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Author Topic: Competition: Two- to Sixty-Second Repertoire Test  (Read 29230 times)
Baz
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« Reply #1920 on: 12:54:29, 10-03-2008 »

It seems no one knows puzzle 303, so it is time for another clue in relation to it. We already know that it was written in 1907 and that there is a strong connection with Coventry. Now we can add that its composer also wrote - much later, in 1941, in the face of national catastrophe under the Hitlerites - a famous symphonic poem for large orchestra and organ, From the Depths, full of muscular counterpoint.


303 - How about the Tone Poem Toman a lesní panna by Vitezslav Novak?

Better still - let's scrub that, and go for Novak's Lady Godiva (which fits your clues better!).
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Sydney Grew
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« Reply #1921 on: 13:01:17, 10-03-2008 »

303 - How about the Tone Poem Toman a lesní panna by Vitezslav Novak?

Not that one Mr. Baziron. Well we see you have rightly "scrubbed" it.

Better still - let's scrub that, and go for Novak's Lady Godiva (which fits your clues better!).

Good work that is the one! Novak's Overture Lady Godiva, the "Scottish atmosphere" of which was much praised by Czech commentators.
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Baz
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« Reply #1922 on: 13:26:31, 10-03-2008 »

Meanwhile, here is Puzzle 316
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Il Grande Inquisitor
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« Reply #1923 on: 18:04:05, 10-03-2008 »

No.316 is William Kroll's Banjo and Fiddle for violin & piano
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Baz
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« Reply #1924 on: 18:40:19, 10-03-2008 »

No.316 is William Kroll's Banjo and Fiddle for violin & piano

Correct (as usual) IGI.

Baz
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Baz
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« Reply #1925 on: 19:03:54, 10-03-2008 »

So here then is Puzzle 317.
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Il Grande Inquisitor
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« Reply #1926 on: 20:04:45, 10-03-2008 »

Time for a clue for my musically connected trio, 288, 306 and 313:

288 is not Vivaldi. 288 and 313 depict the same event.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
harmonyharmony
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WWW
« Reply #1927 on: 20:06:31, 10-03-2008 »

Any takers for no.301? Clue: It's from almost the very end of the first movement of a piano concerto.
I don't know this but I'll flail in the direction of Carter's Piano Concerto [stumbles due to overflail and falls flat on face]
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richard barrett
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« Reply #1928 on: 20:16:54, 10-03-2008 »

Any takers for no.301? Clue: It's from almost the very end of the first movement of a piano concerto.
I don't know this but I'll flail in the direction of Carter's Piano Concerto
No, that's not it. It's one of three piano concertos by this composer.
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Il Grande Inquisitor
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« Reply #1929 on: 20:53:40, 10-03-2008 »

Mr Grew, is Puzzle No.314 Guilmant's Symphony No.2 for Organ and Orchestra?
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harmonyharmony
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« Reply #1930 on: 20:58:28, 10-03-2008 »

That's correct, hh. Indeed the two soloists make no sound at all most of the time.

Oh! Oh! Oh!
282 is Stockhausen's Inori init!
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
http://www.myspace.com/itensemble
Baz
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« Reply #1931 on: 21:02:55, 10-03-2008 »

Somewhat slippery harmonies; HERE or HERE is puzzle 314.


Let's try Symphony no 3, Op. 43 "Moscou" (for Organ and Orchestra) by Charles Tournemire
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richard barrett
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« Reply #1932 on: 21:56:36, 10-03-2008 »

That's correct, hh. Indeed the two soloists make no sound at all most of the time.

Oh! Oh! Oh!
282 is Stockhausen's Inori init!
it certainly is.
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Sydney Grew
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« Reply #1933 on: 22:10:15, 10-03-2008 »

Mr Grew, is Puzzle No.314 Guilmant's Symphony No.2 for Organ and Orchestra?

Let's try Symphony no 3, Op. 43 "Moscou" (for Organ and Orchestra) by Charles Tournemire

Sorry it is neither of those. It is if we are not mistaken much better known than either!
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Il Grande Inquisitor
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« Reply #1934 on: 22:11:58, 10-03-2008 »

314 - Poulenc's Organ Concerto?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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