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Author Topic: Two- to Sixty-second Repertoire Test Discussion  (Read 18090 times)
Sydney Grew
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« Reply #1155 on: 23:01:01, 09-03-2008 »

Just to inform Mr Grew that Puzzle 288 remains unsolved. Sullivan's Martyr of Antioch, as solved by Mr Iron, was Puzzle 290, as set by Mr Watson.

Thank you Mr. Inquisitor it should be right now.
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Il Grande Inquisitor
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« Reply #1156 on: 23:04:27, 09-03-2008 »

Yes Indeed - Goossens Phantasy Sextet.  A terrific work, so please investigate if you don't know it.

Tommo

I am just downloading it from the Chandos website, as the disc is no longer widely available. The first movement Con fuoco is playing now - a most promising start!  Smiley
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thompson1780
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« Reply #1157 on: 23:29:56, 09-03-2008 »

I think I am now on 5931.

If other members are piling on points more than I am, they could be near 22,500......

Tommo
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Il Grande Inquisitor
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« Reply #1158 on: 23:33:28, 09-03-2008 »

Well, I've just finished listening to the Goossens - what a terrific piece. Thanks, Tommo, for posting it as a snatch!

For what it's worth, I suspect I'm somewhere below you in the league table as I calculate I passed the 22,500 mark sometime this evening (unless, of course, somebody else got there first!)  Cheesy
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Baz
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« Reply #1159 on: 13:56:36, 10-03-2008 »

303 - How about the Tone Poem Toman a lesní panna by Vitezslav Novak?

Not that one Mr. Baziron. Well we see you have rightly "scrubbed" it.

Better still - let's scrub that, and go for Novak's Lady Godiva (which fits your clues better!).

Good work that is the one! Novak's Overture Lady Godiva, the "Scottish atmosphere" of which was much praised by Czech commentators.


Is that because the Czechs thought that Scotland was part of the West Midlands?

Baz  Grin Grin
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Il Grande Inquisitor
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« Reply #1160 on: 18:10:12, 10-03-2008 »

No.316 is William Kroll's Banjo and Fiddle for violin & piano

This dovetails in nicely with the latest 'Musical Connections' puzzle I set, which is based on pieces with musical instruments as their title which don't actually feature in the piece:

Fauré/ Debussy - Mandoline
Moszkowski/ Lalo - Guitarre
Vaughan Williams – Orpheus with his lute
Gottschalk – Le banjo
Saint-Saëns - Guitarres et mandolines
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
harmonyharmony
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« Reply #1161 on: 20:09:22, 10-03-2008 »

Yes indeed Mr H and I should be surprised if you didn't also know no.282.

I think I may do but I can't quite place it...
Am I right in thinking that the previous clues for this snatch are that the composer is German, the piece is for two soloists (neither of whom are playing in this extract) and was written in 1974?
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richard barrett
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« Reply #1162 on: 20:15:01, 10-03-2008 »

That's correct, hh. Indeed the two soloists make no sound at all most of the time.
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Bryn
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« Reply #1163 on: 21:01:18, 10-03-2008 »

Well, I have had a good listen to your current Puzzles, richard, but am defeated by all of them. Sad
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harmonyharmony
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« Reply #1164 on: 22:12:43, 10-03-2008 »

That's correct, hh. Indeed the two soloists make no sound at all most of the time.

Oh! Oh! Oh!
282 is Stockhausen's Inori init!
it certainly is.

Well you did kind of hand that out on a platter... It was a matter of getting there before anyone else!
Now I have to focus on my lecture tomorrow: anyone know anything about 19th Century opera?
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
http://www.myspace.com/itensemble
thompson1780
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« Reply #1165 on: 22:31:51, 10-03-2008 »

All the languishing logs are still "on the track" to appear to-morrow, incidentally. We are keen to confirm Mr. Inquisitor's predicted speedy rise to 25,500 points!


Thank you Member Grew.  I am still itching!

(and fully expect to be still in 8th place!)

Mr T
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martle
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« Reply #1166 on: 22:39:55, 10-03-2008 »

anyone know anything about 19th Century opera?

hh, you have to ask that, HERE??  Shocked
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Green. Always green.
Sydney Grew
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« Reply #1167 on: 22:42:27, 10-03-2008 »

Novak's Overture Lady Godiva, the "Scottish atmosphere" of which was much praised by Czech commentators.

Is that because the Czechs thought that Scotland was part of the West Midlands?

Baz  Grin Grin
Probably it was that having the innate taste and discernment evident in so much of their music they in 1907 felt that even to draw the distinction in respect of that far-away country had about it an intolerable air of the infra dignitatem.


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harmonyharmony
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« Reply #1168 on: 22:45:20, 10-03-2008 »

anyone know anything about 19th Century opera?

hh, you have to ask that, HERE??  Shocked

Anyone fancy teaching a two hour lecture on the subject at 9am tomorrow morning then?
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
http://www.myspace.com/itensemble
oliver sudden
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« Reply #1169 on: 22:47:04, 10-03-2008 »

hh, just get them all to log on!  Cheesy
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