Antheil
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« Reply #15 on: 20:07:59, 03-06-2008 » |
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Mr. Improv talks a lot of sense. And writes very wonderful posts I think.
Jazz Record Requests is a programme I listen to, I don't like some of it but it gives you a taster for what you might get into. I have had two requests played, one was Ornette 'Rambling' (which I defy anyone to not dance around the fountain to) and the other was Avishai Cohen 'Nu Nu' (that was me being a bit naughty - I bet all the listeners hated it - I expect the Jassers did too!)
I did, I must say, have a lot of guidance from the BBC R3 Jassers, in particular to Herbie Hancocks and piano music.
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Reality, sa molesworth 2, is so sordid it makes me shudder
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George Garnett
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« Reply #16 on: 20:11:52, 03-06-2008 » |
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Gulp! Following mr improv's post I've been nervously checking to see what Blue Note CDs I've got with a view to hiding them discreetly from prying eyes.
But ...
Billie Holliday: Billie's Blues Thelonious Monk: The Blue Note Years
They're all right to be seen in respectable company aren't they?
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richard barrett
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« Reply #17 on: 21:08:07, 03-06-2008 » |
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I only have one CD on Blue Note: I think yours are OK, George.
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Jellybaby7
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« Reply #18 on: 22:10:48, 03-06-2008 » |
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Cecil....Cecil....Cecil....Cecil....................have nothing to do with Cab Callaway(aroony)....
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Jellybaby7
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« Reply #19 on: 22:26:47, 03-06-2008 » |
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IMPORTANT before starting....you must learn to click your fingers, while nodding, legs should be crossed and posture laid -back, sometimes its beneficial to tap one knee, you should be trying to simulate playing the entire rhythm section using any part of the body that can keep time,one foot should be the bass drum, the other should just shimmy about in a kinda zig zag....motion....this does not imitate anything musical, this just for hip effect....every now and again say/yell....'YEAH!!'....
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martle
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« Reply #20 on: 22:29:26, 03-06-2008 » |
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every now and again say/yell....'YEAH!!'....
...or quietly intone, 'Nice.'
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Green. Always green.
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George Garnett
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« Reply #21 on: 22:38:54, 03-06-2008 » |
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So basically just like the Wigmore Hall really?
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martle
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« Reply #22 on: 22:47:16, 03-06-2008 » |
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GG,
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Green. Always green.
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Turfan Fragment
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« Reply #23 on: 02:40:32, 04-06-2008 » |
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Sartorial recommendations for jazz newbies?
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King Kennytone
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« Reply #24 on: 10:33:56, 04-06-2008 » |
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Nylon elastic-waist slacks. Cagoule. Sandals with white socks.
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« Last Edit: 11:09:38, 04-06-2008 by King Kennytone »
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martle
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« Reply #25 on: 10:40:48, 04-06-2008 » |
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Green. Always green.
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Ian Pace
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« Reply #27 on: 11:10:55, 04-06-2008 » |
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To get some sort of rough way in, I'd recommend starting with the following:
Jelly Roll Morton - Complete Recorded Works (an ultra-cheap boxed set) Louis Armstrong - Hot Fives and Sevens (ditto) Count Basie - The Count Basie Story (ditto) Duke Ellington - Masterpieces 1926-1949, and also Black, Brown and Beige Benny Goodman - Live at Carnegie Hall: the Famous 1938 Carnegie Hall Jazz Concert Art Tatum - Piano Grand Master Charlie Parker - A Studio Chronicle 1940-1948 Miles Davis - Workin, Kind of Blue, Bitches Brew John Coltrane - Giant Steps Dave Brubeck - Take Five Charlie Mingus - The Black Saint and the Sinner Lady Stan Getz and Astrid Gilberto - Getz/Gilberto Ornette Coleman - Free Jazz Cecil Taylor - Unit Structures
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« Last Edit: 11:54:10, 04-06-2008 by Ian Pace »
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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greenfox
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« Reply #29 on: 11:27:16, 04-06-2008 » |
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