mahlerei
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« Reply #405 on: 19:26:45, 16-02-2007 » |
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No way would I have got that. Ingenious. Probably the best since your Underground one.
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roslynmuse
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« Reply #406 on: 20:05:48, 16-02-2007 » |
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It was staring at the list at 391 that did it for me, plus Mahlerei's Schoolmaster.
When did Miracle in the Gorbals appear by the way?
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Il Grande Inquisitor
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« Reply #407 on: 20:14:43, 16-02-2007 » |
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When did Miracle in the Gorbals appear by the way?
In the quiz - Dan's #388 On the stage - 1944, choreography by Robert Helpmann, conducted by Constant Lambert
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #408 on: 20:22:26, 16-02-2007 » |
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That was mighty impressive, IGI. So, here's another tortuous one which will be accumulative:
Auber Captain Beefheart Cowell Haydn Lassus Satie Zappa
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #409 on: 21:03:25, 16-02-2007 » |
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Let's have a first attempt, Ian...something dreamlike?
Auber - Rêve d’amour Captain Beefheart – ‘Neon Meate Dream of a Octafish’ is a tribute to Captain Beefheart and his Magic Band Cowell – The Dream Bridge Haydn – String Quartet No. 40 in F major ‘Dream’ Lassus - tba Satie - ‘Le poisson rêveur’ Zappa – The Girl’s Dream
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #410 on: 21:11:25, 16-02-2007 » |
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Sorry - not a single one of those is right. I should point out that this is multi-lingual (and possibly multi-cultural ) and punning.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #411 on: 21:39:25, 16-02-2007 » |
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Let's try another tack.... Auber - Le cheval de bronze?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #412 on: 21:42:34, 16-02-2007 » |
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Let's try another tack.... Auber - Le cheval de bronze? Very good.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #413 on: 21:43:09, 16-02-2007 » |
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Captain Beefheart – Carrot Is as Close as a Rabbit Gets to a Diamond Cowell – Tiger, for piano Satie - The Angora Ox Zappa – Dog Breath Variations
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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roslynmuse
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« Reply #414 on: 21:45:27, 16-02-2007 » |
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Lassus The Flea
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Ian Pace
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« Reply #415 on: 21:46:38, 16-02-2007 » |
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You are VERY clever. The Zappa is not correct, though. (remind me not to give clues in the future) OK - full list: Auber Bach Captain Beefheart Cowell Billy Harper Haydn Lassus Ned Rorem Satie Schubert Telemann Zappa Now, I want a complete correct list before I say any more
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #416 on: 21:47:11, 16-02-2007 » |
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Lassus The Flea
Why? Is it because of they're carried by rats?!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #417 on: 21:48:17, 16-02-2007 » |
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Mmmm... I was trying to speculate on the other composers and came up with:
Ruth Seeger – Rat Riddles Daniel Grabois – Zen Monkey Rimsky-Korsakov – The Golden Cockerel (Rooster)
...back to the drawing board!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #418 on: 21:57:45, 16-02-2007 » |
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Now - can anyone beat IGI to a full house?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #419 on: 22:00:45, 16-02-2007 » |
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(in the meantime I'll have to think up a more devious one and definitely give no clues (I did give Ollie privately a tiny clue to my last puzzle) and he got that one, whilst giving a clue seems to have helped a bit too much here!)
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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