Sydney Grew
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« Reply #2610 on: 13:43:09, 22-03-2008 » |
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416 is, of course, Dvorak's Symphony No 3 in E flat I. Allegro moderato Just so. Member Inquisitor is right to return to Dvorak.
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Il Grande Inquisitor
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« Reply #2611 on: 13:43:50, 22-03-2008 » |
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415 sounds so much like Haydn rather than Mozart, but it doesn't appear than Haydn wrote String Quintets...at least not Franz Josef, so let's try Michael Haydn's String Quintet In B-Flat Major, P.105.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #2612 on: 13:49:37, 22-03-2008 » |
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. . . let's try Michael Haydn's String Quintet In B-Flat Major, P.105. No-o-o . . .
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autoharp
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« Reply #2613 on: 13:52:11, 22-03-2008 » |
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424 is from near the end of the Jean Barraque piano sonata - it seems to be played a bit matter-of-factly, but I'll probably be told it's from the best performance . . .
Entirely correct Mr. Harp. It is in fact from Herbert Henck's ECM recording, which is my personal favorite, but to each his own. Congratulations. Oops. I've still not heard it, but it seems to be a number of people's personal favourite. Hmmm.
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Il Grande Inquisitor
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« Reply #2614 on: 13:55:33, 22-03-2008 » |
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415 There doesn't appear many recordings of Michael Haydn quintets to go on, but let us persevere with his String Quintet in G, P.109 as our next effort!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #2615 on: 14:04:47, 22-03-2008 » |
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415 There doesn't appear many recordings of Michael Haydn quintets to go on, but let us persevere with his String Quintet in G, P.109 as our next effort! No-o-o . . . no-o-o . . . no-o-o!
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Il Grande Inquisitor
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« Reply #2616 on: 14:09:10, 22-03-2008 » |
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No-o-o . . . no-o-o . . . no-o-o!
I surmise from this response that we are either incredibly close or that it's not Michael Haydn at all. As the only other quintet on the L'Archibudelli disc I've located online is Michael Haydn's String Quintet in C Major, P.108, once thought to be by Joseph, then let that be our final guess for now!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Sydney Grew
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« Reply #2617 on: 14:13:44, 22-03-2008 » |
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. . . As the only other quintet on the L'Archibudelli disc I've located online is Michael Haydn's String Quintet in C Major, P.108, once thought to be by Joseph, then let that be our final guess for now! Sorry, it's not that.
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Tony Watson
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« Reply #2618 on: 14:29:57, 22-03-2008 » |
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415 - Mozart's Quintet K 593?
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Baz
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« Reply #2619 on: 14:56:15, 22-03-2008 » |
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426 - this of course is Haydn's quartet in D, Op 50, no. 6 ('The Frog'), movt. 4
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Tony Watson
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« Reply #2620 on: 15:07:13, 22-03-2008 » |
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« Last Edit: 15:56:01, 22-03-2008 by Tony Watson »
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Baz
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« Reply #2621 on: 15:07:44, 22-03-2008 » |
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427 - this is a guitar arrangement of one of the many Anonymous settings of Greensleeves that appear in English 16th-17th-c Lute books.
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Evan Johnson
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« Reply #2622 on: 15:08:59, 22-03-2008 » |
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Emboldened, may I present Puzzle 430.
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« Last Edit: 15:10:49, 22-03-2008 by Evan Johnson »
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Il Grande Inquisitor
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« Reply #2623 on: 15:13:09, 22-03-2008 » |
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426 - this of course is Haydn's quartet in D, Op 50, no. 6 ('The Frog'), movt. 4
Is correct, Mr Iron! 427 - this is a guitar arrangement of one of the many Anonymous settings of Greensleeves that appear in English 16th-17th-c Lute books.
Is incorrect, Mr Iron!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Evan Johnson
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« Reply #2624 on: 15:16:56, 22-03-2008 » |
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CRISIS
I hope this post will be indulgently judged on-topic, though if not I accept the penalty on behalf of the greater good; but as it stands now there are two Puzzles 427, one posed by Mr. Inquisitor, the other by Mr. Watson.
As I have recently posted Puzzle 430 I hope that one of the above can be rechristened Puzzle 431 or else withdrawn and relabeled.
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