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Author Topic: Music sounding different the second time round  (Read 753 times)
smittims
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« on: 09:54:52, 26-07-2007 »

Difficult to sum up,this ,but prompted by the post in the Berlioz Requem thread which said the second time round it didn't sound like  the same piece.

I've had this experience several times and I wonder  if others have too,and what causes it.

An example: when I was in my teens,with very uncultivated musical tastes (e.g. even some Elgar sounded confusingly 'modern' and I thought 'Peter Grimes' was atonal)  I heard the first performance of Max' 'Worldes Blis'. Many  of the auduence walked out or booed at the end. The  music sounded to me like just one long homogenous noise. When  I heard it again some years later it sounded like a completely different  piece,with varied texture and identifiable melodic lies,etc. I thought it had been revised or rewritten but I am assured this was not so.

Maybe I just wasn't listening very hard .the first time. I think it may be linked to the feeling I have the second (and subsequent times)I visit a certain place, when it seems  arranged or oriented a different way round than the first time. Does anyone have THAT experience too? 
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richard barrett
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« Reply #1 on: 10:06:17, 26-07-2007 »

Yes and yes. As Heraclitus put it so long ago, you can't step into the same piece of music twice. But seriously: I put this phenomenon down to the (underestimated) amount of involvement on the listener's part in creating the listening experience. As a listener you're "composing" your version of the music you hear each time you hear it, and just like any composer of notes your abilities, preferences and convictions in this area change with time and experience.
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Ron Dough
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« Reply #2 on: 10:09:33, 26-07-2007 »

Oh yes, Smits. The same happens with journeys whether by train or driving, too: perhaps because the first time you're not only taking in the sights/events and the dynamics of the jouney, but also discovering their temporal relationship to each other; perhaps when you repeat the experience the temporal relationship, 'the lie of the land', so to speak, is less of an issue, and the events/sights themselves can command more of the attention. Although you take more in the second time, the actual duration seems to be shorter.

(Does that make sense to anybody else?)
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Reiner Torheit
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« Reply #3 on: 10:10:34, 26-07-2007 »

I do know what you mean Smiley

I think different things cause it.  Often it happens that we weren't in the right mood when we first heard it...  an argument with someone earlier in the day that still wrankles,  got to the concert-hall late and couldn't find anywhere to park, ran to your seat just as the lights were going down etc.   Or someone filled your head with piffle about what a terrible piece/performance this was going to be, how the composer has fallen from favour with cognoscenti, etc...

Another aspect might be that new works often get only mediocre performances on their first outing (see the other thread in which exactly this topic is being pored-over) for various not-very-good reasons.  But then along comes a different interpretation which finds the music amid the notes, and a real performance emerges.

I was nearly put off WOZZECK for life by a performance with all the suavity of a phalanx of enraged porcupines - it was nearly ten years later before I was turned on to the work by a superlative performance.
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ahinton
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« Reply #4 on: 10:16:03, 26-07-2007 »

Yes and yes. As Heraclitus put it so long ago, you can't step into the same piece of music twice. But seriously: I put this phenomenon down to the (underestimated) amount of involvement on the listener's part in creating the listening experience. As a listener you're "composing" your version of the music you hear each time you hear it, and just like any composer of notes your abilities, preferences and convictions in this area change with time and experience.
That is so true that one might be forgiven for assuming that it didn't even need saying; however, it certainly DOES need saying, so thank you for saying it!

