martle
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« Reply #2835 on: 13:49:34, 12-11-2007 » |
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Aha. Prokofiev 4th concerto (for the left hand).
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Green. Always green.
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John W
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« Reply #2836 on: 13:55:19, 12-11-2007 » |
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That's the one martle! Well done to martle and IGI !!
Composed in Paris:
Piano Concerto No 4 - Prokofiev (probably also Saint Saens) Nocturne in C sharp minor - Chopin String Quartet in F - Ravel Second Piano Sonata - Boulez Symphony No 92 - Joseph Haydn
I think now it's likely that Saint-Saens composed his concerto in Paris, and may have later decided to dedicate it to Antoine Door, of the Vienna Conservatory, while on tour in 1875.
John W
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brassbandmaestro
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« Reply #2837 on: 19:39:33, 12-11-2007 » |
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Messiaen - O sacrum convivium! Palestrina - Super flumina Babylonis Britten - Missa brevis in D James McMillan - Seinte Mari moder milde Martin - Mass for Double Choir Sorry for the delay IGI, been rather busy with the house move I am goin g through at the moment. Its not anything to do with the compositions but the composers themsevles to which tbis particular ensemble has been involved with and recorded!!
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Il Grande Inquisitor
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« Reply #2838 on: 19:45:38, 12-11-2007 » |
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There were two choirs I was investigating yesterday; the RIAS Chamber Choir, but I think it's more likely to be Polyphony.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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martle
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« Reply #2839 on: 20:20:56, 12-11-2007 » |
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Here's another to keep the grey cells hopping. No title connections, but something unusual connects a work by each of these four: Britten Berlioz Vaughan Williams Berio I have a sub or two warming up on the sidelines, too.
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Green. Always green.
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George Garnett
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« Reply #2840 on: 20:51:10, 12-11-2007 » |
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Would Debussy be one of those warming up on the sideline?
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Il Grande Inquisitor
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« Reply #2841 on: 20:55:59, 12-11-2007 » |
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Intriguing, o green one! Could the 'unusual' connection be to do with a quotation? Doesn't Berio quote the idée fixe from Berlioz's Symphonie fantastique in his Sinfonia? But I'm not sure that Britten or RVW feature in it...
Berio wrote an ending to Puccini's Turandot...I wonder if the others have also completed musical works of other composers?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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brassbandmaestro
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« Reply #2842 on: 21:01:40, 12-11-2007 » |
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There were two choirs I was investigating yesterday; the RIAS Chamber Choir, but I think it's more likely to be Polyphony.
Wrong on both counts. I might have made a mistake on one of the composers. sorry people. That one being Messiaen. But the others are true.
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brassbandmaestro
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« Reply #2843 on: 21:09:25, 12-11-2007 » |
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There were two choirs I was investigating yesterday; the RIAS Chamber Choir, but I think it's more likely to be Polyphony.
Wrong on both counts. I might have made a mistake on one of the composers. sorry people. That one being Messiaen. But the others are true. I will also add Elgar, Britten and Maurice Durufle
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martle
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« Reply #2844 on: 22:09:43, 12-11-2007 » |
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Nothing to do with quotation or Debussy, George and IGI, highly intelligent though those lines of enquiry unsurprisingly are. The subs are still 'LINIING UP'.
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Il Grande Inquisitor
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« Reply #2845 on: 22:23:54, 12-11-2007 » |
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Just a theory, but could the Berio be Un re in ascolto?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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martle
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« Reply #2846 on: 22:35:06, 12-11-2007 » |
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Nope, oh cardinal one. None of these is operatic. More to do with instrument(s).
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Il Grande Inquisitor
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« Reply #2847 on: 22:46:59, 12-11-2007 » |
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I wondered if we might have been looking for setting of the same line of Shakespeare/ poetry.
So, perhaps we are seeking unusual musical line-ups, instrumentally speaking? Is the Berio one of his Sequenzas? No.2 for harp? (thinking of Britten's Ceremony of Carols/ Berlioz's Trio of Ishmaelites for two flutes and a harp in L'Enfance du Christ. Harp and flute also feature prominently in VW's Fantasia on Greensleeves)
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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martle
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« Reply #2848 on: 22:57:27, 12-11-2007 » |
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No, IGI. Very cold. I'll have to leave you to ponder now, being bedtime! But a farewell thought: solos.
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thompson1780
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« Reply #2849 on: 23:08:32, 12-11-2007 » |
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Viola Concertos without being called Viola Concerto....?
Berlioz - Harold in Italie Berio - Voci Vaughan Williams - Suite Britten - Lachrymae
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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