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Author Topic: Kate Royal  (Read 714 times)
ernani
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« on: 00:40:26, 11-11-2007 »

Kate Royal is clearly a very gifted singer. I've heard her at the EIF in recital and was bowled over by her voice and stage manner. Furthermore, and there's no other way of putting it, she is an extremely beautiful woman. Given the times that we live in this shouldn't matter, but it is, nonetheless, a decided virtue. I very much enjoyed most of her recital disc on EMI, and I see she has a Lieder disc out on Hyperion.

But I do worry that she is doing too much too soon. Her ENO Poppea has had fairly mixed reviews. A couple of reviewers have also drawn attention to poor diction as well as, more seriously (and shades of Amanda Roocroft?), a beat on exposed high notes.

So what do others make of this? Are the charges justified? Do EMI and others play too much on her looks? Is this the 'next Margaret Price/Kiri Te Kanawa', or is Royal a victim of label hype? More practically, what should she do/not do next? 
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Ruth Elleson
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« Reply #1 on: 11:44:56, 12-11-2007 »

I wouldn't agree that Royal is "extremely beautiful"; she has an attractive face, but what sets her apart is her grace, elegance and aristocratic bearing.  As such, she's reminiscent of a young Felicity Lott, though I'm not sure she has Flott's natural wit - perhaps I simply haven't yet seen her in a role which would showcase it.

I first came across her in Chabrier's "L'etoile" when she was at the Guildhall (in a nasty blonde wig), and later I watched her come through to win the Kathleen Ferrier Award.  At semi-final stage it seemed like a so-so field with no clear winner; however she dominated the final with her measured singing of poise and maturity.  I'll look up my programme when I get home from work, and tell you what she sang.

I love her voice, it's got real character, and she's the archetypal elegant English soprano which this generation didn't previously have.  However I have yet to be convinced that she's a particularly interesting singer.
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Oft hat ein Seufzer, deiner Harf' entflossen,
Ein süßer, heiliger Akkord von dir
Den Himmel beßrer Zeiten mir erschlossen,
Du holde Kunst, ich danke dir dafür!
John W
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« Reply #2 on: 11:49:59, 12-11-2007 »

Kate is beautiful, Netrebko is stunning (if the photo below has not been touched up)


 
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richard barrett
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« Reply #3 on: 12:23:15, 12-11-2007 »

Kate is beautiful, Netrebko is stunning (if the photo below has not been touched up)

Of course it has!

I find it rather disgusting that these days female "classical" singers, however beautifully they can sing, don't stand much chance of coming to public attention unless they conform to increasingly stringent and stereotyped conventions of "physical beauty". Now the ante is upped from "beautiful" to "stunning". How sad.
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John W
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« Reply #4 on: 12:31:37, 12-11-2007 »

Richard you are being unfair to Netrebko who also has a stunning voice
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Lord Byron
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« Reply #5 on: 12:37:09, 12-11-2007 »

They are both have great voices and after make up and hairdressing work, in the right outfit etc. look stunning.

It is part of 'the job' to dress up for the stage and publicity pics but they get the job of singing in an opera at a top opera venue because of their talent, not their looks.

darcey danced at covent garden and worked as a model



For the record, anna is a dedicated opera singer who has done a few 'bit poppy looking' videos with her singing famous arias but that does not mean she wants to sing pop songs.  It is just ways to cash in on being a celeb, as being managed by an agent, people do.



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time_is_now
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« Reply #6 on: 12:41:29, 12-11-2007 »

Richard you are being unfair to Netrebko who also has a stunning voice
How do we know that hasn't been 're-touched' too, though?
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richard barrett
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« Reply #7 on: 13:35:33, 12-11-2007 »

Richard you are being unfair to Netrebko who also has a stunning voice

She may have, but my point was that if she looked like Teresa Berganza or Birgit Nilsson nobody would be taking much notice of her.
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Lord Byron
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« Reply #8 on: 13:46:34, 12-11-2007 »

Welcome to 'reality' where being pretty or being able to dress up and appear pretty can help an artists career.

I am reading about the photographer 'lee miller' who used her good looks to shack up with a famous photographer and learn her trade.

'you know, getting paid to stand around looking pretty is better than most jobs' - model

 Grin
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Ruth Elleson
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« Reply #9 on: 13:51:52, 12-11-2007 »

I agree - I think.  I don't think Netrebko's voice is that different or that wonderful.  It's a very good voice, undeniably, and the fact that she was so good from such a young age helped to get her into the public eye.  But it's the package that makes her special.  That's not to denigrate the quality of her voice; it's not as if she's one of those good-looking crossover "opera" singers who's never set foot on an actual opera stage in her life (not that I'm thinking of any particular gorgeous-looking Welsh mezzo, *ahem*).