Best,

Alistair
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George Garnett
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« Reply #5 on: 10:26:05, 26-07-2007 »

Indeed yes, Smittims! One work which jumps straight into mind where this happened to me was Debussy's Jeux. I couldn't make anything of it at all when I first heard it years and years ago. It seemed completely arbitrary, aimless and made no sense whatever to me and, despite its reputation as being one of Debussy's finest pieces, I just gave up on it. It was actually only four or five years ago that I heard it again accidentally without knowing what it was, didn't even recognise it, and couldn't wait to find out what this astounding piece was. It's now a favourite work and, like you with Worldes Blis, I'd cheerfully swear it's a completely different piece.
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MT Wessel
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« Reply #6 on: 00:37:03, 27-07-2007 »

My alter-ego (Mad Frank Einstein) has the affrontery to claim that his Uncle Albert reckoned that all experiences are new ones and that repetition is impossible due to some strange four dimensional space-time thingy or something ..... (yawn).

 Sad
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lignum crucis arbour scientiae
oliver sudden
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« Reply #7 on: 00:52:45, 27-07-2007 »

That would be your, er his Uncle Albert Heraclitus then?
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George Garnett
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« Reply #8 on: 08:39:27, 27-07-2007 »

In the High Court yesterday, Mr Justice Cocklecarrot presiding, the defendant Mr Albert Heraclitus (72) was charged with breaking the terms of his ASBO by repeatedly skinny-dipping in the Thames near his home in Pangbourne, Berkshire. Defending, Mr Albert Haddock QC argued that his client could not possibly have committed repeat offences since the ASBO referred to 'the River Thames' and, on each of the occasions his client has sought to refresh and invigorate himself with healthy unfettered aquatic exercise, the river was a different one. He submitted that there was therefore no case to answer and that his client should be discharged without blot.

The case continues.
« Last Edit: 09:16:03, 27-07-2007 by George Garnett » Logged
Tony Watson
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« Reply #9 on: 09:05:39, 27-07-2007 »

There are two cases to distinguish here - one when you hear a piece for a second time soon afterwards, and the other when it's some years later. The processes that are going one are quite different for each case, I think.
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smittims
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« Reply #10 on: 10:52:19, 27-07-2007 »

That's interesting,Tiny.Would you care to go on to say just how the two processes are different?

I beleive studies have been done which reveal how human memory  of an event can become unreliable after 48 hours.  This sounds obvious, except for the common feature where witnesses insist that their erroneous memory is correct. An example  was the accident in which TE Lawrence was killed. Witneses at the inquest had widely differing accounts which they each insisted were accurate. 
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richard barrett
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« Reply #11 on: 11:17:23, 27-07-2007 »

Summing up for the prosecution, Mr Ernest Parr-Menides QC made this spirited speech:

What is, is uncreated and indestructible; for it is complete, immovable, and without end. Nor was it ever, nor will it be; for now it is, all at once, a continuous one. For what kind of origin for it wilt thou look for? In what way and from what source could it have drawn its increase? I shall not let thee say nor think that it came from what is not; for it can neither be thought nor uttered that anything is not. And, if it came from nothing, what need could have made it arise later rather than sooner? Therefore must it either be altogether or be not at all. Nor will the force of truth suffer anything to arise besides itself from that which is not. Wherefore, Justice doth not loose her fetters and let anything come into being or pass away, but holds it fast.

The defendant thereupon displayed some most unbecoming behaviour, shouting obscenities at the Counsel and attempting to climb out of the dock with obvious violent intent and was restrained by police.

The case continues.
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time_is_now
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« Reply #12 on: 11:26:25, 27-07-2007 »

Gosh!
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Ron Dough
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« Reply #13 on: 11:47:45, 27-07-2007 »

It's different as a performer the second time round, too; coming back to something you've done before once it's rested in the memory always gives it a new perspective and changed priorities.
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smittims
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« Reply #14 on: 11:58:01, 27-07-2007 »

So sorry, I meant 'Tony' not 'Tiny'.

Barrister's speeches can be terribly amusing can't they? I love the one of the prosecution in the Chatterley case(was it Merlyn Rees,or some such name?) where he asked the jury if this was a book they would allow their wife or their servants to read. This was as recent as the 1960s.

I've recently enjoyed the second series of 'Rumpole ,QC' on DVD.The third is reissued next month.

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