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martle
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« Reply #825 on: 22:18:12, 26-02-2008 » |
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Tommo's on it. I'll leave it to him, because he needs the rush.  Isn't it weird, though, how a solo trumpet is only evocative of either American or Italian national flavour? Unless you count Herb Alpert and Tijuana Brass. |
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« Last Edit: 22:24:24, 26-02-2008 by martle »
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Green. Always green.
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thompson1780
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« Reply #826 on: 22:23:20, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
To increase the tension, can you name which one? (movement, not pine!) You tormentor! Actually the straight answer is 'No', and I do feel guilty nicking points from Mr Martle. (But I shall go and get my LP and start searching.....) Tommo |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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martle
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« Reply #827 on: 22:26:03, 26-02-2008 » |
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See, that's what I can't face doing, Tommo. It's downstairs, buried in a pile. And I just know you'll beat me to it.  |
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Green. Always green.
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Bryn
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« Reply #828 on: 22:26:46, 26-02-2008 » |
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Tommo's on it. I'll leave it to him, because he needs the rush. Isn't it weird, though, how a solo trumpet is only evocative of either American or Italian national flavour? Unless you count Herb Alpert and Tijuana Brass. Excuse me, but what about Honegger's Second Symphony. The trumpet in that is pretty evocative, but not of Italy or America. Well not to me, anyway. |
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harmonyharmony
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« Reply #829 on: 22:27:32, 26-02-2008 » |
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It's downstairs, buried in a pile.
I read that as 'It's downstairs, buried in a pie.' Shades of Sweeney Todd... |
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble |
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martle
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« Reply #830 on: 22:29:21, 26-02-2008 » |
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hh, you've just got food on the brain. Enough. Horlicks and bed, my boy! |
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Green. Always green.
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Ron Dough
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« Reply #831 on: 22:36:51, 26-02-2008 » |
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Tommo's on it. I'll leave it to him, because he needs the rush. Isn't it weird, though, how a solo trumpet is only evocative of either American or Italian national flavour? Unless you count Herb Alpert and Tijuana Brass. Excuse me, but what about Honegger's Second Symphony. The trumpet in that is pretty evocative, but not of Italy or America. Well not to me, anyway. Walton 1 (iv)? |
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harmonyharmony
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« Reply #832 on: 22:40:30, 26-02-2008 » |
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hh, you've just got food on the brain. Enough. Horlicks and bed, my boy! I've always got food on the brain!  Both ex-girlfriends saw my obsession with food as being slightly unhealthy, but they obviously have terrible taste so what do they know?  I'm currently dealing with the inevitable consequence of cooking: washing up. Cup of tea and a biscuit (and possibly a lump of chocolate) and then I'll be at it like a Trojan (but which one?). |
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble |
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thompson1780
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« Reply #833 on: 22:42:07, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
To increase the tension, can you name which one? (movement, not pine!) You tormentor! Actually the straight answer is 'No', and I do feel guilty nicking points from Mr Martle. (But I shall go and get my LP and start searching.....) Tommo Ah, small problem. This is where I find out that my LP of Resphigi's Rome series is in fact a Melodyia recording from 1980 with a sleeve which is entirely in Russian, except for the 4 words "Respighi", "Shostakovich", "Yevgeni" and "Svetlanov". (Mr Grew may like to notice that this is the exact spelling of "Shostakovich" on a Russian produced record..... ) And from a quick selection of places to place the needle, I cannot isolate anything which sounds like 164. Perhaps the closest is something from the end of movement 3. And I will be gutted if it is Walton 1 - I thought I knew that! Tommo |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Il Grande Inquisitor
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« Reply #834 on: 22:45:21, 26-02-2008 » |
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It's downstairs, buried in a pile.
Mmmmm, now that sounds a good place to start for the Respighi...  |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ron Dough
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« Reply #835 on: 22:46:07, 26-02-2008 » |
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Trojan? As long as it's not an American one, hh And the Walton 1 (iv) was a riposte to the trumpet solo comments, Tommo, not an answer to an example I've not even heard (I'm trying to stay away from the test, because it would just swallow all of my time). |
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Bryn
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« Reply #836 on: 22:46:23, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
To increase the tension, can you name which one? (movement, not pine!) You tormentor! Actually the straight answer is 'No', and I do feel guilty nicking points from Mr Martle. (But I shall go and get my LP and start searching.....) Tommo Ah, small problem. This is where I find out that my LP of Resphigi's Rome series is in fact a Melodyia recording from 1980 with a sleeve which is entirely in Russian, except for the 4 words "Respighi", "Shostakovich", "Yevgeni" and "Svetlanov". (Mr Grew may like to notice that this is the exact spelling of "Shostakovich" on a Russian produced record..... ) And from a quick selection of places to place the needle, I cannot isolate anything which sounds like 164. Perhaps the closest is something from the end of movement 3. And I will be gutted if it is Walton 1 - I thought I knew that! Tommo Fear not, Tommo. The Walton and Honegger were cited as non-American, non-Italian evocative uses of the solo trumper, (though one might question this in the case of Walton, might one not?). |
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« Last Edit: 22:48:08, 26-02-2008 by Bryn »
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Ron Dough
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« Reply #837 on: 22:48:12, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
To increase the tension, can you name which one? (movement, not pine!) You tormentor! Actually the straight answer is 'No', and I do feel guilty nicking points from Mr Martle. (But I shall go and get my LP and start searching.....) Tommo Ah, small problem. This is where I find out that my LP of Resphigi's Rome series is in fact a Melodyia recording from 1980 with a sleeve which is entirely in Russian, except for the 4 words "Respighi", "Shostakovich", "Yevgeni" and "Svetlanov". (Mr Grew may like to notice that this is the exact spelling of "Shostakovich" on a Russian produced record..... ) And from a quick selection of places to place the needle, I cannot isolate anything which sounds like 164. Perhaps the closest is something from the end of movement 3. And I will be gutted if it is Walton 1 - I thought I knew that! Tommo Fear not, Tommo. The Walton and Honegger were cites as non-American, non-Italian evocative uses of the solo trumper, (though one might question this in the case of Walton, might one not?). In what way, Bryn? It was written way before Walton was living on Ischia. |
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thompson1780
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« Reply #838 on: 22:50:37, 26-02-2008 » |
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Oh bottoms. Why did I only see this after I had made the same guess....? I was thinking of various things for 164. Quiet City?
Especially with that lone trumpet, Ollie, but no. It's not by Copland at all. Not my day today  Tommo |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Bryn
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« Reply #839 on: 22:54:14, 26-02-2008 » |
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In what way, Bryn? It was written way before Walton was living on Ischia.
Ah, but his viola concerto is said to have been influenced by Berlioz's Harold in Italy, and the viola concerto predated the First Symphony by some years, did it not. |
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