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Author Topic: Now spinning  (Read 89672 times)
Il Grande Inquisitor
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« Reply #1635 on: 21:46:06, 09-10-2007 »

Do you know Arensky's charming first symphony ?

No, I don't, although I have wondered about getting the Polyansky account on Chandos. I see that Warner have released a 3CD set of Arensky in their Svetlanov series - I have acquired the Rachmaninov and Rimsky sets at very reasonable prices and find them very good, so will keep a lookout. The only Arensky I know is his ballet Egyptian Nights and a disc of Piano Trios.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Alison
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« Reply #1636 on: 22:13:20, 09-10-2007 »

I really like the Chandos version.

You get Arensky:  I get Mahler ?

Ideal stuff for Autumn nights in.

Just like Susan Bullock's recital with Malcom Martineau.
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Il Grande Inquisitor
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« Reply #1637 on: 22:31:00, 09-10-2007 »

It's a deal, Alison! I shall keep my eyes peeled for the best deal...nothing like a good Russian wallow come these long, dark evenings.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Jonathan
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Still Lisztening...


WWW
« Reply #1638 on: 13:01:51, 10-10-2007 »

I'd also like to put in a word for the Arensky symphonies - they are both lovely.  The slow movement of the first piano trio is also especially haunting - I first heard it on In Tune in late May 1997 and it really struck a chord.  The piano music is very good as well - there's a disc on Hyperion which is full of great little pieces.
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Best regards,
Jonathan
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"as the housefly of destiny collides with the windscreen of fate..."
Stanley Stewart
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Well...it was 1935


« Reply #1639 on: 21:10:33, 10-10-2007 »

My nomination for chamber music Disc of the Year is likely to be the Schumann-Brahms Piano Quintets with the Artemis Quartet & Leif Ove Andsnes.    They are regular collaborators at Andsnes's Risor festival of chamber music which heightens their ensemble work, producing beauty and precision in searing performances of both works.

A snip at hmv online.
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BobbyZ
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« Reply #1640 on: 19:02:46, 11-10-2007 »

Biber, The Rosary Sonatas, Andrew Manze and Richard Egarr
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Dreams, schemes and themes
increpatio
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‫‬‭‮‪‫‬‭‮


« Reply #1641 on: 19:14:58, 11-10-2007 »

Biber, The Rosary Sonatas, Andrew Manze and Richard Egarr

I was listening to a piece called "worry beads" earlier on by a Michael Berkeley.  Didn't do too much for me though :/
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Stanley Stewart
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Well...it was 1935


« Reply #1642 on: 14:12:38, 12-10-2007 »

Shostakovich Piano Concerto No 1 and the Piano Quintet performed at the Lugano Festival 2006.   Martha Argerich, Sergei Nakariakov and Orchestra della Svizzera Italiana, conducted by Alexander Vedernikov, play with a real fizz on the former and a mesmerising intensity on the latter, along with Renaud Capucon, Alissa Margulis (violins) Lida Chen (viola) and Mischa Maisky (cello).   EMI Classics.

I still have affection for the Fitzwilliam String Quartet and Vladimir Ashkenazy in the Piano Quintet, recorded by Decca in 1986, accompanied by the Seven Romances on Poems of Alexander Blok (recorded 1983) exquisitely sung by Elisabeth Soderstrom.

Fond memories, too, of the complete Shostakovich String Quartets played by the Fitzwilliam String Quartet at the Wigmore Hall, circa 1978.   In a pre-performance talk, we were told about the Fitzwilliam's nervous tension when DS agreed to break his journey at York and they performed his String Quartet No 15 for him at the adjacent Station Hotel.   The quartet were 'in residence' at York University at the time.
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roslynmuse
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« Reply #1643 on: 14:16:45, 12-10-2007 »

A memorial concert for Christopher Rowland, for many years with the Fitzwilliam Quartet (including the period you refer to, Stanley) will take place at the RNCM next week:

http://www.rncm.ac.uk/component/option,com_events/task,view_detail/agid,434/year,2007/month,10/day,16/Itemid,95/
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Stanley Stewart
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Well...it was 1935


« Reply #1644 on: 14:50:33, 12-10-2007 »

Thank you, roslynmuse, albeit for such sad news, as I've only recently returned from the Scottish Highlands and didn't know about Chris Rowland's death.

