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Author Topic: Music in Higher Education  (Read 1418 times)
Baz
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« Reply #90 on: 18:16:59, 10-09-2008 »

I'm not the thought police (at least I don't think I am - do I get a bonus to my salary if I am?) but I also do see that learning outcomes can prove to be a useful indicator for staff and students. This is possibly a generational thing coming from national curriculum and all that but it's been a great help to me to look at the descriptors for next year's teaching and have an idea of what I'm supposed to have covered during the teaching weeks in a field that is not my own.

Umm... what is a "descriptor" HH? Oh yes - I remember. It is yet another one of those ridiculous business-world gobbledygook technical terms. It is supposed to be something "more transparent", "more meaningful" and "more scientific" than a simple word like "descriptions".

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At this stage in my career I'd much rather look at these things as something that I have to work with. This means that I'm going to use them as tools to serve what I want to do rather than (as I've seen colleagues in Another Institution do) see them as ends in themselves (the glorification of paperwork). I'm lucky in that the PGCert, which I'm beginning this term, seems to be set up in order to best enable this (well at my institution anyway) if the students are willing and able.

The one flipside to this is that while you may be using them as "tools to serve what you want to do", the opportunity now arises for the students equally to use them as tools for not doing the things they do not want to do. Tell them that they should be wanting to do them and they will be able to point to the predefined list and say that they do not agree with you.

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I'll even confess to finding sensitively worded criteria to be helpful. They're not the only guideline to how I mark, but often I'll have a set of specific things that I'm looking for when I'm marking and I don't necessarily see what's so wrong in sharing those with the students... In an age when class sizes are rising for every subject (obviously this isn't a trend restricted to HE, but in comparison this is a fairly recent exponential leap) the feedback that would have been possible when I was an undergraduate is now impossible, and sensitively worded criteria at least explain a little bit about what we're looking for in each band.

But the Criteria are not mere guidelines - they are a legally-binding part of the written contract (and can easily be challenged by students who might appeal on the grounds that they have been applied incorrectly or unfairly). They should, therefore, be THE ONLY legal benchmarks used in the process of examination. Their existence predicates that all individual examiners will (within reason) come up with exactly the same mark even before they compare them.

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There are plenty of students who continue to work in order to learn (IMO at least) but they are not in the majority. It seems to be an indisputable reality that most students learn strategically in order to pass their degree. I wouldn't say I'm happy with that, but at the same time it's their choice. The students who continue to work in order to learn will always ask the interesting questions and they're the ones that you end up spending more time on (on top of the hours that you've promised to everyone of course) and they're generally the ones who do better. This is only based on the last 5 years experience while teaching first as a postgraduate then as a lecturer. I may well be singing a different tune in 10 years time, but this is where I am now.

The problem with this scenario is that when (what I should term) "normal students" arrive on the scene, these are the ones (rather than [what I should call] the "subnormal majority") who get the extra attention instead of those who need it. Also, in view of the pressures upon time and human resource, the upside-down stupidity of this scenario actively discourages the selection of "normal" students because they are likely to take up more time and therefore be less cost-effective. This is the education system of the luny-bin!

Baz
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Ian Pace
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« Reply #91 on: 18:21:34, 10-09-2008 »

I think there are still plenty of decisions made concerning where to study on the basis of the research expertise of the faculty, but the areas favoured may be changing. This is one reason why many young academics are aware that one of the best strategies for getting ahead in academia is to develop one's research in one or other field of Popular Music Studies; academics with a specialism in this are like gold dust, and there is much demand for them. Similarly, having songwriters or others involved in commercial music-making seems to be a better draw for students than modernist/avant-garde composers.

Baz, how exactly do you define 'normal students'?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Baz
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« Reply #92 on: 18:32:05, 10-09-2008 »


Baz, how exactly do you define 'normal students'?

I treat the question as being rhetorical because I think you must already know (from my previous postings) the answer.

Baz
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Ian Pace
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« Reply #93 on: 18:38:28, 10-09-2008 »

It's not a rhetorical question, nor merely a provocative one, it's one I wrestle with as well. I do think it is problematic if framed primarily in terms of earlier 'norms'. But I am genuinely interested in your definition.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Baz
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« Reply #94 on: 18:40:38, 10-09-2008 »

I think there are still plenty of decisions made concerning where to study on the basis of the research expertise of the faculty, but the areas favoured may be changing. This is one reason why many young academics are aware that one of the best strategies for getting ahead in academia is to develop one's research in one or other field of Popular Music Studies; academics with a specialism in this are like gold dust, and there is much demand for them. Similarly, having songwriters or others involved in commercial music-making seems to be a better draw for students than modernist/avant-garde composers.

