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Author Topic: Maestro - Celeb Conductors  (Read 2477 times)
Antheil
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« Reply #60 on: 22:10:27, 26-08-2008 »

"Load of tosh innit" remarked Stoat disconsolantly, poking the fire beneath the cawldron with a burnt stick "But on a wet Tuesday stuck in Twm Sion Cati's Cave there ain't a lot to do, I like that Alex James and his wild eyes though, I got a Blur cd somewhere"

"Life is just a blur to you sometimes" remarked Badger

"Yeah" riposted Stoat "And you only wanted to see Jane Asher fall flat on her arse"

"Something like that" muttered Badger hastily leaving the cave.
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Reality, sa molesworth 2, is so sordid it makes me shudder
martle
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« Reply #61 on: 22:13:29, 26-08-2008 »

Well of course I didn't bother to watch it, but with so-called 'celebrities' on the 'show', can you blame me? It's surely just another blatent dumbing down exercise. Come on, BBC! Pull your finger out! That Alex James, wasn't he in Turd, the 'Britpop' group? And that Katie Deadham, she is surely someone from CFM? Waht is she doing conducting a proper orchestra? And that Clive Anderson, isn't he a lawyer? After this fiasco, which I'm sure it was, dear old Auntie is going to need all the so=called lawyers it can lay its lazy corporate hands on!  I've a mind to stop watching TV altogether!!
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Green. Always green.
Mary Chambers
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« Reply #62 on: 22:15:49, 26-08-2008 »

On that showing, I'd audition several sopranos out of the LSO Chorus.
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Morticia
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« Reply #63 on: 22:24:19, 26-08-2008 »

Zoe Thingummy extended her claws at the orchestra Jane Asher without missing a beat.

It all started off so well ... Sad
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thompson1780
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« Reply #64 on: 22:31:15, 26-08-2008 »

That'll be another Tommo and martle alert, then.

I think that's my cue to try and get rid of my reputation, so I'll keep it zipped for a bit.

I think I'll persevere with Maestro.  Whether the results are good bad or indifferent, I like seeing how the students have changed from week to week.  And as time goes by we may get to see more of the learning than the 'performing'.

I thought Goldie was worse this week than last, and yet the judges rewarded him for learning some technique - I think to make up for being harsh last week.  I thought Walsh was way better than James.  Derham had a toughie with the Mozart, but could have elicited the same response about pulling out shapes from the orchestra that Asher got, who at least she didn't make a complete a**e of herself this week.  Perkins was fine, in fact very good.

Overall I think I agree with Martlew's observations - she obviously has it in for Asher and Derham, and although we weren't privy to the eleven identical repetitions of Asher's rehearsal, I can fully see that it may well be the case.  The other thing I hate about Asher's waving is that it is so limp wristed - she needs to move more from the upper arm.

Sad to see Walsh go instead of James.  Asher and James should have been in the orchestra vote.  Walsh at least had a beat that moved like a proper conductor's.

Tommo
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Antheil
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« Reply #65 on: 22:38:35, 26-08-2008 »

"We enjoyed it though didn't we?" asked Stoat, wide eyed and mascared as she pretended to be Alex James waving her arms around dressed in black, conducting with the burnt stick and nearly upsetting the cawldron.

"Mr. Martle, the Green Person, thinks it is beneath us, as intelligent R3 Listeners to view such nonsense" harrumphed Badger.

"Suit yourself Darling" sneered Stoat "I'm off with the the Hundred Wood Orchestra to a Darker Place"

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Reality, sa molesworth 2, is so sordid it makes me shudder
Milly Jones
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« Reply #66 on: 23:21:53, 26-08-2008 »

I wanted to learn as much as I could about conducting, but I'm afraid it just bores the pants off me now.   The first episode was really good and I was pleasantly surprised, but now it's.... well.......zzzzzzzzzzzzzzzzzzz
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Mary Chambers
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« Reply #67 on: 11:22:16, 27-08-2008 »

On that showing, I'd audition several sopranos out of the LSO Chorus.

