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Author Topic: The Imagined Village  (Read 854 times)
IgnorantRockFan
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« on: 23:11:33, 20-11-2007 »

Martin Carthy, Eliza Carthy, Billy Bragg, Chris Wood, Simon Emerson, Sheila Chandra, Benjamin Zephaniah, and others.

Absolutely fantastic album. Can't recommend  it highly enough. Superb live show -- there are a couple of dates left on the tour and I really recommend going to one.

Here's what the hype says:

"Arguably the most ambitious re-invention of the English folk tradition since Fairport Convention’s Liege And Lief."

You know what? It totally lives up to the hype. The album is worthy of the Liege And Lief comparison, and seeing it performed live just takes it to another level. I went to the show before hearing the album, not really knowing what to expect. I thought it would be interesting, with hopefully a few good tunes (and I was confident that you can't go wrong with both Carthys on one stage), and I ended up blown away by the whole thing from beginning to end.

So what is  it? Well... it's English folk songs updated for the 21st century. Exactly what it says on the tin.

It's multi-cultural, with sitars alongside hurdy gurdys alongside fiddles alongside electric guitars.

It's multi-styled, with traditional acoustic folk alongside folk rock alongside dance club beats.

It shows that folk music is still relevant today, because we're still basically the same people with the same problems as we always have been.

And it shows how folk music is meant to live and change (as it always has) to reflect real people's lives. So for example the lyrics of Tam Lyn Retold are about a girl falling in love with an asylum seeker, and it loses none of the power of the traditional narrative and the retelling doesn't seem sacriligious at all.

And that's just the album. The stage show includes all that plus humour, history, nostalgia, a film about a dog, and an ornithology quiz. Eleven people on stage, multiple singers and instruments in every combination you can think of, fantastic performances from everyone, a perfectly polished yet still somehow spontaneous show, and a great atmosphere.

Go. Buy the album. See the show. Be amazed.

It's what music is supposed to be like.

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martle
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« Reply #1 on: 23:16:38, 20-11-2007 »

Seeing the show next week, IRF! Thanks for the rave.
I've worked with Chris Wood. He's a god.  Cool
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IgnorantRockFan
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« Reply #2 on: 23:39:10, 20-11-2007 »

I hope you enjoy it as much as I did Smiley

I had never heard Chris Wood before and I was extremely impressed, not just by his singing and playing but by his storytelling too. He also played a short solo set before the main act and that was also highly entertaining.

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Kittybriton
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Thank you for the music ...


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« Reply #3 on: 01:44:30, 21-11-2007 »

It shows that folk music is still relevant today, because we're still basically the same people with the same problems as we always have been.

And it shows how folk music is meant to live and change (as it always has) to reflect real people's lives. So for example the lyrics of Tam Lyn Retold are about a girl falling in love with an asylum seeker, and it loses none of the power of the traditional narrative and the retelling doesn't seem sacriligious at all.
Sounds like a superb show! Terrific write-up.
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martle
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« Reply #4 on: 08:57:47, 21-11-2007 »

I had never heard Chris Wood before and I was extremely impressed, not just by his singing and playing but by his storytelling too.


Here's the website of the English Acoustic Collective, Chris Wood's excellent trio. I highly recommend the album 'Ghosts' in partucular.

http://www.englishacousticcollective.org.uk/EAC/index.html
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Ron Dough
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« Reply #5 on: 09:38:56, 21-11-2007 »

Thanks for reminding me about this: some of it turned up on the radio earlier this year, including the Tam Lin, and I made a mental note to look out for it: sadly the note had done the mental equivalent of slipping down the inside of the filing cabinet, so it was good to have the project recalled without having to remove all the drawers of my brain and poke about with a walking stick with sellotape at the end of it.
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martle
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« Reply #6 on: 10:30:43, 21-11-2007 »

Ron,  Cheesy
They (EAC) really are terrific. Hard-edged, unsentimental folk material and understated, eloquent virtuosity.
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BobbyZ
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« Reply #7 on: 11:41:59, 21-11-2007 »

Chris Woods' The Lark Descending is an excelent album. The only track I've heard from the Imagined Village so far is the Wellerised John Barleycorn and I thought "do I need another version of John Barleycorn ?" but on IRF's recommendation it will go on the list.
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A
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« Reply #8 on: 10:07:15, 29-11-2007 »

Martin Carthy, Eliza Carthy, Billy Bragg, Chris Wood, Simon Emerson, Sheila Chandra, Benjamin Zephaniah, and others.

