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Author Topic: Concert Hall Ambience  (Read 972 times)
thompson1780
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« on: 09:33:08, 20-03-2007 »

To avoid hijacking the mahler thread, let's talk about concert hall smells here.

What smells would be appropriate and good to accompany which music?

What pictures should be on the wall to look at whilst you listen?

What food should be available in the auditorium?

And what textures should be at hand whilst you listen?

Tommo
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reiner_torheit
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« Reply #1 on: 10:17:58, 20-03-2007 »

Beer & Sausages for Brahms (as previously mentioned Smiley )

Beer would also be ideal for Bach's Peasant Cantata

Strauss's Alpine Symphony should have a delicious aroma of pine-forest needles and pine-cones.  (Let us not mention what odour might accompany the cow-bell).

I wonder if we could get a salty tang in the air for the Four Sea Interludes from PETER GRIMES?   Listeners could be given gnarled pieces of driftwood,  and asked to interact with them.

Who remembers the scratch'n'sniff LOVE OF THREE ORANGES at the Coli?

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tonybob
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« Reply #2 on: 10:23:11, 20-03-2007 »

Scratch and Sniff may be the only time it would be enjoyable to experience Schlagobers by Strauss.
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Tony Watson
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« Reply #3 on: 12:09:23, 20-03-2007 »

Warning: weak pun coming up...

Beer would also be appropriate for Handel's Lager from Xerxes.

But the Nutcracker suite has possibilities: tea, coffee, flowers.
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tonybob
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« Reply #4 on: 12:12:28, 20-03-2007 »



...whyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhyohwhy...
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sososo s & i.
thompson1780
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« Reply #5 on: 12:14:13, 20-03-2007 »

But the Nutcracker suite has possibilities: tea, coffee, flowers.

Or perhaps you could have specially adapted seats.......

Tommo
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thompson1780
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« Reply #6 on: 13:02:50, 20-03-2007 »

I do appreciate this thread could go all silly, but I stuck it in 'Making Music' rather than the "Coffee Bar" because I wondered if the experience of going to a concert, and indeed the experience of listening to a piece of music, could be enhanced by non-auditory means.

Would a Sea Symphony be any better on a boat?  Should the temperature of the Concert Hall be raised when performing "Espana" or "The Desert Song"?

Doubtless some mad marketing chap will take something from these ideas, for which I apologise.......

Tommo
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Ron Dough
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« Reply #7 on: 13:13:41, 20-03-2007 »

Reductio ad absurdum:

No point in trying the above idea for the RVW Sinfonia Antartica: at those temperatures most of the players' fingers and chops would have packed up before the first notes were even attempted..............
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Martin
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« Reply #8 on: 13:20:40, 20-03-2007 »

I'd be a bit worried about attending a performance of Sinfonia Antartica in conditions of verisimilitude, Tommo. [You beat me to it, Ron] Likewise with Scriabin's Poem of Fire.

On the other hand, there may be something to be said for a link between music and art. What music would sit well alongside a Rothko or a Pollock? And I've often thought that Stravinsky was the Picasso of twentieth century music, though there may be better comparisons than the linking those two.

There was a performance of, I seem to recall, a Feldman quartet in a gallery not so long ago. Was that art-related, I cannot remember.



« Last Edit: 13:22:11, 20-03-2007 by Martin » Logged
thompson1780
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« Reply #9 on: 14:13:02, 20-03-2007 »

Stravinsky and Picasso was always my thought to.

For Debussy I associate Monet, but also for some reason Matisse.  Kandinsky and Miro always remind me of Martinu.

Tommo

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roslynmuse
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« Reply #10 on: 15:39:18, 20-03-2007 »


Who remembers the scratch'n'sniff LOVE OF THREE ORANGES at the Coli?


I asked the same question (in the Mahler thread...) about Opera North! same production?
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clough
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« Reply #11 on: 15:59:39, 20-03-2007 »

I'd be a bit worried about attending a performance of Sinfonia Antartica in conditions of verisimilitude, Tommo. [You beat me to it, Ron] Likewise with Scriabin's Poem of Fire.

On the other hand, there may be something to be said for a link between music and art. What music would sit well alongside a Rothko or a Pollock? And I've often thought that Stravinsky was the Picasso of twentieth century music, though there may be better comparisons than the linking those two.

There was a performance of, I seem to recall, a Feldman quartet in a gallery not so long ago. Was that art-related, I cannot remember.

Tate Modern does indeed have listening stations by some works - though I think they're generally by 'pop' musicians. The only one I experienced was a Chemical Brothers interpretation of an Epstein sculpture - a bit "ooh, there's a sort of man-machine type thing, let's do some techno to it" - too literal for my tastes.
I think the artists chose which works they wanted to illustrate, though.
Having said that, me and a friend experienced The Residents' 'Eskimo' LP sitting in our flat in the depths of winter with the windows open, whilst it was snowing outside, in our sleeping bags. Cool.
Friends of mine used to use incense during their free-drone-rock performances which worked well in giving it a certain vibe.
I think the Feldman might have worked with Rothkos, somehow.
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Ron Dough
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« Reply #12 on: 16:04:20, 20-03-2007 »

(Off-topic advice to art thieves.....)


"Take the Monet and run......"
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autoharp
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« Reply #13 on: 16:44:39, 20-03-2007 »

Didn't Scriabin envisage "smellsaround" for the Mysterium ?

What are you after, Tommo ? Feelies ?

Mmmmmmmmmmm
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tonybob
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« Reply #14 on: 16:46:30, 20-03-2007 »

I've heard Strauss's (r) music described as a 'rotting peach'.
what does that smell like?
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sososo s & i.
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