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Author Topic: Now spinning  (Read 89672 times)
Bryn
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« Reply #2145 on: 20:46:09, 07-02-2008 »

I now see that there are only 2 clips of Markevitch on Youtube.

With Irmgard Seefried performing Mozart:

http://www.youtube.com/watch?v=9EpI4fxfv70
 
(I'm afraid that this thread is beginning to look like the Watch and Listen thread Cheesy )

Pim, the DVD is ridiculously cheap via Amazon Marketplace. It's well worth getting. The "Extra" I mentioned, Stravinsky conducting the 1945 Firebird Suite (he would not do the 1919 one since it brought him no performance royalties), give the lie to his lack of conducting ability. Sure Craft conducted The Rite and the Huxley Variations at that concert, but there is no mistaking Stravinsky's control of the orchestra in the Suite. I remember hearing a sparkling "Fireworks" from the same concert too, and it was he who conducted that.
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pim_derks
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« Reply #2146 on: 21:08:52, 07-02-2008 »

An interesting programme indeed, Bryn. Smiley

I remember seeing a very short television clip (in color, probably made by the BBC) of Markevitch conducting. I don't remember which piece he was conducting. I believe it was a song for soprano and orchestra. I saw it in a programme about Markevitch on Dutch television.

Markevitch made his conducting debut with the Concertgebouw Orchestra. I don't know why he gave up composing. The Dutch pianist Marinus Flipse was a great admirer of his compositions. He studied in Paris in the 1930s, but I don't know if he knew Markevitch personally.
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"People hate anything well made. It gives them a guilty conscience." John Betjeman
Stanley Stewart
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Well...it was 1935


« Reply #2147 on: 15:14:45, 08-02-2008 »

 A good excuse to defer domestic chores this morning  Smiley after the arrival of the Spanish Love Songs CD: Bridge 9228; performed by Lorraine Hunt Lieberson, Joseph Kaiser, with piano accompaniment by Steven Blier and Michael Barrett; the New York Festival of Song; recorded in concert at the Caramoor Festival in July 2004.

A selection of single items from Granados,Turina, Rodrigo, Montsalvatge, Mompou, Roussel, Ravel, Schumann, and a wider selection from Wolf's Spanisches Liederbuch; followed by two zarzuela excerpts before the  concert ended with Sondheim's 'Barcelona' (Company) - the audience quickly *got* the context of the morning after!

I've been a devotee of Lorraine H L since hearing her as Irene in the DVD recording of Handel's 'Theodora',  Glyndebourne's 1996 production.  She always gave that 'little extra something' which marks the great performer - a mixture of joy and intensity?   I miss her so much but this is a disc to treasure.
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perfect wagnerite
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« Reply #2148 on: 09:43:44, 10-02-2008 »

Inspired by posts on the Live Concerts thread -

Vaughan Williams Symphony No 5 - RLPO/Handley

On a really gorgeous Sussex morning, absolutely blissful
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
Daniel
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« Reply #2149 on: 20:58:44, 10-02-2008 »

I have mostly been listening to Sibelius Syms 1-4 conducted by Paavo Bergluund on EMI Classics for which I cannot find an image.

This music contains so many joys for me. Every moment in the music seems so full with possibility - every one seems like a cell that could lead to more life, even when it just suggests it rather than actually doing so. I love the Tchaikovsky-like momentary surges of melody too but presented without any of the feeling of destination-hysteria that seems to fuel many of Tchaikovsky's tunes. I love both ways, but the contrast is delicious!
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time_is_now
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« Reply #2150 on: 19:07:35, 11-02-2008 »

momentary surges of melody but presented without any of the feeling of destination-hysteria that seems to fuel many of Tchaikovsky's tunes
'Destination-hysteria': wonderful description, Daniel!
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pim_derks
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« Reply #2151 on: 19:10:14, 11-02-2008 »

momentary surges of melody but presented without any of the feeling of destination-hysteria that seems to fuel many of Tchaikovsky's tunes
'Destination-hysteria': wonderful description, Daniel!

I like this one:

Every moment in the music seems so full with possibility - every one seems like a cell that could lead to more life, even when it just suggests it rather than actually doing so.

Smiley
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Il Grande Inquisitor
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« Reply #2152 on: 21:33:03, 11-02-2008 »

I have mostly been listening to Sibelius Syms 1-4 conducted by Paavo Bergluund on EMI Classics for which I cannot find an image.

Are those the EMI Helsinki PO accounts, Daniel, as later packaged with the Bournemouth recordings of Kullervo and some tone poems?



They had a short life as EMI 'doubles' which is presumably the set you listened to. I collected most of the discs when they were originally released (Nos.4 and 7 was a disc which evaded my searches) and I met Berglund soon after the CD of 1 & 6 was released; a charming, unassuming man, full of humour and strongly advised that, when listening to CDs, you had to play it loudly to appreciate the quiet passages properly....advice which did not go down too well with my parents at home, as I recall.  Cheesy

Tinners, was the 'snatch' of Sibelius 2 you posted on Mr Grew's competition thread from the Chandos Danish RSO/Segerstam set? I spotted MDC were selling the set for £9.99 which is tempting... What's your opinion on his Sibelius. I'd got the impression it was a bit controversial.
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time_is_now
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« Reply #2153 on: 22:39:49, 11-02-2008 »

the EMI Helsinki PO accounts ... They had a short life as EMI 'doubles'
I have Nos 5-7, with a dark green cover, in a slimline double case - I must have bought it around 1994/5 - is that the complementary volume to Daniel's then?

