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Author Topic: Prom 51: Mahler 3rd symphony 22nd August  (Read 2811 times)
thompson1780
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« Reply #60 on: 12:37:46, 24-08-2007 »

Just overheard in the prom queue that the choir only had 20 mins with Abbado before the day.

Instead, someone who knew Abbado's conducting backwards coached them in exactly how the Maestro would indicate things.

HuhShocked

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
oliver sudden
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« Reply #61 on: 13:08:37, 24-08-2007 »

Just overheard in the prom queue that the choir only had 20 mins with Abbado before the day.

Instead, someone who knew Abbado's conducting backwards coached them in exactly how the Maestro would indicate things.

HuhShocked

Tommo
Seems reasonable to me - the choral movement isn't all that long so 20 minutes would be time for a run, a bit of chat, a passage or two and then another run, and then presumably the general on top of that. It's certainly normal for a choir to be prepared mostly by the chorus master. That's what they get to take a bow for after all...
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George Garnett
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« Reply #62 on: 13:16:41, 24-08-2007 »

With a choir that I'm familiar with, getting the standing up and sitting down properly co-ordinated would take the best part of an hour's rehearsal. Wink

Many thanks for the info on the oboe 'hinaufziehen', Mr S. I knew you would know.
« Last Edit: 21:56:06, 24-08-2007 by George Garnett » Logged
aaron cassidy
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« Reply #63 on: 15:53:18, 24-08-2007 »

Just overheard in the prom queue that the choir only had 20 mins with Abbado before the day.

Instead, someone who knew Abbado's conducting backwards coached them in exactly how the Maestro would indicate things.

HuhShocked

Tommo
Seems reasonable to me - the choral movement isn't all that long so 20 minutes would be time for a run, a bit of chat, a passage or two and then another run, and then presumably the general on top of that. It's certainly normal for a choir to be prepared mostly by the chorus master. That's what they get to take a bow for after all...

Indeed.  In all the 855 times I sang that *(&#$*&%ing movement as a chorister, I can't remember ever having much more than about 15 minutes of rehearsal time.  We'd drive up to New York or to Boston or to Philadelphia or wherever, wait for hours in some holding room, trot out on stage, bimm and bamm for 4 minutes, hear Maestro so and so say something or other, leave stage, and then get instructions about when to stand/sit from our conductor.
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Stevo
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« Reply #64 on: 16:05:14, 24-08-2007 »

Indeed.  In all the 855 times I sang that *(&#$*&%ing movement as a chorister
855 times?? Either you had a slave-driver as a choirmaster or you really are the boy who never grew up...

 Cheesy
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aaron cassidy
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« Reply #65 on: 16:10:42, 24-08-2007 »

Indeed.  In all the 855 times I sang that *(&#$*&%ing movement as a chorister
855 times?? Either you had a slave-driver as a choirmaster or you really are the boy who never grew up...

 Cheesy

A slight exaggeration ... but only slight!
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thompson1780
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« Reply #66 on: 15:25:46, 25-08-2007 »

I've just listened to this again through, er, Listen Again.

How I wish I had rearranged what I needed to do, and joined the end of the queue after all.  Sad  Just a brillliant performance, and very moving even here.  Heaven knows (and a few people here) what an experience it must have been in the hall.

Please remind me at the start of next season what a dunce I was this one.  I won't let it hapen again.

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Il Grande Inquisitor
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« Reply #67 on: 19:25:02, 28-08-2007 »

On the R3 messageboard, Wilf's posted a link to Richard Morrison's review in The Times for this concert. Thought folks here would appreciate the link too:

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article2315132.ece
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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