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Author Topic: Radio 3 Christmas Special  (Read 1314 times)
LeTombeauDeCooperman
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« on: 13:24:10, 02-12-2007 »

Thanks to my changes in programmes and presentation on Radio 3, there will be no shortage of turkeys this Christmas.

Among the seasonal treats will be a special festive series of Composer of the Week, centred on the 12 days of Christmas. This is a Truelove Production for Radio 3 and the yuletide fare will include special props and sound effects for each of the 12 days.

The series kicks off with Maurice Ravel featuring a partridge in a pear tree. As you’ll know, a partridge in a pear tree cuts a sad, lonely figure so there is no doubt that it comes under the heading of oiseaux tristes.

Watch this space for details of other composers and days. I’m sure that this special series will evoke the images of Christmas that we all know and love, such as packed-out departure lounges at our major airports.

Roger Wright

PS Thanks to Auntie for the Proms present.

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Ron Dough
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« Reply #1 on: 13:56:45, 02-12-2007 »

From the Properties Dept, BBC, White City.

Dear Mr Wright,
Re your secretary’s recent requistion request for Partridge (one) in Pear tree (ditto), I feel it incumbent upon myself to advise you that the suppying of props to Radio Departments has hitherto existed outside our remit. I note further that no time-frame has been specified, nor, moreover whether said items are intended for temporary use or else permanent acquisition, and I am obliged to ensure that you are aware that the book of guidelines, Page 24, Para. 3, Subsect. (ii) specifically forbids the presence of livestock within the portals of BH. However, since you are a Head of Department, and must by implication know what you are doing, I feel I must acceed to your request: therefore, though not without trepidation, I acknowledge your order as follows:

Perdix perdix (Linn.)(One  off)
Pyrus communis (Linn.)(One off)

(To be delivered by internal courier to the stated address: please ensure that you have advised reception of their imminent arrival, and that a member of staff will be available to convey them to your own part of the building.)

I am at a loss, however, regarding how exactly to follow your instructions to the letter and have said Partidge in said Tree, other than by means of wiring its feet to the branches. I fear it is otherwise unlikely to stay put and will thereby cause considerable nuisance; loose wildfowl within an enclosed environment are a recipe for disaster. There are also the small matters of feeding and watering (not to mention the concomitant results).  Upon the assumption that these items are required merely for a brief display (and on the firm understanding that you and you alone will be answerable to the RSPB and any other organisation taking exception to my solution re your requirements) I will proceed.

Unless advised to the contrary, I will assume that you require our standard five (5) working days delivery.

I look to being of service in the future, and I hope that you will understand my insistence on your strict adherence to these conditions: I'm no killjoy, but experience has taught me that at this time of year it pays to be cautious.
 
Yours sincerely,

Noel Coward
Birdcage Walk
« Last Edit: 14:01:18, 02-12-2007 by Ron Dough » Logged
Baz
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« Reply #2 on: 14:13:29, 02-12-2007 »

Why not just tell him to go "cold turkey"?
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Andy D
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« Reply #3 on: 14:22:33, 02-12-2007 »

Following the popularity of the "48 at 8", Radio 3's Breakfast presenters will each day introduce one repetition of Satie's Vexations. These will be played at 8.40 each morning, the full performance finally ending in March 2010.

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LeTombeauDeCooperman
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« Reply #4 on: 15:13:04, 02-12-2007 »

Dear Mr Coward,

Unlike my drinks cabinet, your letter has a marked lack of Christmas spirit. Given your curmudgeonly attitude towards the props for the Ravel feature for kicking off the 12 Days of Christmas Composer of the Week series, I’m surprised that you can look at yourself in one of the many Miroirs in the bathroom of your flat in Norfolk.

You’re not the first Noel that I’ve had problems with when dealing with the properties department around Christmas time. I remember that Noel Gallagher, who worked there before he became famous. When I asked him for some props for a performance of Borodin’s In the Steppes of Central Asia, all he sent me was an oasis.

