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Author Topic: Now spinning  (Read 89672 times)
Biroc
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« Reply #1320 on: 22:41:29, 14-09-2007 »

Can't make out (eyesight failing at this age, jeez...) what that repro cover is my friend, enlighten me in bog-standard forum script if you will sir...
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"Believe nothing they say, they're not Biroc's kind."
richard barrett
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« Reply #1321 on: 22:48:22, 14-09-2007 »

Sorry, it was the biggest one I could find. Two ragas performed on the rudra vina by Zia Mohiuddin Dagar, dhrupad style, no percussion, no fast virtuoso stuff, just a stately and subtle unfolding.

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oliver sudden
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« Reply #1322 on: 22:50:33, 14-09-2007 »

If I didn't know better I'd swear he'd put his sitar down on two pouffes in the sun and the vinyl melted and they stuck.
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ahinton
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« Reply #1323 on: 22:51:14, 14-09-2007 »

Sorry, it was the biggest one I could find. Two ragas performed on the rudra vina by Zia Mohiuddin Dagar, dhrupad style, no percussion, no fast virtuoso stuff, just a stately and subtle unfolding.


"before returning to something a little more Swedish", indeed (and, of course, I know what that'll be!); you don't exactly make your listening life unduly easy, do you?! And good for you!

Best,

Alistair
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Bryn
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« Reply #1324 on: 08:24:02, 15-09-2007 »

But if you try sometimes you might find you get what you need.

What I need is


before returning to something a little more Swedish.

Richard, is the Raga Yaman performance on that double CD album a re-issue of an earlier Numbus release, or a different one?
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richard barrett
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« Reply #1325 on: 10:34:46, 15-09-2007 »

Richard, is the Raga Yaman performance on that double CD album a re-issue of an earlier Nimbus release, or a different one?
There's no clue in the liner. The recordings were made in the usual place on 29 and 30 May 1990, if that's any help, and apparently they were his last recordings (he died that September).
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Bryn
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« Reply #1326 on: 10:55:27, 15-09-2007 »

Thanks Richard, I was just trying to take the lazy way out. I have now found this, which answers the question.
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harmonyharmony
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« Reply #1327 on: 22:34:48, 15-09-2007 »

The Velvet Underground and Nico
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
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oliver sudden
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« Reply #1328 on: 22:36:04, 15-09-2007 »

As so, so often: the Brandenburgs with Musica Antiqua Köln. What a magnificent thing.
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Alison
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« Reply #1329 on: 23:01:12, 15-09-2007 »


Wesendonck Lieder

Susan Bullock/Macolm Martineau
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harmonyharmony
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« Reply #1330 on: 23:04:35, 15-09-2007 »

REM: Reckoning
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
http://www.myspace.com/itensemble
xyzzzz__
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Posts: 201


« Reply #1331 on: 23:05:26, 15-09-2007 »

Butthole Surfers: Locust Abortion technician :-)
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xyzzzz__
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« Reply #1332 on: 23:09:14, 15-09-2007 »

Hear and now Dieter Schnebel: Missa
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harmonyharmony
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« Reply #1333 on: 13:08:44, 16-09-2007 »

Messiaen: Vingt Regards
Just listening to VI. Par lu tout a été fait and I'm quite surprised that it sounds a bit like a Ligeti Etude...
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
http://www.myspace.com/itensemble
Ian Pace
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« Reply #1334 on: 13:10:24, 16-09-2007 »

Messiaen: Vingt Regards
Just listening to VI. Par lu tout a été fait and I'm quite surprised that it sounds a bit like a Ligeti Etude...
Maybe as a result of the fact that, especially from the passage beginning on the fourth page of that piece, it sets certain processes into 'auto-pilot', and then lets them just run their course?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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