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Author Topic: New Musical Connections  (Read 119925 times)
brassbandmaestro
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The ties that bind


« Reply #3825 on: 17:27:49, 30-01-2008 »

As far as the brass band fraternity goes. At present we have in our midsts The Childs Family. A dynasty of Eu[hpnium players. Robert, Nicholas and their father John. Now another genersition has arrived with the son of Robert, who now conducts the famous Cory Band, David Childs. Nicholas now conducts the famous Black Dyke Band.
 
In the past there were the Mortimer family. The Father Fred, sons  Harry. Alex, and Rex.
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Tony Watson
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« Reply #3826 on: 18:14:41, 30-01-2008 »

Thank you for that puzzle, Mr Grew.

I wonder whether you would have eventually included Mozart, Haydn, Mendelssohn and Coates (Albert and Eric).
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Bryn
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« Reply #3827 on: 18:20:15, 30-01-2008 »

Thank you for that puzzle, Mr Grew.

I wonder whether you would have eventually included Mozart, Haydn, Mendelssohn and Coates (Albert and Eric).

And Gloria?
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Il Grande Inquisitor
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« Reply #3828 on: 19:09:13, 30-01-2008 »

Here's a new connection to test your 'leetle grey cells'!

Gounod
Berlioz
Cimarosa
Bliss
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
perfect wagnerite
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« Reply #3829 on: 20:42:36, 30-01-2008 »

Here's a new connection to test your 'leetle grey cells'!

Gounod
Berlioz
Cimarosa
Bliss


Stab in the dark time (again) ....

Bliss - The Olympians
Cimarosa - L'Olimpiade
 Huh Huh

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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
Il Grande Inquisitor
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« Reply #3830 on: 21:28:33, 30-01-2008 »

Not an Olympic, connection, though the addition of Vivaldi might have led to that. Instead, I'll enter another French composer:

Gounod
Berlioz
Cimarosa
Bliss
Auric
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
thompson1780
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« Reply #3831 on: 23:47:22, 30-01-2008 »

Winners of the Prix de Rome?

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Tony Watson
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« Reply #3832 on: 23:48:44, 30-01-2008 »

Is it Cleopatra?

Cimarosa - La Cleopatra
Berlioz - Death of Cleopatra
Auric - Caesar and Cleopatra
Bliss - Caesar and Cleopatra
« Last Edit: 23:53:29, 30-01-2008 by Tony Watson » Logged
Il Grande Inquisitor
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« Reply #3833 on: 00:00:08, 31-01-2008 »

Cleo it is, Tony - well done! The Bliss and Auric were both written for the same film; Prokofiev and Walton both turned it down; Bliss eventually walked out, leaving Georges Auric to provide the eventual score. Any idea of the Gounod?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Sydney Grew
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« Reply #3834 on: 00:15:22, 31-01-2008 »

Any idea of the Gounod?

Cleopatra's Dance from a ballet in Faust is it not.

I wonder whether you would have eventually included Mozart, Haydn, Mendelssohn and Coates (Albert and Eric).

It is indeed probable. The Mozarts had already been the subject of preliminary consideration and put ad interim to one side because of the better balance offered by the Scarlattis.
« Last Edit: 00:34:58, 31-01-2008 by Sydney Grew » Logged
Il Grande Inquisitor
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« Reply #3835 on: 07:11:23, 31-01-2008 »

Any idea of the Gounod?

Cleopatra's Dance from a ballet in Faust is it not.

Yes, that's the one; 'Cleopatra and her Slaves’.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
perfect wagnerite
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« Reply #3836 on: 19:49:36, 31-01-2008 »

I wouldn't want to challenge the, er, pre-eminence of His Eminence, but a thought for a quiz question came to mind as I was listening to one of the pieces on the train home tonight.

So, four composers for a connection -

Birtwistle
Richard Strauss
Tippett
Puccini

- to lead to a novel solution.

(other composers in reserve if necessary)
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
Il Grande Inquisitor
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« Reply #3837 on: 19:56:12, 31-01-2008 »

Would the novel solution be pieces which are also titles of novels (or perhaps based on novels)?

Birtwistle - The Shadow of Night
Richard Strauss – Don Quixote
Tippett – The Knot Garden
Puccini – La Bohème
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
perfect wagnerite
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Gender: Male
Posts: 1568



« Reply #3838 on: 20:16:36, 31-01-2008 »

Would the novel solution be pieces which are also titles of novels (or perhaps based on novels)?

Birtwistle - The Shadow of Night
Richard Strauss – Don Quixote
Tippett – The Knot Garden
Puccini – La Bohème


Sorry, should have been clearer.  The clues lead to the title of a novel.
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
Il Grande Inquisitor
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« Reply #3839 on: 20:40:00, 31-01-2008 »

That's ok, pw. Let's try some compositions which feature some likely 'novel' words in the titles:

Birtwistle – Earth Dances
Richard Strauss – Die Frau ohne Schatten (The Woman without a Shadow)
Tippett – The Rose Lake
Puccini – Madama Butterfly
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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