I was worried about Netrebko a couple of years ago; I thought she had signs of premature vocal ageing and a very old-fashioned way of putting a performance across (I'm thinking particularly of the Prom she did 2 or 3 years ago - it was the penultimate night of the season and she sang a selection of arias).  I do think that vocally and dramatically she's now becoming a much more secure and interesting artist.

Good looks undoubtedly help a singer keep a high profile and give him/her the potential to get rich from lucrative advertising/sponsorship deals (am thinking of the Netrebko/Gheorghiu Rolex ads in opera and concert programmes) but the longevity and career development of the singer will be down to their own intelligence and talent.

Incidentally, it isn't limited to female artists: the good-looking men enjoy a greatly enhanced slice of the public eye too.  Look at the likes of Dmitri Hvorostovsky and Jose Cura.
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Oft hat ein Seufzer, deiner Harf' entflossen,
Ein süßer, heiliger Akkord von dir
Den Himmel beßrer Zeiten mir erschlossen,
Du holde Kunst, ich danke dir dafür!
Lord Byron
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« Reply #10 on: 13:58:05, 12-11-2007 »

'for a few pics wearing that watch i can get loadsa ££££ so i said yes' - anna Smiley


'you have no idea how big the cheque was' - Katherine Jenkins

http://www.youtube.com/watch?v=VRFS_WxtMoA

'everything i do, at work, i do for cashhhhhhhhhhhhhh'

« Last Edit: 13:59:59, 12-11-2007 by Lord Byron » Logged

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richard barrett
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« Reply #11 on: 14:06:55, 12-11-2007 »

Welcome to 'reality' where being pretty or being able to dress up and appear pretty can help an artists career.

Yet another profound meditation on life from the coooool quill of Lord Byron.

Let's imagine that Anna Netrebko is not just good-looking but a wonderful singer as well. What happens then is that in a few years' time when she could well be in even better voice but no longer in the first flush of youth even with Photoshop to help, she will almost certainly have to cede the limelight to yet another young protégé of the music/advertising industry. And so it goes on. Yes, this is reality, but it's in the end an ugly side of it.
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Ruth Elleson
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« Reply #12 on: 14:16:42, 12-11-2007 »

Curses.  I just wrote a really long, thought-out post and then my browser crashed as I posted it.  The gist was as follows:

If a singer, while young and beautiful (male or female) and prodigiously talented, decides to capitalise on his/her looks by accepting advertising and sponsorship deals, this can provide financial security during his/her early-to-mid career which most singers do not have.  This gives the person in question the luxury, if he/she is intelligent, to develop at a slower pace, explore his/her voice properly and not be led into unsuitable repertoire by a need to pay the mortgage.  Done wisely, this could be the foundation of a long and productive career even after the singer's looks have faded.

Though it has to be said that men have an unfair advantage in this. Kate Royal, admittedly, has an ageless elegance which means she will still be gorgeous at 65.  Netrebko will, like most women, lose her looks earlier.  Dmitri Hvorostovsky - curse him - will still be sex on legs when he's 90.
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Oft hat ein Seufzer, deiner Harf' entflossen,
Ein süßer, heiliger Akkord von dir
Den Himmel beßrer Zeiten mir erschlossen,
Du holde Kunst, ich danke dir dafür!
Lord Byron
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Posts: 1591



« Reply #13 on: 14:19:35, 12-11-2007 »

But have a large amount of cash, from doing 'adverts' and 'bit poppy video' etc. and invested it.

'It is my job to ensure you make a bag of cash for later and i get a percentage as an incentive' - agent

I expect she will carry on doing 'older' roles though, as she really is an opera singer first and everything else second, yer know.  

Anna will always be pretty,in her way, as she is a rather radiant, arts loving, bit loopy ( but are not all sopranos ? ) type of person.  A star in the night sky, who we can all appreciate and enjoy.

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Swan_Knight
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« Reply #14 on: 14:38:57, 12-11-2007 »

This whole thing is nothing new and is not confined to female artists.

Can't say I think Hvorostovsky and Villaizon would have got where they are now if they'd had uninteresting instruments.

But what about Peter Hofmann? Great looks, plain and uninteresting voice.  Yet he managed to challenge Rene Kollo on home ground for engagements, when he was nowhere near in Kollo's league.

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