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oliver sudden
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« Reply #225 on: 22:00:10, 13-02-2007 » |
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The Poing connection isn't a piece but an ensemble - she wrote the piece Die Kreuzung for them. Or at least that's what their repertoire list says... No idea about your last one yet though...  |
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Ian Pace
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« Reply #226 on: 22:05:58, 13-02-2007 » |
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Anyone else? (if you can get just a few of them, I'll be impressed)
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #227 on: 22:06:35, 13-02-2007 » |
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Languages involved are English, French, German and Italian.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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roslynmuse
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« Reply #228 on: 22:11:33, 13-02-2007 » |
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Ian, just wrapped the wet towel round my head...
In the meantime, one for you! (Not too hard, or rather, not cryptic!)
Bliss
Poulenc
Skryabin
Auber
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richard barrett
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« Reply #229 on: 22:24:24, 13-02-2007 » |
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The Poing connection isn't a piece but an ensemble - she wrote the piece Die Kreuzung for them. Or at least that's what their repertoire list says... Well it's wrong then. That piece was actually written for a Japanese ensemble and its original scoring was for saxophone, sho and contrabass, though it was later revised with accordion instead of sho. |
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Il Grande Inquisitor
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« Reply #230 on: 22:25:47, 13-02-2007 » |
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roslynmuse, is there a dark connection running through these?
Bliss – The Black Player in ‘Checkmate’
Poulenc - Litanies ŕ la Vierge noire
Skryabin – Black Mass Sonata
Auber - Le domino noir
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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roslynmuse
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« Reply #231 on: 22:28:51, 13-02-2007 » |
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Too quick IGI!!!  (WHERE DO I GET THE BUBBLY?) |
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Ian Pace
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« Reply #232 on: 22:33:00, 13-02-2007 » |
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Too quick IGI!!! (WHERE DO I GET THE BUBBLY?) *sighs* - I was pursuing a red herring, thinking of Scriabin's 'Poeme fantastique', Bliss's 'Valses fantastiques', then wondering if there were some obscure arias/ songs by Auber/Poulenc with 'fantastique' in the title? But IGI went for the kill before I saw the light (or rather, the darkness). Anyhow, IGI, maybe you can crack my other one? |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #233 on: 22:33:30, 13-02-2007 » |
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It was a bit of a relief after the cryptic conundrums we've faced today! Initially, with Bliss (Colour Symphony) and Skryabin (synesthesia) I was thinking of other colours, but Auber was the giveaway. You need to save this somewhere: http://s149.photobucket.com/albums/s74/r3boards/Smileys/ |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #234 on: 22:35:37, 13-02-2007 » |
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Anyhow, IGI, maybe you can crack my other one?
Oh, I'm trying, but am unsure which of the Lehar operettas are the unpublished ones?! Is the Giacinto Scelsi the one we need the Italian for? |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #235 on: 22:37:43, 13-02-2007 » |
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Anyhow, IGI, maybe you can crack my other one?
Oh, I'm trying, but am unsure which of the Lehar operettas are the unpublished ones?! Is the Giacinto Scelsi the one we need the Italian for? OK, since you're all taking your time  . A few clues. When searching out the Lehar, bear in mind the answer to one of my previous puzzles. Scelsi is not the one we need the Italian for (the particular reference I'm thinking of is in French). Now all should be clear? |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #236 on: 22:40:35, 13-02-2007 » |
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By the way, I have to wait until someone comes up with a complete list of pieces before I can say whether they are on the right track or not - or else it would probably give it away.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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roslynmuse
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« Reply #237 on: 22:46:01, 13-02-2007 » |
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IGI - javascript:void(0);
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roslynmuse
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« Reply #238 on: 22:47:01, 13-02-2007 » |
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HMM - DIDN'T COME OUT AS EXPECTED...
(Back to Scelsi)
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mahlerei
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« Reply #239 on: 22:49:13, 13-02-2007 » |
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Ian
Is it games?
Bach: tba
Mozart: Musikalisches Wurfelspiel (musical dice game)
Lehar (unpublished): tba
Scelsi: Chemin du coeur (play on the game chemin du fer)
King Crimson: Three of a Perfect Pair
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