'd get very far if we tried to put them in for a Gramophone Award. Undecided

Quote
I'm assuming that DG was "label of the year" because of, rather than despite, their crossover tactics.
I'd imagine it might be something to do with their advocacy of Gramophone favourite Anna Netrebko, but I don't really know what else they get up to these days. They're a bit less crossover-inclined than Universal's other arm, Decca, aren't they?
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
BobbyZ
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« Reply #4 on: 18:41:29, 04-10-2007 »


Quote
I'm assuming that DG was "label of the year" because of, rather than despite, their crossover tactics.
I'd imagine it might be something to do with their advocacy of Gramophone favourite Anna Netrebko, but I don't really know what else they get up to these days. They're a bit less crossover-inclined than Universal's other arm, Decca, aren't they?

Well, they had the Sting Sings Dowland disk and also Quasthoff Sings Jazz but I guess to set against that they have just released Anne Sofie Von Otter's disk of music from Theresienstadt. But I just thought that there must be a label that has done more than DG this year to deserve an award ?
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Dreams, schemes and themes
richard barrett
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« Reply #5 on: 18:46:11, 04-10-2007 »

to set against that they have just released Anne Sofie Von Otter's disk of music from Theresienstadt.

Am I alone in finding the cover of that CD rather distastefully aestheticised?

We also distribute various other forms of 'contemporary composition'
Actually I didn't know you were involved in THOSE particular ones!
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Gnu
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« Reply #6 on: 14:37:44, 05-10-2007 »


Certain awards may not be unrelated to the amount of advertising space bought by certain labels....
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Gnu
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« Reply #7 on: 14:40:12, 05-10-2007 »


And Fischer's Mahler 2 gets an award?  Evidently not for the quality of the choral sound:  backwardly balanced and consonants inaudible - although to be fair, the balance makes it difficult to tell whether they actually do consonants.
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Aitch
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« Reply #8 on: 08:22:30, 11-10-2007 »

Bearing in mind that:
1. They are the Gramaphone/CFM Awards
2. Gramaphone lets Armando Ianucci write a column for them
I don't think anything should be surprising  Smiley

BTW I listened to the DG CD that came with that issue. Is it me or does it have a strange sound -  very old fashioned orchestral sound?
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