You're there! Well hunted down.
Verdi was, of course, our mystery composer:
Gounod -
A la Mémoire de Jeanne d'Arc or Rossini’s
Giovanna d’Arco Cantata (
Giovanna d’Arco)
Liszt –
Hunnenschlacht (
Attila)
Vaughan Williams –
Sir John in Love (
Falstaff)
Berlioz –
Le Corsaire (
Il Corsaro)
Offenbach –
Les Brigands (
I Masnadieri)
Shostakovich -
Lady Macbeth of the Mtsensk District (
Macbeth)
Sullivan –
Di Ballo or Menotti’s
Amelia al Ballo (
Un Ballo in Maschera)
Rossini –
Otello (
Otello)
Interesting that the Rossini Otello is set entirely in Venice, the Verdi entirely in Cyprus. I like both works, but the Verdi is, for me, as near perfection as you're going to get in an opera.
The ENO showed that Sir John in Love is stageable/ marketable and it was good to see a different version of the story, but again, Verdi's inspirational here. Who was it who commented that, in Verdi's three Shakespeare operas, Macbeth doesn't really stand up that well to the original play, Otello matches Othello, but Falstaff surpasses the Shakespearean originals The Merry Wives and Henry IV?