Indeed, I read your response as I was listening to the Fitzwilliam's recording of DS's Str Qt 3 and was touched to see a recent photograph of him in your 'lead' and the photo of the young man in the CD booklet.    RIP Christopher Rowland.   Your musicianship gave me many hours of deep pleasure.
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MT Wessel
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« Reply #1645 on: 01:48:38, 13-10-2007 »

Well. I wasn't. But I am now. Cheers (wherever you are). Smiley
« Last Edit: 01:50:10, 13-10-2007 by MT Wessel » Logged

lignum crucis arbour scientiae
Tony Watson
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« Reply #1646 on: 16:57:54, 14-10-2007 »

Treemonisha, by Scott Joplin, after hearing bits of it on Radio 3 recently.



The best bits are the ragtime music, I think. The more sentimental parts and ballads can drag. But it's well performed and the sound quality (from 1976) is very good.
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roslynmuse
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« Reply #1647 on: 23:21:40, 14-10-2007 »

Hans Zender: Schuberts Winterreise - A composer's interpretation.

Christoph Pregardien, Klangforum Wien/ Sylvain Cambreling

More than an orchestration, but rarely "interventionalist", this is powerful and moving stuff, as indeed is the original - I am looking forward to going back to that after this illumination, but I also intend revisiting this soon too.

One thing that struck me - the occasionally Mahlerian instrumentation seems to emphasise a Jewish quality about the music that I wasn't aware of before; or should I more accurately say Viennese? What are the differences or characteristics?

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Stanley Stewart
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Well...it was 1935


« Reply #1648 on: 20:50:11, 16-10-2007 »

Elgar's Interpreters on Record, Volume 5.      A quite magical 3 CD set consisting of Broadcasts from the Leech Collection at the British Library (1935-1950).

The ears quickly monitor the variable sound quality and you are left with:

CD 1   A 71 min broadcast of extracts from The Dream of Gerontius; a broadcast from the Free Trade Hall, Manchester, in Nov 1935.    Malcolm Sargent conducting The Halle Orchestra; soloists Heddle Nash, Astra Desmond, Keith Falkner with the Halle Chorus.     

CD 2  Caractacus, excerpts, with Isobel Baillie, solosits and CBSO, conducted by Percy Hull, Nov 1938
Scenes from the Saga of King Olaf, Feb 1950 with Heddle Nash and BBC Opera Orchestra, conducted by Stanford Robinson.
With Proud Thanksgiving, The BBC Northern Orchestra, conducted by Crawford McNair in May 1936.
Carillon, same orchestra and conductor in May 1936.
The Shepherds Song, Walter Widdop, in Sept 1935.

CD 3    Sea Pictures. a National Broadcast in June 1937, gloriously sung by Mary Jarred and The BBC Orchestra, conducted by Clarence Reybould.
Presumably the National Broadcast was prompted by the Coronation of King George VI at that time.
A 30 min extract from The Dream of Gerontius with Heddle Nash, Muriel Brunskill, Horace Stevens and BBCSO, conducted by Adrian Boult in Dec 1936.
The Spirit of England, 22 min extract, with Elsie Suddaby, BBC Orchestra, conducted by Adrian Boult in in November 1938.   Performance included John Ireland's These Things Shall be, sung by by Redvers Llewellyn.

A real treasure trove to set alongside the EMI Elgar Edition.

 
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Soundwave
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« Reply #1649 on: 21:14:21, 16-10-2007 »

Ho Stanley Stewart.  That's a wonderful group that brings back many memories.  At the moment, not wishing to watch the BBC2 "stars" programme, I'm listening to Delius - Act 2 of "Koanga".  I have a very soft spot for this music.  It contains the original La Calinda and a fine dramatic finale.
Cheers
Soundwave.
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Ho! I may be old yet I am still lusty
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