With the greatest respect Ian, this posting was in my view so immature that I hesitated to respond to it. Unless my reading of the message is faulty (and I am sure you will correct it very quickly if so), it is your view that the actual purpose of research is merely one of "getting ahead in academia". Those of us who have spent a working lifetime undertaking research (with hardly any financial or career rewards worth mentioning) had "mistakenly" imagined that the purpose was to contribute to knowledge and understanding.

It seems clear (from your advice) that those of us who devoted our efforts to Early Music (for example) erred, and should instead have opted for Popular Music.

What a catastrophic mistake, and how sad!

Baz
« Last Edit: 18:42:34, 10-09-2008 by Baz » Logged
Baz
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« Reply #95 on: 18:45:09, 10-09-2008 »

It's not a rhetorical question, nor merely a provocative one, it's one I wrestle with as well. I do think it is problematic if framed primarily in terms of earlier 'norms'. But I am genuinely interested in your definition.

With (again) respect - and in the full knowledge that you must sort out these questions for yourself as they apply to you- I still believe that (with respect to me) you are just being rhetorical.

Baz
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time_is_now
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« Reply #96 on: 18:45:53, 10-09-2008 »

as far as 'widening of perspectives' is concerned - how can one gauge whether such an end has indeed been achieved - in particular, how can it be gauged in such a way that is meaningful to those without a vested interest in assuming it has i.e. those in the institutions making such claims?
With regard to Baz's use of the term: I don't know the answer. With regard to mine: I had some outstanding teachers at university who constantly surprised me by showing me ways of working which made me feel as if my perspectives had been enlarged. When I take part in discussions like this, I start out from the position of trying to imagine how other students could be given the same sort of experience (the same depth of experience) that I had myself. I don't have any objections to measurement but I have personal experience of educational results which I can't easily imagine how one would measure, and it does worry me to think that other students might be denied these results because an exaggerated preoccupation with accountability leads their teachers to concentrate only on what is measurable. I'm pretty sure that my best teachers didn't think in those terms.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Ian Pace
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« Reply #97 on: 18:48:49, 10-09-2008 »

No, I certainly don't think that is the purpose of research, though I do believe there are more than a few academics who do think that way (as with composers and performers, and those in other fields of work). But inevitably individuals who want to engage in research as a significant part of their career do have to think about doing something that someone will employ them to pursue. I don't like that approach (and it's certainly not the motivation behind my own choice of multiple research areas) but I'm not sure if that situation is ever entirely avoidable.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #98 on: 18:56:35, 10-09-2008 »

I take your point, t-i-n, but suppose that one needs to filter into the equation the fact that many students might not see the results that you see as being so valuable from your own education as necessarily being the most important things, either in themselves or in terms of career prospects.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Baz
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« Reply #99 on: 18:57:03, 10-09-2008 »

as far as 'widening of perspectives' is concerned - how can one gauge whether such an end has indeed been achieved - in particular, how can it be gauged in such a way that is meaningful to those without a vested interest in assuming it has i.e. those in the institutions making such claims?
With regard to Baz's use of the term: I don't know the answer. With regard to mine: I had some outstanding teachers at university who constantly surprised me by showing me ways of working which made me feel as if my perspectives had been enlarged. When I take part in discussions like this, I start out from the position of trying to imagine how other students could be given the same sort of experience (the same depth of experience) that I had myself. I don't have any objections to measurement but I have personal experience of educational results which I can't easily imagine how one would measure, and it does worry me to think that other students might be denied these results because an exaggerated preoccupation with accountability leads their teachers to concentrate only on what is measurable. I'm pretty sure that my best teachers didn't think in those terms.

I am sure (and feel fully confident that Ian well knows) the you, t-i-n, would certainly come comfortably within my view of a "normal student". The term is not limited in any way by the eventual academic achievement/degree result manifest. It is merely one that characterises a professional attitude to the process of learning and enquiry, allied to a genuine attempt to make the most rewarding response to - and interaction with - the material and human resources that are available to assist this process.

Regrettably, however, this no longer (and through no fault of the students incidentally) is the current base-line in HE.

Baz
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Baz
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« Reply #100 on: 19:09:23, 10-09-2008 »

I take your point, t-i-n, but suppose that one needs to filter into the equation the fact that many students might not see the results that you see as being so valuable from your own education as necessarily being the most important things, either in themselves or in terms of career prospects.

This is crazy Ian! One does not in any way need "to filter in" such nonsense! Universities should be offering an opportunity - backed by expertise - for prospective students to develop in a meaningful way their educational/intellectual acumen. If they do not feel that these opportunities are relevant to their ambitions then they can take a job a Tesco!

The only thing that obstructs this "normal" position is the intrusion of non-educational gurus who have been "inserted" by a government-initiated bureaucracy more interested in spreadsheets, balance sheets, accounts, "value for money", business-speak, targets, jargon, "transparency" and "accountability" - not a single one of which has any connection whatsoever with EDUCATION.

