thompson1780
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« Reply #3045 on: 22:16:02, 15-04-2008 » |
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Is 518 from Bruckner 5?
No, but you're a bit closer. Tommo I don't recognize the snatch specifically, but since Bruckner 7 is in E major, let's try that one! Baz Sorry, No. Ollie was close but no cigar with No.8. Jonathan was closer with No.5. Sadly you are further away with No.7 (although closer than No. . Is that too easy for you? Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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oliver sudden
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« Reply #3046 on: 22:18:27, 15-04-2008 » |
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518 Bruckner 4...
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thompson1780
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« Reply #3047 on: 22:18:58, 15-04-2008 » |
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528 is Britten Gloriana Suite
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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thompson1780
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« Reply #3048 on: 22:19:31, 15-04-2008 » |
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518 Bruckner 4... No, but nearly there...... Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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oliver sudden
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« Reply #3049 on: 22:19:59, 15-04-2008 » |
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518 Bruckner 4... No, but nearly there...... Tommo 518 Bruckner 3!
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thompson1780
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« Reply #3050 on: 22:23:08, 15-04-2008 » |
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518 Bruckner 4... No, but nearly there...... Tommo 518 Bruckner 3! Oh, so close! Don't overshoot now, will you...... (martle - naughty corner now!) Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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oliver sudden
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« Reply #3051 on: 22:23:58, 15-04-2008 » |
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518 Bruckner 4... No, but nearly there...... Tommo 518 Bruckner 3! Oh, so close! Don't overshoot now, will you...... (martle - naughty corner now!) Tommo Bruckner 2!
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thompson1780
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« Reply #3052 on: 22:28:22, 15-04-2008 » |
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518 Bruckner 4... No, but nearly there...... Tommo 518 Bruckner 3! Oh, so close! Don't overshoot now, will you...... (martle - naughty corner now!) Tommo Bruckner 2! Hurrah! And not a moment too soon..... It is indeed the Adagio second movement from Bruckner's second symphony. The snatch is taken from the closing bars, but echoes the opening of the movement. A wonderful movement, it's like fragments all strung together giving hints about what may have once laid in between. The recording you heard was Frankfurt RSO under Inbal. Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Tony Watson
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« Reply #3053 on: 22:46:40, 15-04-2008 » |
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A punt at Frederick Clay's I'll Sing Thee Songs of Araby for 525.
Correct! 528 is Britten Gloriana Suite
Tommo
Correct also! 526 - Prokofiev Scythian Suite
Yes it is! 527 - Milhaud 3rd movement of Scaramouche
And so is that one!
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thompson1780
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« Reply #3054 on: 22:53:09, 15-04-2008 » |
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528 is Britten Gloriana Suite
Tommo
Correct also! Hoorah! I can celebrate now.... This is the first image you get if you google 'Gloriana Party'. Phew! Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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autoharp
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« Reply #3055 on: 22:59:32, 15-04-2008 » |
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Hurrah! Bars 5-8 of this example reveal the origin of the Milhaud
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« Last Edit: 23:02:03, 15-04-2008 by autoharp »
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thompson1780
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« Reply #3056 on: 23:17:04, 15-04-2008 » |
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Another clue for 517: Mentioned on this very forum, as Reiner's No.1 musical discovery of 2007
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Tony Watson
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« Reply #3057 on: 23:42:20, 15-04-2008 » |
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So 517 must be Krein's Esquisses Hebraïques: Quintet for Clarinet and Strings
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Sydney Grew
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« Reply #3058 on: 23:48:25, 15-04-2008 » |
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Do I still get points for poor guesses? So is 520 Tchaikovsky's Manfred Symphony? Tommo
You do still get twenty points for poor guesses - as in this case sorry!
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Sydney Grew
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« Reply #3059 on: 23:51:16, 15-04-2008 » |
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. . . for 519 a punt at the Bartók 1st quartet. No not really! Ah, so I shall go for Bartok's 2nd quartet. 523 sounds as though it could only be Schoenberg but which one? We shall try the Third Quartet. Nor that not really! And I shall go or Schoenberg's 4th quartet Tommo Bartok's second quartet is . . . incorrect. But Schoenberg's fourth is absolutely right and the Member receives 800 points. The extract is from the first movement, what some might call the second subject.
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