Il Grande Inquisitor
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« Reply #1905 on: 23:40:44, 09-03-2008 » |
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Not Gliere, Mr Garnett.
Another clue - the piece concerned was written in 1932. The conductor recorded a good deal, A Verdi Requiem being prominent, but also Berlioz and Stravinsky.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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George Garnett
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« Reply #1906 on: 23:48:36, 09-03-2008 » |
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281 Igor Markevitch: Icarus?
(The Suite from the Ballet, that is, as played in concert halls and churches.)
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Il Grande Inquisitor
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« Reply #1907 on: 23:50:49, 09-03-2008 » |
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Yes, indeed, Mr Garnett, 281 is the suite 'Envol d'Icare'. A fascinating work I first heard earlier this year and makes me quite eager to hear more of Markevitch's work. Collect 180 points!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #1908 on: 23:54:31, 09-03-2008 » |
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Some one might know this straight off: puzzle 312, HERE and HERE.
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Il Grande Inquisitor
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« Reply #1909 on: 00:01:53, 10-03-2008 » |
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312 is Mozart's Concerto For Piano And Orchestra No.11 In F Major, K.413: 1st movement Allegro
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #1910 on: 00:04:37, 10-03-2008 » |
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312 is Mozart's Concerto For Piano And Orchestra No.11 In F Major, K.413: 1st movement Allegro Correct! Well within the repertoire.
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Il Grande Inquisitor
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« Reply #1911 on: 00:09:24, 10-03-2008 » |
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Hurrah! I am not always so good with Mozart Piano concertos, being familiar with only a handful. Puzzle 313, which completes a musically connected trio with 288 and 306: SendSpace or Rapidshare
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #1912 on: 00:11:40, 10-03-2008 » |
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[This pointer will be posted at intervals of approximately fifty messages.]
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harmonyharmony
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« Reply #1913 on: 08:34:17, 10-03-2008 » |
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Ooh! Is 300, Kagel's 1898?
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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richard barrett
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« Reply #1914 on: 09:57:04, 10-03-2008 » |
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Ooh! Is 300, Kagel's 1898? Yes indeed Mr H and I should be surprised if you didn't also know no.282. Any takers for no.301? Clue: It's from almost the very end of the first movement of a piano concerto.
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Sydney Grew
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« Reply #1915 on: 10:51:34, 10-03-2008 » |
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Somewhat slippery harmonies; HERE or HERE is puzzle 314.
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Bryn
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« Reply #1916 on: 11:01:42, 10-03-2008 » |
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Some clues:
Puzzle 293 - this recording is of a recent performance by a leading American orchestra, though not of a performance in the orchestra's own country.
Puzzle 296 - the composer of this piece was fêted with beef, toast and paté.
Puzzle 297 - this has a title which might be found a the far end of a tunnel.
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Sydney Grew
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« Reply #1917 on: 11:03:10, 10-03-2008 » |
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It seems no one knows puzzle 303, so it is time for another clue in relation to it. We already know that it was written in 1907 and that there is a strong connection with Coventry. Now we can add that its composer also wrote - much later, in 1941, in the face of national catastrophe under the Hitlerites - a famous symphonic poem for large orchestra and organ, From the Depths, full of muscular counterpoint.
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richard barrett
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« Reply #1918 on: 11:21:20, 10-03-2008 » |
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Here is Puzzle 315, possibly a little less obscure than my last few.
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« Last Edit: 11:24:13, 10-03-2008 by richard barrett »
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Baz
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« Reply #1919 on: 12:48:56, 10-03-2008 » |
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It seems no one knows puzzle 303, so it is time for another clue in relation to it. We already know that it was written in 1907 and that there is a strong connection with Coventry. Now we can add that its composer also wrote - much later, in 1941, in the face of national catastrophe under the Hitlerites - a famous symphonic poem for large orchestra and organ, From the Depths, full of muscular counterpoint.
303 - How about the Tone Poem Toman a lesní panna by Vitezslav Novak?
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