However, as this is the start of the festive season, I’m prepared to compromise. Forget about the bird and just send me the tree. As for the partridge, my friend Ian has said that he will sit in the tree and sing some Ravel songs for a tenner.

Roger Wright

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Baz
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« Reply #5 on: 15:23:24, 02-12-2007 »

Dear Roger,

Happy Christmas from us all.

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Ron Dough
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« Reply #6 on: 16:25:39, 02-12-2007 »

Dear Mr Wright.

Curmudgeon? Me? Pessimist, maybe, aways believing there are bad times just around the corner: hence my cautiousness. I am fully aware that any mistakes which I might make will have to be admitted to and accounted for, and I have yet to be convinced that that's the case in your rather more protected position. If you want to up your listening figures, then perhaps the Partridge you should invite might be Alan, rather than Ian: he'd certainly bring in a bigger audience.

With some relief, I have ammended your order and deleted the Perdix perdix (and the wire) from the manifest. I must, however, bring to your attention the likelihood that an Ian, let alone an Alan, Partridge, will require a rather more mature specimen of Pyrus communis, on account of his rather larger mass. This may require a weight-to-size feasibility study, so I would be grateful if you could inform me of the approximate dimensions of the space you envisage for the location of the plant, how restricted the access will be, and in the event of the placing of said item upon any storey other than the ground, intimation of the load-bearing specifications for the floor.

Perhaps you Ivory Tower radio bods have no understanding of just how busy the Props. Dept. is just now: with not just the whole of London calling, but an Italian job on the cards, not to mention work all across the Continent: we have to keep things on a very tight leash, lest they turn to a vortex.

Please furnish me with the appropriate details at the earliest convenience, which in your case will presumably be the one adjacent to Oxford St. tube. In return I might just furnish you with a package which might surprise you.

Yours,

Noël.  (You'll be glad to see I've regained my diaeresis, no doubt....)
 
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autoharp
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« Reply #7 on: 16:30:36, 02-12-2007 »

Following the popularity of the "48 at 8", Radio 3's Breakfast presenters will each day introduce one repetition of Satie's Vexations. These will be played at 8.40 each morning, the full performance finally ending in March 2010.



Dear Mr. D,

Thank you for your announcement. We have to say that it would appear that the Note de l'auteur is being wilfully ignored for the purposes of blatant populism. Furthermore, we beg to point out that the date of the ending of "the full performance" (whatever that may mean) would result in a number of repetitions considerably over and above that suggested by the composer.

Yours,

Ape Dan T.
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LeTombeauDeCooperman
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« Reply #8 on: 18:34:01, 02-12-2007 »

Dear Mr Coward,

I have instructed Mr Satie to take the measurements you require and he will be in touch. These will probably be in cross sections and pear-shaped, only “more so”.

Talking about cross sections, there are a lot of these in the R3 audience at the moment and it is vital that my 12 Days of Christmas Composer of the Week series is a critical success. While on the subject of critics, my friend Dai, a critic, is also an alternative medicine specialist and he was concerned about your diaeresis. He suggests a diet of prunes.

You claim that you are busy, but I can see that some of your tasks are pure inventions and merely a dodgy way of earning some Christmas overtime. Take the Italian Job, for example. That doesn’t fool me for a moment – Mr Vaughan Williams assures me that Job is an Old Testament figure and has no connection whatsoever with Italy.

In the light of this, I’m beginning to wonder if I can trust the props department. We’ve got some big orders coming up (with two turtle doves on the horizon) and if you can’t deliver the goods, I’ll just have to exercise my Producers’ Choice and take my business elsewhere. That means you’ll be out of a job and the only alternative vacancies at this time of the year are as a French Santa – or Pear Noël, as I believe he’s called.

