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Author Topic: Don Carlo/s  (Read 1662 times)
Il Grande Inquisitor
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« Reply #45 on: 18:29:06, 15-06-2008 »

Regarding recordings, I would point listeners to a very fine DG recording if you are able to find it. It was one of the La Scala series they undertook in the early 60s and was the first studio recording of the five act version. Singers include Flaviano Labo, Antonietta Stella, Boris Christoff, Ettore Bastianini, Fiorenza Cossotto, Ivo Vinco, with Orchestra del Teatro alla Scala conducted by Gabriele Santini.



I've just discovered this is available from here: http://www.arkivmusic.com/classical/album.jsp?album_id=171894
« Last Edit: 00:15:51, 01-07-2008 by Il Grande Inquisitor » Logged

Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
operacat
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« Reply #46 on: 15:20:07, 01-07-2008 »

Well, finally managed to see it...
here's a link to my review.

http://leonora.fortunecity.co.uk/DonCarlo.html
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nature abhors a vacuum - but not as much as cats do.
Il Grande Inquisitor
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« Reply #47 on: 20:05:30, 01-07-2008 »

Thanks for posting your review, operacat. Glad you enjoyed it too.

A few words about the auto-da-fe scene - you will have noticed that thereis an extra character, the "Priest Inquisitor", who harangues the victimsas they are led to the stake, listing the various heresies for which theyhave been condemmed (e.g. they think that 'bread is only bread' they don'tbelieve in the Doctrine of Transubstatiation, apparently....). There is noprecedent for this in Verdi's score, of course, and most of us found itrather - well, puzzling, if not downright annoying. The only explanationwe could think of was that it was supposed to represent the 'authenticity'of an actual auto-da-fe - that is, most members of the crowd wouldn't havebeen able to read, so they needed to be told what the heretics were beingcondemned for.(They refused to repent, by the way). It did seem anunnecessary intrusion into the scene, though.

This was a surprise, but I rather liked it; the ranting of the Priest Inquisitor heightened the religious fervour of the occasion. In fact, I thought the whole scene, with the burning of the heretics at the end behind the drapes painted with the bloodied face of Christ wearing the crown of thorns, came off really well.

Has anyone any thoughts about the R3 broadcast last Saturday?
« Last Edit: 20:08:33, 01-07-2008 by Il Grande Inquisitor » Logged

Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Tam Pollard
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« Reply #48 on: 20:30:41, 01-07-2008 »

I thought the priest inquisitor added to the drama of the scene (as did a couple of people I know who saw it in the last couple of days). I wondered if it possibly had its roots in the Schiller play?

I haven't listened to the broadcast yet, but I did tape it. A shame they weren't there when Keenlyside was, though.
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