eruanto
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« on: 23:17:23, 01-08-2007 » |
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This will now be conducted by Gennadi Rozhdestvensky. I have rather a tiddle for everything that I have heard Gatti do, so I'm rather pleased at this news.
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smittims
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« Reply #1 on: 09:12:22, 02-08-2007 » |
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Goodness me,I didn't know Rozhdestvensky was still alive.
Will he be changing the programme? During his time as Chief Cionductor,BBC SO,he tried valiantly to conduct some English music, with some bizarre results. I was sleft applauding him for programming 'The Apostles'and 'Song of the High Hills' but dismayed at the interpretation.
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Tony Watson
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« Reply #2 on: 09:39:37, 02-08-2007 » |
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Sounds fascinating. Has Rozhdestvensky conducted the Enigma Variations before? And it's going to be on BBC4.
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eruanto
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« Reply #3 on: 11:33:04, 02-08-2007 » |
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"The programme will remain unchanged."
This is the advantage of having Facebook, you see!
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Ron Dough
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« Reply #4 on: 13:03:59, 02-08-2007 » |
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During his time as Chief Cionductor,BBC SO,he tried valiantly to conduct some English music, with some bizarre results.
One of the best Walton Firsts I've ever heard, which I didn't tape, followed soon after by another, which I did, but which was let down by some of the worst brass playing its been my misfortune to come across, Smits. Quite by chance, the long-deleted BBC Classics recording of his RVW5 and Sancta Civitas is on its way to me as I type..
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smittims
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« Reply #5 on: 14:34:01, 02-08-2007 » |
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I'm afraid Genyusha's 'Sancta Civitas'was an example of what I meant! But it was 25 years ago and maybe I was too picky then. I hope you enjoy it.
I shall certainly be interested to hear him conduct the Elgar Variations.
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Tony Watson
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« Reply #6 on: 20:59:04, 05-08-2007 » |
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What a beautifully played first half. Some people will say that the Brahms was too slow but I thought the music shone. And a wonderfully warm and sensitive account of the Enigma. Great detail in both pieces. I'm eagerly looking forward to the second half...
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Stanley Stewart
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« Reply #7 on: 22:16:34, 05-08-2007 » |
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A real pleasure to see Gennadi Rozhdestvensky, affectionately known as Noddy, back at the Proms again on BBC 4. A pity that the director seemed unaware of his charismatic flair for expression as it would have been pertinent to favour him more. The whole evening was a musical delight.
Rozhdestvensky is also the spitten image of Bert Lahr (the cowardly Lion in The Wizard of Oz") and I'm only sorry that I cannot download the cover photograph from his his son, John Lahr's biography, Notes on a Cowardly Lion, which portrays Bert as Estragon in Waiting for Godot. After touring the production, Bert said that playing Waiting for Godot in Miami was like doing Giselle at Roseland.
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Bryn
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« Reply #8 on: 22:27:47, 05-08-2007 » |
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During his time as Chief Cionductor,BBC SO,he tried valiantly to conduct some English music, with some bizarre results.
One of the best Walton Firsts I've ever heard, which I didn't tape, followed soon after by another, which I did, but which was let down by some of the worst brass playing its been my misfortune to come across, Smits. Quite by chance, the long-deleted BBC Classics recording of his RVW5 and Sancta Civitas is on its way to me as I type.. I love his Das Klagende Lied on BBC Classics, too. Then there's his Ives 4th, with the Chicago Symphony, and his good lady on one of the pianos. I've only got that on a rather faded cassette from a Radio 3 broadcast, but I treasure it.
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Ron Dough
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« Reply #9 on: 22:35:21, 05-08-2007 » |
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I'm afraid Genyusha's 'Sancta Civitas'was an example of what I meant! But it was 25 years ago and maybe I was too picky then. I hope you enjoy it.
As a prelude to this evening's Prom, which I have yet to hear, I treated myself to the recently tracked-down BBC Classics live GR RVW5 and Sancta Civitas alluded to above. On sound and performance terms the symphony yielded absolutely nothing to the recent Proms performance, whilst his reading of the choral piece made a decidedly more positive impression on me to that it did on Smitters all those years ago.
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Tony Watson
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« Reply #10 on: 23:21:13, 05-08-2007 » |
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...and I wasn't disappointed by the second half, far from it. I vote this the best Prom so far. The Rosenkavalier was helped by some really stylish playing, as was the rest of the concert, and the orchestra really responded to GR (interesting that he never seems to use the podium).
I wasn't sure that it was going to be a good idea have Elgar's and Brahms' variations together in the same half but such good playing sweeps doubts aside. (Reminds me of one of the first recordings I acquired - those two pieces with Monteux and the LSO - but they weren't both necessarily intended to be listened to at the same sitting.)
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eruanto
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« Reply #11 on: 23:30:03, 05-08-2007 » |
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I trust everyone gathered that the podium was the other way round tonight? ( ) We can only conjecture what Gatti would have produced. But what an odd style "Noddy" had. Lots of big gestures, and lots of (from behind) apparently nothing. I was dreading the Enigma, falsely pre-judging it from the Telegraph CDs, but it filled its place very well. Couldn't really hear the organ though (in the arena one never can but this was worse than most) which was a shame, still felt the vibr-rrr-rations though.
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Tony Watson
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« Reply #12 on: 23:32:27, 05-08-2007 » |
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Couldn't they have removed the podium altogether? GR never uses it, apparently.
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HtoHe
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« Reply #13 on: 00:11:45, 06-08-2007 » |
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I missed it. Had to do some domestic repairs while my brother was there to help. We had the Elgar on in the background but I couldn't listen properly. I'm going to try and record the BBC4 repeat. The main problem with this is that my cheap Freeview box does a nightly software update unless you're actually there to override it so I'm likely to miss five minutes of the concert - unless I'm incredibly lucky and the update coincides with interval waffle. I wish I could find a way to reschedule this for the daytime but there's nothing in the manual about it. Never mind, there's always the R3 repeat next week.
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Bryn
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« Reply #14 on: 00:24:01, 06-08-2007 » |
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I'm staying up to get the Haydn variations, which I missed the start of. I could just set the timer, but I really do not like having that invitation to press the red button on the screen, so will sit there ready to hit the "back up" button on the remote, as soon as that damned removable DOG appears. Shame we can't have the BBC4 DOG put down in the same way.
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