Roger Wright
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Ron Dough
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« Reply #9 on: 19:12:04, 02-12-2007 »

Dear Mr Wright,

I hope you’ll excuse my confusion: having already prepared an order for you only yesterday I have now received a second requisistion which appears to duplicate the first plus the addition of two turtle doves. Is this an addendum, or a completely separate order? Do you really want another Perdix perdix (bearing in mind that I thought we'd already agreed that you'd cancelled the existing order anyway) and Pyrus communis, with a single pair of Streptopelia turtur as well?

With regards to the latter I should advise you that as a species they are not only becoming considerably rarer in the UK, but since they are by nature migratory, those that might have been found in season will long since have flown South. (Bet you wish you hadn't made that jibe about them being on the horizon now: they're not just on the horizon, they're over it.) Over the next 24 hours my team will endeavour to locate a living brace for you, failing the which I fear our options will include toy, decoy, stuffed or hand-painted collareds (they won’t be out in the wet, will they - our dyes are strictly water-based.) I notice that you are becoming satierical, which I have to tell you I don't much appreciate: such behaviour to associates may rank among the sports and divertissements of you radio people, but it's not the way we TV people go about things; it's not a very agreeable observation, but there we are. I've booked air tickets for our doveman Jonathan, and I hope that his flight will have been successful. I'll let you know as soon as we have an answer.

On the subject of jobs, I'd like to remind you that I, at least, literally have a 'prop'er one...

Yours departmentally,

Noël

 
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LeTombeauDeCooperman
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« Reply #10 on: 20:22:28, 02-12-2007 »

Dear Mr Coward,

Your reply has completely thrown me. I was planning to feature Jonathan Dove for the 2nd Day of Christmas of R3’s Composer of the Week seasonal special. But now I see that he’s one of you lot; so it's completely out of the question. Anyway, with all this airport-related music he must think he’s Brian Eno.

This is, as Debussy might have said, a whole new ball game, and I have had to bring out Dvorak as our reserve composer. This requires wood doves instead of turtle doves. However, supplies of any type of dove are hard to come by at the moment. Britten Productions are already using their dove for a performance of Noye's Fludde and the Mendelssohn Dove Works are having assembly line problems (due to parts shortages) for their mechanical birds; “O for the wings of a dove” was all I got when I rang them.

Day One and things are already going pear-shaped. Drastic action is needed and I’m going to move swiftly (another bloody bird!) on to Day 3, with Jean-Phillipe Rameau as the featured composer. Don’t worry if you can’t supply the three French hens, as M. Rameau is a dab hand with the keyboard - and has already ordered his own on-line.

Roger Wright
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Ron Dough
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« Reply #11 on: 21:55:26, 02-12-2007 »

Dear Mr Wright,

You will be pleased to know that we may have answer on the replacement Streptopeliae turtur front. Our catering subdivision, who make up the prop food for serials and cookery programmes, have suggested that since they are already proficient in providing mock-turtle soup, they're willing to have a bash at mock turtle doves.

You will be less pleased though, I fear, at my news regarding the three French hens: I feel it my duty to remind you that there are emergency procedures in position vis-à-vis the importation of poulty from the Continent, and that therefore, once again, it may be necessary for you (and M. Rameau) to make alternative arrangements. I realise that as far as your composer is concerned, this may be just a load of Castor and Pollux, and I agree it's not Nais, but I'm afraid his protestations will be treated with indifference. Fresh hens would be no problem, or (dependant on exactly how live you require them to be) I'm sure we could rustle up a pack of poussins from Waitrose; otherwise your goose, as they say, is cooked.

Dafydd, our Welsh dresser, has asked me to check how exactly you require your pear-tree decorated. He specialises in fruit, both cooked and fresh: recently he's had a big hand in Alan Titchmarsh's plums: a labour of love, apparently. 

Best wishes with Doveorgy, by the way; I must say I'm quite excited by all these composer's names: it's a whole new world to me.

