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Author Topic: Split from the Riegger Thread: Politics and Music  (Read 1794 times)
Ian Pace
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« Reply #15 on: 12:24:35, 14-12-2007 »

I've been reading this discussion with interest and simply want to ask Baz how exactly he defines 'politics'? If it 'always exists to impair and restrict' 'man's spiritual experience and awareness', is there anything good can ever come out of the sphere he defines as the 'political'?

As far as the Eroica is concerned, Beethoven was preoccupied with all sorts of ideas concerning individualism, idealism, the reign of a new group of heroes in society (of which Napoleon was, at first, perceived to be one), the artist as visionary, unbeholden to anyone else, and attempted to give these thoughts musical representation (not so much programmatically as to capture all the emotions, aspirations, desires entailed with such ideas). Whatever one might think of these ideas nowadays, to define the 'political' in such a way that would exclude them would seem an extremely narrow way of delineating the category (and almost certainly Beethoven would have disagreed).
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ron Dough
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« Reply #16 on: 12:29:08, 14-12-2007 »

Might I be just the first to extend a welcome back to Ian? We haven't always seen eye to eye, but he has made many valuable contributions to this board, and there's never any doubting his passionate commitment or erudition.

Very pleased to see you here, Ian: you've been missed. 
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martle
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« Reply #17 on: 12:32:40, 14-12-2007 »

As far as the Eroica is concerned, Beethoven was preoccupied with all sorts of ideas concerning individualism, idealism, the reign of a new group of heroes in society (of which Napoleon was, at first, perceived to be one), the artist as visionary, unbeholden to anyone else, and attempted to give these thoughts musical representation (not so much programmatically as to capture all the emotions, aspirations, desires entailed with such ideas). Whatever one might think of these ideas nowadays, to define the 'political' in such a way that would exclude them would seem an extremely narrow way of delineating the category (and almost certainly Beethoven would have disagreed).

Yes, Ian, and those are amongst the reasons I've always thought of Beethoven as being one of the most 'political' composers to have lived - using the p-word there in the sense you, Richard and PW intend it, I think. I also think you'd have to think quite differently about his music (it's physical architecture, its rhetoric, its essential organicism) if you were to remove that set of ideas from the equation.
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Green. Always green.
Morticia
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« Reply #18 on: 12:41:34, 14-12-2007 »

Indeed Ron. A  surprise and welcome appearance. Good to see you around Ian Smiley
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Ian Pace
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« Reply #19 on: 12:44:07, 14-12-2007 »

Thanks Ron and Mort. There shouldn't be gripes that can't ultimately be resolved, at least not on messageboards (gripes between someone for whom a family member has been guillotined by a revolutionary leader may be a different matter, and somewhat political, I think!). EDIT: sorry for that triple negative above!

I don't know any of Riegger's music at all - thanks for the suggestions on what little exists on record - very interested if anyone knows of anything else (or even if anyone might put anything up on Soulseek)?
« Last Edit: 12:47:32, 14-12-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
C Dish
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« Reply #20 on: 12:54:35, 14-12-2007 »

Soulseek contains no Riegger, and the argument with Baz is a purely terminological one.
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inert fig here
Baz
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« Reply #21 on: 12:56:02, 14-12-2007 »

Anything which relates to the relationship between the individual and society is politics, and any upheaval in society is a political phenomenon, not, as you put it, "only politics", but indeed a matter of life and death for many people. You think I'm being simple-minded. I think you're being almost superhumanly obtuse. I don't think we have any basis for discussion here.

Since you have excommunicated me from further discussion, I shall not attempt to pursue one. Your statement...

Quote
Anything which relates to the relationship between the individual and society is politics

I deem so facile and (frankly) absurd as to cause me to question not only any further conversational ideas you might care to present, but also any creatively musical ones.

Baz
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Sydney Grew
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« Reply #22 on: 13:06:53, 14-12-2007 »

I do think that there is a very sound basis for interesting and potentially valuable discussion here, unless no prior agreement can be reached as to the subject under discussion - in other words, it can progress provided that Richard and like-minded people on the one hand and Baz and like-minded people on the other can first agree on a word to describe that subject. The reason I say so is, quite simply, that the discussion is not - or at least should not be - about what the word "politics" means but about how "ideas" (whether or not anyone describes them as "political") about the interaction of individual human beings with humanity as a whole may figure in the act of and motivation behind musical composition.

Here is the true state of affairs: a clear exposition together with definitions of the principal terms, which will we hope be helpful to Members discussing. The author was O.F.O'F.W. Wilde in 1891.

-oOo-

"Socialism itself will be of value simply because it will lead to Individualism.

"Socialism, Communism, or whatever one chooses to call it, by converting private property into public wealth, and substituting co-operation for competition, will restore society to its proper condition of a thoroughly healthy organism, and insure the material well-being of each member of the community. It will, in fact, give Life its proper basis and its proper environment. But for the full development of Life to its highest mode of perfection, something more is needed. What is needed is Individualism. If the Socialism is Authoritarian; if there are Governments armed with economic power as they are now with political power; if, in a word, we are to have Industrial Tyrannies, then the last state of man will be worse than the first. At present, in consequence of the existence of private property, a great many people are enabled to develop a certain very limited amount of Individualism. They are either under no necessity to work for their living, or are enabled to choose the sphere of activity that is really congenial to them, and gives them pleasure. These are the poets, the philosophers, the men of science, the men of culture--in a word, the real men, the men who have realised themselves, and in whom all Humanity gains a partial realisation. Upon the other hand, there are a great many people who, having no private property of their own, and being always on the brink of sheer starvation, are compelled to do the work of beasts of burden, to do work that is quite uncongenial to them, and to which they are forced by the peremptory, unreasonable, degrading Tyranny of want. These are the poor, and amongst them there is no grace of manner, or charm of speech, or civilisation, or culture, or refinement in pleasures, or joy of life. From their collective force Humanity gains much in material prosperity. But it is only the material result that it gains, and the man who is poor is in himself absolutely of no importance. He is merely the infinitesimal atom of a force that, so far from regarding him, crushes him: indeed, prefers him crushed, as in that case he is far more obedient."

