Jonathan
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« Reply #75 on: 22:15:19, 11-10-2007 » |
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Hi t-p and Anna, I think I mentioned Cziffra elseware on this thread and he is, on the whole well worth a listen in everything he recorded. Regarding the Grande Galop Chromatique, which is a very silly facile little piece, if extremely diificult and there are only a few recordings. Interestingly, I found a recording by Valentina Lisitisa of it that is even faster then his on U-Tube!! ) Anna, I have his concerto recording and it is (to my mind) disappointing, it's certainly worth a listen but other people have played it better - it's certainly exciting to hear but doesn't really dig any depper than that, especially in the second concerto. I've read that his son was the conductor and apparently, he wasn't a very good conductor (I'm not an expert in such matters so won't comment). I'd get it if it's cheap (I paid £2.99 for mine as the case was smashed up in HMV) I ordered the Three Marches, Op.37 by Alkan, by the way! They should arrive in 2 - 5 weeks from the US (I couldn't find any music shops that sold them here )
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Jonathan
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« Reply #76 on: 13:17:46, 15-10-2007 » |
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Well, I finally got around to listening to the Naxos Dante Symphony 2 piano version (with childrens chorus - I always understood it was just for 2 pianos and that was all so I was wrong!) and it is excellent. Ok, I'm not terribly familiar with the original version but this is certainly well worth a listen! The finale (Magnificat) is very well sung and the 2 pianists play extremely well - the first movement with it's powerful opening theme looses nothing in being arranged from orchestra to 2 pianos. My only complaint about the disc is it's length - about 1 hour, a quarter of which is taken up with a transcription of the Dante Sonata for 2 pianos. It augments the themes and adds some clever counterpoint in places but personally, I think the original version for solo piano, is better. I personally think the remainder of the disc could easily have been filled with some of the other rarely recorded pieces by Liszt (the Festpolonaise, the Grossekonzertstucke on Mendelssohn, the Concerto Pathetique, the Schubert march transcriptions etc.etc.) rather than this. It is very well played though! (I'll probably add to this later, if I feel like it!)
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Andy D
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« Reply #77 on: 13:46:41, 15-10-2007 » |
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My favourite Liszt at the moment is his Bach transcriptions - the 6 organ preludes and fugues and the organ fantasy and fugue. I've got Leslie Howard's Hyperion recording. Great stuff and I've got the score from the library which is adding to my enjoyment. I like the way that Liszt's usual flamboyance is restrained but not suppressed by Bach.
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Jonathan
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« Reply #78 on: 18:27:31, 15-10-2007 » |
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Ho Andy D, Yes, it's very good - although my favourite piece on that disc is "A la Chapelle Sixtine" - in fact, it's actually one of my favourite Liszt pieces full stop. Must try and learn it properly once I've finished with the things I listed on the "Currently Working on" thread!
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Jonathan
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« Reply #79 on: 13:17:49, 20-11-2007 » |
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Just a heads up for you other Lisztians really - I heard a trailer for a programme about him this morning - it's on Saturday at 12.15 and it is presented by David Owen Norris. It seems to be concentrating on the virtuoso aspects in his music. More details later when I've found it on the R3 site (as lunchtime is over now)!
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Andy D
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« Reply #80 on: 22:36:02, 26-11-2007 » |
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Only just found your post Jonathan but someone told me about the programme this morning so I'm grabbing it from LA at this very moment. I find David Owen Norris very entertaining. GRRR, no I'm not, I've recorded it and it turns out to be The Wonder of Wunderlich from Saturday 24 February 2007!!! I thought these things were only online for 7 days. I've emailed to complain btw.