The astonishing fact is only that our educators have failed in their duty to resist this incursion, and (indeed) many have passively succumbed to it. That is, of all things, the saddest.

Baz
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Ian Pace
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« Reply #101 on: 19:14:43, 10-09-2008 »

Ok, I have some idea of your idea of a 'normal' student now, Baz. But today those types of students may be exceptional (not meant in a qualitative sense, just in terms of being a minority). And I hope you know that I value the highest level of striving for knowledge and understanding as much as anyone - though would question the extent to which even your 'normal' students are really aiming for that, as well as whether the ethereal, socially disengaged type of supposed 'learning' favoured especially in Oxbridge is really on a par with that which attempts to connect knowledge with wider concerns, or whether the former sometimes has a profoundly narcissistic quality about it (I'm aware of possible objections to the notion of 'pure' research in this context, but would not equate 'pure' with 'socially disengaged'  - and more widely, there has to come some point at which it is asked whether certain forms of research are anything more than a self-serving enterprise - and that includes some explicitly 'political' musicology). I do question the value of some 'theories' (such as psychoanalysis) which do not appear to me to have many more claims to truth than anything some drunken individual might venture down the pub, other than their academic fashionability. Same with crackpot mysticisms and the like.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
richard barrett
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« Reply #102 on: 19:18:37, 10-09-2008 »

It's surely a sign of deep fear when the existence and expression of a simple opinion constitutes the 'Thought Police', unless one needs a sheltered environment in which to exist.

If you really believe that you must be more self-deluded than even I was aware. Perhaps once more you are mistaking me for someone who gives a flying damn about you or your opinions.

I find it interesting that hh and t_i_n have a different perspective on the measurement issue from those of us who studied at university before such things became all-pervasive. Thinking that achievement in the context of, for example, a course in composition can be measured in this way is a little like claiming to have an infallible set of rules by which compositions can be assessed, which (pace member Grew) is something we know to be impossible. I've been looking through some of these specifications recently and trying to think of compositions which wouldn't meet any of the criteria but which would have to be given a high grade if the marking system wasn't to look foolish, and I didn't have to try very hard.
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Ian Pace
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« Reply #103 on: 19:31:53, 10-09-2008 »

No, Baz, whilst you and (and I to an extent) might wish that was what education was about for students, there are many who do see it very differently - more in terms of a way to enable them to move beyond what otherwise might be miserable job and life prospects. And sometimes you find some who would be dismissive of the ends you describe as being a middle class fetish, or the like. I don't necessarily agree with them but do have some idea where they might be coming from. Despite being the first person in my family ever to go to university, they weren't that financially uncomfortable (though certainly not wealthy) when I was that age. It's only really in the last 5 or so years that I've been able to count on a reasonably secure income - without some other help before then, from family and others, such as many others do not have, I'm sure job prospects would have come much higher up my agenda. And for that reason amongst others I'm rather loath to criticise others who think that way.

It would be nice to think that changes in HE are purely the result of interference from bureaucrats and others i.e. from 'above', but I can't wholly buy that - some of the pressure is coming from below as well.   
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Baz
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« Reply #104 on: 19:33:02, 10-09-2008 »

Ok, I have some idea of your idea of a 'normal' student now, Baz. But today those types of students may be exceptional (not meant in a qualitative sense, just in terms of being a minority). And I hope you know that I value the highest level of striving for knowledge and understanding as much as anyone - though would question the extent to which even your 'normal' students are really aiming for that, as well as whether the ethereal, socially disengaged type of supposed 'learning' favoured especially in Oxbridge is really on a par with that which attempts to connect knowledge with wider concerns, or whether the former sometimes has a profoundly narcissistic quality about it (I'm aware of possible objections to the notion of 'pure' research in this context, but would not equate 'pure' with 'socially disengaged'  - and more widely, there has to come some point at which it is asked whether certain forms of research are anything more than a self-serving enterprise - and that includes some explicitly 'political' musicology). I do question the value of some 'theories' (such as psychoanalysis) which do not appear to me to have many more claims to truth than anything some drunken individual might venture down the pub, other than their academic fashionability. Same with crackpot mysticisms and the like.

In my view - and genuinely with the best will in the world - all this is only because you do not view your real environment through the eyes of a true educationalist, but rather through those of a pseudo-politician. That, surely, is why your view of objectives and attainments is so limited. Research is thus "targeted" and "sidelined"; student expectation is only what you feel they expect of themselves; "theorists" are de facto to be mistrusted; "systems" are to be preferred to processes. I could go on and on, but am too respectful of the tolerance levels of others to do so.

It is, I fear, all too common these days to find people of your persuasion who (with no ill feelings at all) assume that their role is to be part of a transmogrification of the very life-blood of Society and its Education. They should perhaps think a little more clearly about what they are consigning to the scrap-heap of posterity before so readily doing it.

Best,

Baz
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