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Il Grande Inquisitor
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« Reply #210 on: 20:29:40, 13-02-2007 » |
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Burgon - Chronicles of Narnia
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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mahlerei
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« Reply #211 on: 20:30:23, 13-02-2007 » |
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Yes, you're getting there. Three to go.
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mahlerei
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« Reply #212 on: 20:31:27, 13-02-2007 » |
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Almost done. Grainger?
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Il Grande Inquisitor
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« Reply #213 on: 20:36:39, 13-02-2007 » |
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Grainger - King Solomon’s Espousals (Solomon's Song of Songs?)
or Love Verses from the Song of Solomon, which seems to fit better!
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« Last Edit: 20:38:26, 13-02-2007 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Doktor Faust
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« Reply #214 on: 20:40:07, 13-02-2007 » |
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Love verses from the Song of Solomon?
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mahlerei
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« Reply #215 on: 20:40:57, 13-02-2007 » |
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Song of Solomon, excellent!
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Il Grande Inquisitor
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« Reply #216 on: 20:58:50, 13-02-2007 » |
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Ollie, re your tricky quartet, could it be heroines more famous from other operas?
Morricone - Arabella
Dusapin - Mimi
Busoni - Turandot
Czernowin – Zaide
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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oliver sudden
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« Reply #217 on: 21:17:38, 13-02-2007 » |
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It's a great answer! And in Dusapin's case it would also include Medea and Juliet(te). Ben trovato.  There's another connection waiting to be found though.  |
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Ian Pace
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« Reply #218 on: 21:28:00, 13-02-2007 » |
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Dusapin - Fist Morricone - soundtrack for 'A Fistful of Dollars' Busoni - Doktor Faustus (Faust is German for Fist) Czernowin -?  |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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richard barrett
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« Reply #219 on: 21:31:05, 13-02-2007 » |
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As I failed in my bid for the Solti, which recording would you recommend? I hear the Boulez DG recording is supposed to be very good.
It is indeed, in almost all respects, though marred by Aron's extreme vibrato and Moses' not-very-German accent. (For me, Günter Reich makes a much better, certainly much older, Moses in Boulez' earlier recording.) |
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oliver sudden
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« Reply #220 on: 21:33:22, 13-02-2007 » |
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Very impressive, Ian!
The Czernowin connection needs another language.
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Ian Pace
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« Reply #221 on: 21:37:23, 13-02-2007 » |
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Very impressive, Ian!
The Czernowin connection needs another language.
Hmmm - you said you don't speak Hebrew (but didn't actually deny there might be a Hebrew word involved). French for fist is 'poing'. Will you let on which other language is involved? |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #222 on: 21:39:54, 13-02-2007 » |
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Czernowin - POING?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #224 on: 21:53:44, 13-02-2007 » |
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Is there a piece by Czernowin called Poing? I looked for that, but didn't find one (and don't know of one). Anyhow, clever and wily setter Ollie, see if you can crack my last one!  |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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