-oOo-

Please note in particular the situation of the "real men" - those above and beyond politics. It is they and they alone who are "our poets, philosophers, and men of culture." "What is needed is Individualism" - that is how he puts it. This sensible fact or rather ungainsayable axiom was widely known and appreciated in prelapsarian 1908 but is now no longer taught even and in danger indeed of being entirely forgotten.

One further observation of Wilde is relevant here: "It is only in art-criticism, and through it, that we can apprehend the Platonic theory of Ideas, and can realise Hegel's system of contraries. A Truth in Art is that whose contradictory is also true." This is if anything more important than either Individualism or Artistic Freedom. No one can be a creative artist who does not take it to heart and produce accordingly! Politics are material whereas Art is spiritual. We have met grotesques who deny a difference!
« Last Edit: 13:13:10, 14-12-2007 by Sydney Grew » Logged
Ron Dough
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« Reply #23 on: 13:09:08, 14-12-2007 »

If we go back to the ultimate derivation of the word 'politics', then its root lies in the Greek word polis meaning 'a city' or 'a city-state'. In its original form, it could be cogently argued that 'politics' could be defined exactly as the relationship between the individual and the society of which he is a part.
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Baz
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« Reply #24 on: 13:15:34, 14-12-2007 »

If we go back to the ultimate derivation of the word 'politics', then its root lies in the Greek word polis meaning 'a city' or 'a city-state'. In its original form, it could be cogently argued that 'politics' could be defined exactly as the relationship between the individual and the society of which he is a part.

If that is the case, could somebody explain to me why we need to have people called "politicians", and having got them what their actual function is?

Baz
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C Dish
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« Reply #25 on: 13:19:31, 14-12-2007 »

If we go back to the ultimate derivation of the word 'politics', then its root lies in the Greek word polis meaning 'a city' or 'a city-state'. In its original form, it could be cogently argued that 'politics' could be defined exactly as the relationship between the individual and the society of which he is a part.
If that is the case, could somebody explain to me why we need to have people called "politicians", and having got them what their actual function is?
In a democracy, their function is to do what a society wants them to do -- perform transactions on behalf of the society which it would be silly for every member of society to have to perform on their own. But politics is not just professional politicians.
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inert fig here
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« Reply #26 on: 13:20:57, 14-12-2007 »

If we go back to the ultimate derivation of the word 'politics', then its root lies in the Greek word polis meaning 'a city' or 'a city-state'. In its original form, it could be cogently argued that 'politics' could be defined exactly as the relationship between the individual and the society of which he is a part.

If that is the case, could somebody explain to me why we need to have people called "politicians", and having got them what their actual function is?

Baz

In Classical Greece, the political system was based on active participation by all citizens (except for the slaves, of course) - there was direct involvement and the non-participant was regarded with scorn (the origin, incidentally, of the word idiot)

In modern societies - immeasurably more complex than the Greek city state - there is a professional class of governors who, in theory at least, carry on politics on our behalf.  Politicians are, in principle, intermediaries to whom citizens delegate their duties - well at least that's the theory.
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
Ian Pace
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« Reply #27 on: 13:21:51, 14-12-2007 »

If we go back to the ultimate derivation of the word 'politics', then its root lies in the Greek word polis meaning 'a city' or 'a city-state'. In its original form, it could be cogently argued that 'politics' could be defined exactly as the relationship between the individual and the society of which he is a part.

If that is the case, could somebody explain to me why we need to have people called "politicians", and having got them what their actual function is?
Politicians are (elected or otherwise) officials who make collective, large-scale decisions that affect the lives of individuals, the society they live in, and the relationship between the two.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Bryn
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« Reply #28 on: 13:22:17, 14-12-2007 »

For a few years, in my youth, I thought I knew and admired a work for piano and wind quintet by this Wallingford Riegger. It was on a Saga LP, along with Barber's "Summer Music" and other works for chamber winds by American composers. I eventually discovered that the attribution on the record label and sleeve was erroneous. I seem to recall it was actually the Poulenc sextet for piano and winds. Wink

Ah, here is the source of the other recordings on that Saga LP:

The damned image would not link, so here's the URL of the page it belongs to.

I wonder if, in the distant past, the New York WInd Quinted just happened to record an LP of the Riegger and Poulenc works for piano and wind quintet? That might at least offer some sort of expalnation for the error of attribution on that Saga LP.

Update:

« Last Edit: 13:31:55, 14-12-2007 by Bryn » Logged
Sydney Grew
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« Reply #29 on: 13:32:59, 14-12-2007 »

In a democracy, their function is to do what a society wants them to do . . .

There is just one tiny fallacy there is there not? It should read "In a demo-cracy, their function is to do what the demos - the populace - the common people - and even then by no means all of them - want them (the politicians) to do."

It is a rump really which has the power there is it not? A small insignificant or contemptible remainder of a body of persons; a fag end. Nothing much good can come of such a situation.
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