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Ian Pace
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« Reply #435 on: 00:08:59, 17-02-2007 » |
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All quiet?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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roslynmuse
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« Reply #436 on: 00:20:30, 17-02-2007 » |
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thinking...
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Ian Pace
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« Reply #437 on: 00:57:04, 17-02-2007 » |
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As this is hard, I'll tell you that the Telemann was correct, and that the Rorem could work - I actually had 'The Serpent' in mind.
The Bach is hard because the answer involves two languages, neither of them English.
And the Schubert is not about the title.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #438 on: 00:10:35, 18-02-2007 » |
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So, we have so far:
Auber – Le cheval de bronze
Bach - (involves two non-English languages)
Captain Beefheart - Carrot Is as Close as a Rabbit Gets to a Diamond
Cowell - Tiger, for piano
Billy Harper - (try a language not referenced in any other clue)
Haydn – (you should be able to get this one)
Lassus - (think multilingual pun)
Ned Rorem – 'The Serpent', from ‘Three Poems of Theodore Roethke’
Satie - The Angora Ox
Schubert - (the link is not in the title)
Telemann - Packe dich, gelähmter Drache
Zappa – (just keep looking!)
You should be able to get it now!
And any thoughts on this one?
Blow
Charpentier
Ireland
Palestrina
J. Strauss II
B.A. Zimmermann
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Anna
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« Reply #439 on: 00:20:06, 18-02-2007 » |
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Ian, your connections are so fiendish I just cannot do them and some of us don't have German  Could you set a Grade I please? One for you alone: Offenbach, Whitlock, C. Wolff, Singleton |
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Il Grande Inquisitor
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« Reply #440 on: 00:22:13, 18-02-2007 » |
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Ian, is the Zappa the monkey link?
Maybe I didn't phrase that too well....Will Zappa lead us to the monkey connection?
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« Last Edit: 00:29:45, 18-02-2007 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #441 on: 00:30:45, 18-02-2007 » |
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Ian, is the Zappa the monkey link?
Maybe I didn't phrase that too well....Will Zappa lead us to the monkey connection?
No, you might try Bach for that one. Tell me when the next clue is required  (and I will ponder your latest!) |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #442 on: 00:31:35, 18-02-2007 » |
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By the way, for the other languages, you could always try using a Google translator for the words concerned ....
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #443 on: 00:33:58, 18-02-2007 » |
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Is Singleton Alvin Singleton (dedicatee of one part of Finnissy's all.fall.down)?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #444 on: 00:44:04, 18-02-2007 » |
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So, we have so far:
Bach - (involves two non-English languages)
Wach auf, mein Herz, und singe from BWV 194 - German being the language/ 'singe' being French for monkey? |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #445 on: 00:47:42, 18-02-2007 » |
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Wach auf, mein Herz, und singe from BWV 194 - German being the language/ 'singe' being French for monkey?
Excellent! (yes, I know, that one was a bit naughty) My other puzzle may require a little clue to get beyond the starting board, I reckon - I'll tell you that the Palestrina begins with 'Lamentation' |
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« Last Edit: 00:49:23, 18-02-2007 by Ian Pace »
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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mahlerei
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« Reply #446 on: 00:56:50, 18-02-2007 » |
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Zappa: Weasels Ripped My Flesh?
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Ian Pace
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« Reply #447 on: 00:58:56, 18-02-2007 » |
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Zappa: Weasels Ripped My Flesh?
No - clue, it's from a VERY late album |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #448 on: 00:59:36, 18-02-2007 » |
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And because I'm feeling generous, don't go off looking for 'rooster', try a chicken instead |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #449 on: 00:59:47, 18-02-2007 » |
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Is the 'dog' link the hounds in Haydn's 'Seasons'?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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