Quote
Tinners, was the 'snatch' of Sibelius 2 you posted on Mr Grew's competition thread from the Chandos Danish RSO/Segerstam set?
No, it was from his more recent cycle on Ondine. Helsinki PO, I think, but I'd have to check at work. They're available in a box set now but I don't think it would be as cheap as £9.99!

Quote
What's your opinion on his Sibelius. I'd got the impression it was a bit controversial.
It is! (Often through extreme slowness ...)

I haven't listened through many of the symphonies complete though, that No 2 just happened to be the closest to hand when I needed somewhere to snatch my snatch from. It did end up being a rather interesting choice, though, as you said!

The cycle I quite like but found 'controversial' was Oramo's ... especially some of the tempi in the finale of the Fifth. But as martle and others will tell you (I believe Mr Barrett may also have a copy in his possession, although I don't know whether he's ever listened to it Wink) the Fifth I would really proselytise for is Celibidache's Danish Radio recording, briefly available in a 4CD mixed-composer set on DG and now pretty hard to track down - although a PM to me would do the trick.

Funnily enough, I have the Fifth and Sixth conducted by Kajanus and Schneevoigt respectively (from 1932 and 1934), just arrived from MDT this morning and joining the to-be-spun pile chez t_i_n.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
martle
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« Reply #2154 on: 22:46:12, 11-02-2008 »

But as martle and others will tell you (I believe Mr Barrett may also have a copy in his possession, although I don't know whether he's ever listened to it Wink) the Fifth I would really proselytise for is Celibidache's Danish Radio recording, briefly available in a 4CD mixed-composer set on DG and now pretty hard to track down - although a PM to me would do the trick.

IGI, if you haven't heard it, do yourself this immediate favour.  Smiley
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Green. Always green.
Il Grande Inquisitor
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« Reply #2155 on: 23:02:06, 11-02-2008 »

I have Nos 5-7, with a dark green cover, in a slimline double case - I must have bought it around 1994/5 - is that the complementary volume to Daniel's then?

Yes, that's the one.

But as martle and others will tell you (I believe Mr Barrett may also have a copy in his possession, although I don't know whether he's ever listened to it Wink) the Fifth I would really proselytise for is Celibidache's Danish Radio recording, briefly available in a 4CD mixed-composer set on DG and now pretty hard to track down - although a PM to me would do the trick.

Is that the 4-disc Swedish RSO set which included Sibelius 2&5 and the Dvorak Cello Concerto with Jacqueline Du Pré? I remember reading a review, possibly by Rob Cowan, which I successfully ignored!  Roll Eyes   (I had, in my defence, already spent quite a bit on the DG Celi boxes of Russian rep, Debussy and Ravel box, and the Brahms Symphonies).  PM heading your way, tinners!
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time_is_now
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« Reply #2156 on: 23:05:09, 11-02-2008 »

Is that the 4-disc Swedish RSO set which included Sibelius 2&5 and the Dvorak Cello Concerto with Jacqueline Du Pré?
Yes. Swedish it is, not Danish: sorry!

What did Rob Cowan say? I was alerted to its existence (and to its wonder) some time after it was released.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Il Grande Inquisitor
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« Reply #2157 on: 23:13:14, 11-02-2008 »

I'm fairly certain it was Rob reviewing it in Gramophone...he did quite a number of the Celi boxes, which first alerted me to the Brahms recordings, which are a wonderful wallow. I seem to remember he was very positive about them, especially the Sibelius and Dvorak; there's no mention of them when I looked in the Gramofile database, but that's not always very reliable...
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Daniel
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« Reply #2158 on: 01:38:08, 13-02-2008 »

I have mostly been listening to Sibelius Syms 1-4 conducted by Paavo Bergluund on EMI Classics for which I cannot find an image.

Are those the EMI Helsinki PO accounts, Daniel, as later packaged with the Bournemouth recordings of Kullervo and some tone poems?

The very same, IGI.

I enjoy the performances very much (including the quiet bits, so I assume I must have it on loud enough even without the maestro's personal coaching.  Cheesy)

Now spinning the Sinfonietta from:





and particularly grateful tonight for the sun-coming-out-from-the-clouds moment on brass and strings halfway through the 2nd movt, for some reason.



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brassbandmaestro
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The ties that bind


« Reply #2159 on: 10:04:27, 14-02-2008 »

Have had some good listening lately. The Nash Ensemble playing chamber music by Bax and Samuel Coleridge Taylor(What a marvellous composer!) and Bliss Chamber music on Naxos with the Magini String Quartet. etc.

Yesterday I had Handley's account of VWs TT Fantasia, Five Variants on Dives and Lazarus and Job.

Tippett Midsummer Marriage Ritual Dances, Fantasia Concertante on Corelli; Double String Concerto(BBCSO,  Sir Andrew Davies)

Bax Spring Fire(Symphony). Incidentally, I always noticed that, but he never included it in his numered canon. Symphonic Scherzo and Northern Ballad no.1(RPO/Handley)
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