Absolutely fantastic album. Can't recommend  it highly enough. Superb live show -- there are a couple of dates left on the tour and I really recommend going to one.

Here's what the hype says:

"Arguably the most ambitious re-invention of the English folk tradition since Fairport Convention’s Liege And Lief."

It's what music is supposed to be like.


I am very interested in this, I am a big Martin Carthy fan. I would like to buy the cd I think rather than the show really, is it readily available?

I was a keen folk music fan in the 70s performing , teaching and enjoying! I would love to 'catch up'

You are quite right about how folk music should change with the times and the aslyum seeker song seems to sum this up, also the use of more modern instruments mixed with the old.

Is there any sign of Dave Swarbrick? is he still around... I fear he is not.....?

Thanks for bringing this to my notice.

A
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A
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« Reply #9 on: 10:12:06, 29-11-2007 »

Well, just got into the 21st century again, googled the album, and downloaded it from itunes !! I will listen this morning, and I am looking forward to it!

Thanks again.

A
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Ron Dough
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« Reply #10 on: 10:14:06, 29-11-2007 »

Good news for you, A:

http://www.folkicons.co.uk/swarbnew.htm

(The move to Australia in 1993 may be the answer, in part.)
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richard barrett
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« Reply #11 on: 10:19:34, 29-11-2007 »

I am a big Martin Carthy fan. I would like to buy the cd I think rather than the show really, is it readily available?

I was a keen folk music fan in the 70s performing , teaching and enjoying! I would love to 'catch up'

You are quite right about how folk music should change with the times and the aslyum seeker song seems to sum this up, also the use of more modern instruments mixed with the old.

Is there any sign of Dave Swarbrick? is he still around... I fear he is not.....?

Thanks for bringing this to my notice.

A

I hope you won't take this the wrong way, A, but it does relate to some, ahem, recent discussions: I cannot STAND that kind of folk music and hearing it generally makes me rather depressed, but on the other hand I'm very happy that you and others get so much genuine enjoyment from it. Perhaps that's worth bearing in mind.
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A
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« Reply #12 on: 10:20:14, 29-11-2007 »

Thanks Ron, I love the two of them together, the sound is mind blowing in my opinion.
My brother ( one of the best guitarists ever in all styles ) and I ( on violin) used to play in folk clubs in the 70s, but not quite  Roll Eyes Roll Eyes up to their standard !!

A
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A
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« Reply #13 on: 10:21:08, 29-11-2007 »

I am a big Martin Carthy fan. I would like to buy the cd I think rather than the show really, is it readily available?

I was a keen folk music fan in the 70s performing , teaching and enjoying! I would love to 'catch up'

You are quite right about how folk music should change with the times and the aslyum seeker song seems to sum this up, also the use of more modern instruments mixed with the old.

Is there any sign of Dave Swarbrick? is he still around... I fear he is not.....?

Thanks for bringing this to my notice.

A

I hope you won't take this the wrong way, A, but it does relate to some, ahem, recent discussions: I cannot STAND that kind of folk music and hearing it generally makes me rather depressed, but on the other hand I'm very happy that you and others get so much genuine enjoyment from it. Perhaps that's worth bearing in mind.

I do wish I could understand what you are saying here Richard, I did try.....

A
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richard barrett
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« Reply #14 on: 10:26:26, 29-11-2007 »

I do wish I could understand what you are saying here Richard, I did try.....

... to accept gracefully that others find creative fulfilment and pleasure where you don't? But I don't want to start an argument again. Enjoy!
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