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Turfan Fragment
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« Reply #5115 on: 23:18:59, 29-08-2008 » |
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Yes, the Norgard is in two tempos the proportion 7:5 -- I'd like to hear that sometime. And the Malipiero is in one movement (tempo) in the proportion 1:1.  Now you need a few others. The Koltai is more obscure than I thought, but not because it's an obscure film. |
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richard barrett
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« Reply #5116 on: 23:35:27, 29-08-2008 » |
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Yes, the Norgard is in two tempos the proportion 7:5 -- I'd like to hear that sometime.
That is quite a nice piece IMO but it plays to the gallery a bit in comparison with some of his more "serious" pieces like the 4th and 5th symphonies. It sounds more like a vaguely jazzy piano concerto than the abstraction the title might suggest. I've been getting very interested in the 5th of late, it's a rather mysterious and complex thing. |
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Ron Dough
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« Reply #5117 on: 23:50:17, 29-08-2008 » |
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G. B. Vitali - Capritio sopra li cinque tempi
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Ron Dough
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« Reply #5118 on: 00:04:36, 30-08-2008 » |
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Whilst Vincenzo Galilei, father of Galileo, seems to have been the first to have worked out the division ratios for octaves. |
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Il Grande Inquisitor
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« Reply #5119 on: 00:06:01, 30-08-2008 » |
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Whilst Vincenzo Galilei, father of Galileo, seems to have been the first to have worked out the division ratios for octaves.I was wondering if the Galilei was his Fuga a l'unisono dopo sei tempi described as a canonic duet at a separation of 6 measures, for lutes at the same pitch. |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ron Dough
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« Reply #5120 on: 00:07:41, 30-08-2008 » |
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That would fit the pattern that Turf seems to be accepting, IGI.
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Il Grande Inquisitor
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« Reply #5121 on: 00:09:34, 30-08-2008 » |
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And the Lars Erik Larsson would be his wind quintet, Quattro tempi, Op.55. I've even got it on CD somewhere.
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« Last Edit: 00:20:56, 30-08-2008 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #5122 on: 00:10:58, 30-08-2008 » |
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And it seems Paisiello wrote a Sinfonia in tre tempi... three movements of sprightly but rather unremarkable and short-winded ideas, though with moments of charm, such as the brief beam of oboe and horn colour just before the recapitulation in the first movement.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ron Dough
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« Reply #5123 on: 00:15:09, 30-08-2008 » |
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So the Koltai film must be Megall az ido (Time Stands Still), because there's no tempo...
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Il Grande Inquisitor
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« Reply #5124 on: 00:16:17, 30-08-2008 » |
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So the Koltai film must be Megall az ido (Time Stands Still), because there's no tempo...
Of course! I was just going to suggest any of his films and describe it as a timeless classic...  |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Turfan Fragment
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« Reply #5125 on: 00:58:58, 30-08-2008 » |
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All is correct so far, but the Koltai I had in mind is more literally fitting.
When a certain film of his appeared in Italy, it had a title very different from its original version.
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Ron Dough
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« Reply #5126 on: 01:06:56, 30-08-2008 » |
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All is correct so far, but the Koltai I had in mind is more literally fitting.
When a certain film of his appeared in Italy, it had a title very different from its original version.
Un amore senza tempo. |
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Turfan Fragment
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« Reply #5127 on: 01:14:44, 30-08-2008 » |
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That was the Italian title for Evening!
[Insert champagne here]
Vincenzo Galilei is one of the most interesting composers/theorists of his time. Sort of an intellectual advocate for the more daring dissonance handling of the seconda prattica.
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Il Grande Inquisitor
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« Reply #5128 on: 20:16:54, 10-09-2008 » |
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Just when you least expected it, the Spanish Inquisition has had its broadband connection activated (at long last)!!
So, here's a little something I prepared earlier...
Malipiero
Tchaikovsky
Dallapiccola
Henze
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Turfan Fragment
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« Reply #5129 on: 21:51:50, 10-09-2008 » |
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Malipiero - Venere prigioniera
Dallapiccola - Il prigionero
Henze - Prison songs or Orpheus behind the wire
Tchaikovsky - The Maid of Orleans
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« Last Edit: 21:59:27, 10-09-2008 by Turfan Fragment »
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