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Author Topic: Now spinning  (Read 89672 times)
opilec
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« Reply #4020 on: 21:33:17, 04-11-2008 »

ollie, it's what you said on these very boards (probably more about the recording of $ & 5) that persuaded me to investigate the Cristofori recordings. (I spend too much on CDs to be able to afford a subscription to IRR ... Embarrassed)

And yes, tinners (thanks for the welcome back), the Pavel Haas people are very, very good, but (IMHO) not quite in the Skampa/Belcea class when it comes to really animating these pieces. Their recordings of Haas, however, are wonderful and have been spun often here.

Now it seems I'll have to get hold of the Hagens as well!
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oliver sudden
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« Reply #4021 on: 21:37:49, 04-11-2008 »

the recording of $

Wink

That Rosman chap raved in IRR about the recording of 3 and '6' as well, you'll be pleased to hear.
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richard barrett
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« Reply #4022 on: 22:27:16, 04-11-2008 »

Now it seems I'll have to get hold of the Hagens as well!

That is by some distance my favourite of the recordings I've heard. Of those works I mean.

I shall check out this Cristofori business. Apart from no.4 the Beethoven concertos have never really made it into my circle of musical friends.
« Last Edit: 22:29:00, 04-11-2008 by richard barrett » Logged
time_is_now
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« Reply #4023 on: 23:20:02, 04-11-2008 »

What we really need is a good recording of Biber's Fidicinium sacro-profanum. I haven't come across one yet.
This one no good? (I don't know anything about it, I just spotted it while looking for something else.)

Incidentally, why did no one tell me there was a recording out of George Benjamin's Into the Little Hill??!
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Bryn
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« Reply #4024 on: 23:27:04, 04-11-2008 »

... why did no one tell me there was a recording out of George Benjamin's Into the Little Hill??!

Why, is it worth investigating?
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time_is_now
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« Reply #4025 on: 23:29:19, 04-11-2008 »

Why, is it worth investigating?
My one hearing of it (on the radio earlier this year) led me to believe very much so, yes.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
richard barrett
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« Reply #4026 on: 23:32:35, 04-11-2008 »

What we really need is a good recording of Biber's Fidicinium sacro-profanum. I haven't come across one yet.
This one no good? (I don't know anything about it, I just spotted it while looking for something else.)
That one came out just a month or two ago, I think, and somehow I'd forgotten to acquire a copy. This omission has now been corrected. More news as it happens.

Incidentally, why did no one tell me there was a recording out of George Benjamin's Into the Little Hill??!
Pure kindness.
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opilec
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« Reply #4027 on: 23:38:43, 04-11-2008 »


oop€!
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Il Grande Inquisitor
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« Reply #4028 on: 00:00:44, 05-11-2008 »

the recording of $

Wink

That Rosman chap raved in IRR about the recording of 3 and '6' as well, you'll be pleased to hear.

I enjoyed that rave as well as the one for Gardiner's Brahms 1!  Cheesy
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
opilec
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« Reply #4029 on: 00:04:08, 05-11-2008 »

I enjoyed that rave as well as the one for Gardiner's Brahms 1!  Cheesy

Which is on my list too (reinforced by a glowing endorsement from a distinguished Brahms scholar).
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George Garnett
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« Reply #4030 on: 00:47:51, 05-11-2008 »

Now it seems I'll have to get hold of the Hagens as well!

It's proved darned difficult to get hold of in my experience. I've been hunting for it ever since hearing them give a stunning performance of No 1 at the Wigmore Hall a few months ago. A couple of fleeting sightings on Amazon at a ridiculous price (£38 or something like that Shocked) and reports of spoor round the odd waterhole but that's as close as I've got so far. An elusive beast but I suppose that adds to the thrill of the hunt.   
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Robert Dahm
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« Reply #4031 on: 02:22:05, 05-11-2008 »

I have various recordings of various sonatas, and am more-or-less familiar with all of them (more familiar with some...) but haven't got around to getting a Complete Sonatas-type set. Does anybody happen to have a recommendation for a 'good all-rounder' sort of thing that can provide a decent basis from which to build a collection of this repertoire?
Some may disagree with me, but I am very fond of Brendel's complete set which looks like this:

Thanks very much Turfers. I'll be sure to check that one out.

Any comments on La clemenza di Tito, Robert?  It's the mature Mozart opera I hardly know and I keep thinking I must get to know it better.  Does Jacobs have a USP?

Listening to Clemenza di Tito has been a really engaging experience. I would certainly stop short of suggesting that it's categorically a 'masterpiece' (whatever that means...), but it's certainly an incredibly interesting piece. As most would be aware, it was written at essentially the same time as Die Zauberflöte, but is a more-or-less 'straight' opera seria. This is the only performance I'm familiar with, but it does a pretty amazing job of underscoring the weirdness (to these 21st ears, ill-acquainted with opera seria circa 1791) of what we think of as Mozart's later style filtered into a format that feels for all the world like Handel.
I Googled USP and came up with 'Unique Selling Proposition'. Is that what you meant? I'm not familiar with any other recordings, so I can't really say. The recitatives (not written by Mozart) are performed exceptionally well - some of the most interesting recitative continuo playing I've heard for a while (on - awesomely - fortepiano, which is an instrument I'm coming to feel a great sense of affection for).
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Don Basilio
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Era solo un mio sospetto


« Reply #4032 on: 07:11:59, 05-11-2008 »

Thanks, Rob.  Unique Selling Point is what I was thinking about.

I have a casette set with Janet Baker and Colin Davies, but I have not listened to it for years, as I never listen to tapes now (and suspect decay and loss of tension.)

I remember a lovely duet for alto and soprano in Act 2.

I've never warmed to Idomeneo.  Maybe the more conventional form of Tito would appeal more to my unadventurous but unpredictable tastes.

Bear in mind that I'm someone who finds Handel's oratorios far easier to appreciate than Puccini, so the conventions don't put me off.
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To every thing there is a season, and a time to every purpose under heaven.
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opilec
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« Reply #4033 on: 18:53:13, 05-11-2008 »

Now it seems I'll have to get hold of the Hagens as well!

It's proved darned difficult to get hold of in my experience. I've been hunting for it ever since hearing them give a stunning performance of No 1 at the Wigmore Hall a few months ago. A couple of fleeting sightings on Amazon at a ridiculous price (£38 or something like that Shocked)

Er, £12 actually, George. ... and I snapped it up! Embarrassed  sorry sorry sorry sorry sorry
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Turfan Fragment
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Formerly known as Chafing Dish


« Reply #4034 on: 18:57:43, 05-11-2008 »

I am surprised that, after my initial Brendel recommendation, there was no further discussion of Beethoven piano sonata complete recordings. What do others prefer here?
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