Apologies. It was apparently the BBC Symphony Chorus. Whoever it was, the sopranos were awful in Voca me in the Mozart.
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Ruby2
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« Reply #68 on: 12:06:13, 27-08-2008 »

That Alex James, wasn't he in Turd, the 'Britpop' group?
Now now, you can say all you like about his conducting but I won't stand by sliently and have Blur slated.  This may be slightly coloured by the fact that I was a student when they were at the height of their fame and I have happy memories of bounding around a nightclub to Song 2 and Girls and Boys.  They were good at what they did - you can't deny that, even if you didn't like it.   Smiley

That said, he is so out next week, I never thought he'd escape last night. He appears to have no control of his arms and he looks terrified.  Cheesy
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"Two wrongs don't make a right.  But three rights do make a left." - Rohan Candappa
Ruby2
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« Reply #69 on: 12:16:59, 27-08-2008 »

I think I'll persevere with Maestro.  Whether the results are good bad or indifferent, I like seeing how the students have changed from week to week.  And as time goes by we may get to see more of the learning than the 'performing'.
Me too - I was very impressed by Derham's improvement, I didn't think she had a hope prior to that.

I thought Goldie was worse this week than last, and yet the judges rewarded him for learning some technique - I think to make up for being harsh last week. 
Yes, I thought he was very very vague.  He had a bit of a lucky piece - let's face it, if he looked stern and made dramatic jestures in roughly the right places he was always going to get a good reaction.  It was after the dramatic gestures that he forgot he was meant to be keeping time - it was like BANG! Oh hang on, where are we...must... catch up with... orchestra...

I thought Walsh was way better than James. 
My problem with Walsh was that it was a fairly dull piece made even duller by the fact that heeeeee weeeeent soooooo sloooooowlyyyyyyy with almost no differentiation, he wasn't really doing anything other than beating.

Overall I think I agree with Martlew's observations - she obviously has it in for Asher and Derham, and although we weren't privy to the eleven identical repetitions of Asher's rehearsal, I can fully see that it may well be the case.  The other thing I hate about Asher's waving is that it is so limp wristed - she needs to move more from the upper arm.
I was slightly pained by one of the comments made to Asher by one of the girls - I forget who - but I think she was a little harsh.  I thought she was going to do OK when she started, but then she went all robotic and prim again and it all fell apart.  Hey ho.

Asher and James next week then.  James out.
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"Two wrongs don't make a right.  But three rights do make a left." - Rohan Candappa
Il Grande Inquisitor
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« Reply #70 on: 12:25:25, 27-08-2008 »

Asher and James next week then.  James out.

I'd say Asher and James on the basis that I think I heard them say that two leave next week.

I caught up with this on iPlayer this morning. I thought Katie Derhem actually did quite well on the basis that she had to deal with four different choral parts coming in at different times and she paid some attention to the orchestra.
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Ruby2
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« Reply #71 on: 14:53:50, 27-08-2008 »

I'd say Asher and James on the basis that I think I heard them say that two leave next week.

I caught up with this on iPlayer this morning. I thought Katie Derhem actually did quite well on the basis that she had to deal with four different choral parts coming in at different times and she paid some attention to the orchestra.
Ah you were listening more carefully than I was then.  Smiley

Yes I thought she did rather well too. Perhaps there's some personality hidden away in there after all.  Wink
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martle
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« Reply #72 on: 22:05:42, 02-09-2008 »

Have been watching a bit of tonight's show. Ugh.

The thing that strikes me is this: 99% of conducting success is down to rehearsal technique. Anyone in the business will tell you that. What happens on the podium in performance is largely window dressing, and the real skill is in getting the most out of a few hours in rehearsal with a large group of people, many of whom turn up late anyway with lame excuses. And yet we don't get to see how the candidates handle rehearsals (do we?).

Also, I wonder what the deal with the BBCCO is over rehearsal time. I know these are Beeb-contracted players, but the in-house economy of the BBC these days makes retaining them for more than one three-hour rehearsal pretty costly. I very much doubt any episode got more time than that.

And finally, I know a couple of people in that orchestra, both of whom tell me it's a total farce: the players take practically no notice of what happens on the podium, and are playing on autopilot, without thinking and with a view to the bonus on their paychecks. Sad but true, I fear.
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richard barrett
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« Reply #73 on: 22:09:57, 02-09-2008 »

the players take practically no notice of what happens on the podium, and are playing on autopilot

This does not surprise me in the least. How else could it be done?
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Morticia
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« Reply #74 on: 22:23:27, 02-09-2008 »

Pah! After a very good start that showed us lay bods some really very informative behind the-scenes stuff. it's just fallen flat on it's face. And now, the final vote is to be decided by the viewers.Beeb window dressing ,signifying bugler all. Katie Derham's frock performed well though. The orchestra and singers could have performed blindfold without the aid of a 'conductor'. Probably have done all the way through. Classical Idol.  Angry
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