Must dash: another Christmas Special to arrange,

Noël
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LeTombeauDeCooperman
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« Reply #12 on: 10:52:10, 03-12-2007 »

Dear Mr Coward,

I hope you won’t mind if I pass on your mock turtle suggestion. Carols may be for Christmas, but I feel that you may have the wrong Carroll in this regard – and given the problems I’ve already had over the pear tree and the doves I’m already in the soup.

I know that Dafydd, your Welsh dresser, specialises in balls, but the old roué may have gone too far with Alan Titchmarsh. Alan was part of our plans for the 6th Day of Christmas Composer of the Week feature on Igor Stravinsky, with a dumbed-down version of the Rake’s Progress called Mother Goose.  So when Alan said “rake well” he was merely passing on a gardening tip and not giving Dafydd carte blanche.

A couple of people from your department have turned up with the three French hens, so I’m hoping the Rameau feature will go without a hitch.

Roger Wright
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Ron Dough
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« Reply #13 on: 11:57:45, 03-12-2007 »

Dear Mr Wright,

This is woeful, if I may say so. Are you telling me that you have received the hens already? In which case your orders are getting out of sync., since I now have two partridges and a variety of pear trees of different sizes sitting in my 'Goods In' bay ready for checking and despatch, yet no documentation whatsoever for chickens in triplicate from any source, apart from a DEFRA certificate permitting import of Breton Bantams after they've been vetted (by a vet). I trust your programmes are going out in advance, because we have a tricky situation here, if BH is indeed harbouring potentially dangerous poultry. I've alerted the authorities to the situation, and must warn you that if even a single hen has crossed your threshold, then we will need to quarantine the entire building immediately, and set up a cordon sanitaire about it. There will have to be disinfectant footbaths at all entrances and exits, and a complete embargo on the ingress of anyone with avian connections.

So our Jonathan, even now on Eurostar with a brace of turtle doves, Mr Parrot-face Davies and Anne Robinson (to give but three examples) will not be allowed inside, and for safety's sake, the music of William Byrd and Charlie Parker will need a certificate before playing, as would documentaries concerning, say, Sir Christopher Wren and Simon Raven. How fortunate for you that Tom Crowe is no longer among your presentation staff....

I really could manage without all this extra worry at this time of the year, particularly since another emergency has cropped up. Our latest TV reality show involves 20 disparate and desperate celebrities forced to live in isolation in order to produce and perform a Gilbert and Sullivan operetta. I have now been informed that, due to the remoteness of their location, they are unable to source props, and have therefore been deputed to drive the length of the country and back, in order to deliver a van-load of miscellaneous junk for them to play with, leaving this evening. I trust that you will appreciate therefore that for a period of approximately forty-eight hours from this evening, I may be rendered temporarily incommun(m)icado.

Yours,

Noël
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LeTombeauDeCooperman
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« Reply #14 on: 12:57:51, 03-12-2007 »

Dear Mr Coward,

In Mr Wright’s absence I am writing to protest about the appalling treatment meted out to my fellow countryman, Jean-Phillipe Rameau. The Composer of the Week programme about him was hardly underway when health inspectors sent by you burst into the studio and seized the three French hens.

The resultant disturbance caused great distress to the hens. The hens were, understandably, making a din; but there was no need for the fowl language used by one of the inspectors when he shouted: “keep the clucking noise down!”

To cap it all, there are also allegations that money-laundered cash was used to purchase the hens, which led to officers from the City of London police (from their fraud division in Poultry, EC2) accompanying the health inspectors.

Such disrespect contrasts sharply with the esteem in which M Rameau is held in my country. He even has his own private carriage on the Paris metro. (This can be identified by the large O on the side of the carriage – or rame O, as we say in French.)

You appear to be highly paid for your services. By contrast, despite being one of France’s top political interviewers, I only receive the minimum wage, and I am sorry if my resentment over our relative financial positions is reflected in the tone of this letter.

Roland S(m)icard
Les 4 Vérités
Télématin
France 2
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