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« Last Edit: 23:13:06, 26-11-2007 by Andy D »
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Il Grande Inquisitor
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« Reply #81 on: 22:47:58, 10-01-2008 » |
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It took a while, Jonathan, but I bought another batch of the Naxos series before Christmas, including the Donizetti transcriptions, which are most enjoyable. I'm currently listening to Jenő Jandó's recordings of the Hungarian Rhapsodies and, without wishing to diminish his previous (copious) work for Naxos, which has sometimes been a bit 'workmanlike', I'm pleasantly surprised by just how good they are - a real sense of fun, plenty of bravura and sparkle. I also have the Sonata (Jandó) and the Harmonies poétiques et religieuses (Thomson) which are completely new to me.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Jonathan
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« Reply #82 on: 13:03:01, 14-01-2008 » |
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Glad to hear it IGI! I had a feeling that you would probably like them. No new releases of Liszt much this month, I'm afraid but I'll keep everyone posted when I hear of more.
I'm currently listening to (in the car) all of Leslie Howard's Liszt at the Opera discs (all 12 of them!) which includes some of the pieces that you mentioned above (Lucretzia Borgia fantasies, etc.)
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Andy D
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« Reply #83 on: 15:05:48, 14-01-2008 » |
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I got the scores of Liszt's transcriptions of the Beethoven symphonies from the library to day (you might spot one of them here), so I'm going to be doing some listening to my Hyperion Leslie Howard set. Perhaps not the whole lot today since the total time for the 5 CDs is 356' 55" I'm currently listening to (in the car) all of Leslie Howard's Liszt at the Opera discs
Blimey Jonathan, isn't posting to r3ok while you're driving even worse than using a mobile? I've got the first 4 volumes of Liszt at the Opera and, as it happens, I heard a recording of the Don Giovanni played by Earl Wild this morning.
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Jonathan
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« Reply #84 on: 18:33:18, 14-01-2008 » |
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Andy, You can borrow my time machine if it helps for listening to all the CDs! Sadly, my local library has no scores at all so that's really poor. York central library is also fairly crap for scores, to be honest. Earl Wild's recording of "Don Giovanni" is really erm...Wild, isn't it? I have it with a series of other pieces called Showpieces for Piano and it includes some excellent Godowsky as well.
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Il Grande Inquisitor
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« Reply #85 on: 21:10:46, 14-01-2008 » |
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Glad to hear it IGI! I had a feeling that you would probably like them. No new releases of Liszt much this month, I'm afraid but I'll keep everyone posted when I hear of more.
I put together a disc of mostly Liszt operatic transcriptions (Wagner and Verdi) for use as children come into and out of assembly, Jonathan. I also included, as it's such fun, the Tausig Ride of the Valkyries, which my class, uncannily, recognised in about two bars!!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Jonathan
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« Reply #86 on: 17:58:27, 16-02-2008 » |
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I ordered the Three Marches, Op.37 by Alkan, by the way! They should arrive in 2 - 5 weeks from the US...
Scratch that - the Alkan marches arrived on Wednesday just gone. Better late than never, I suppose! Played no.1 through several times in the last few days - it's not actually too hard, i think the hardest part is probably the speed. I'll put this reply on the Alkan thread as well in case anyone misses it!
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Milly Jones
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« Reply #87 on: 21:26:52, 16-02-2008 » |
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Jonathan, did you hear Daniel Barenboim's recording of the Liszt Paraphrase the other morning on R3? I don't like Barenboim for a number of personal reasons but I have to say it was absolutely wonderful. I wouldn't be able to play that if I lived to be 1000! It stopped me in my tracks whilst making breakfast - I just stood spellbound in the kitchen.
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We pass this way but once. This is not a rehearsal!
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Jonathan
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« Reply #88 on: 15:23:11, 17-02-2008 » |
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Hi Milly, yes, I heard it on the way to work. It was a very good recording - i know lots of people dislike that particular paraphrase becuase it is played very often on R3 but I still like it! I've read a very snotty review of the rest of the disc though which was puzzling at least on the evidence of the piece we heard!
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Best regards, Jonathan ********************************************* "as the housefly of destiny collides with the windscreen of fate..."
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Andy D
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« Reply #89 on: 14:58:17, 29-02-2008 » |
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I heard Liszt's transcription of the Bach Organ Prelude & Fugue in A minor BWV543 on In Tune yesterday played by Mieczyslaw Horszowski. These are some of my favourite Liszt pieces at the moment but the thing that got me was that Sean Rafferty said that Mieczyslaw Horszowski was 94 at the time of the recording
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