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The Radio 3 Boards > General Chat > The Coffee Bar > New Musical Connections
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Author Topic: New Musical Connections  (Read 119925 times)
Ian Pace
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« Reply #570 on: 20:23:30, 20-02-2007 »
Quote from: Il Grande Inquisitor on 19:52:12, 20-02-2007
Zimmermann - Des Menschen Unterhaltsprozeß gegen Gott?

No...
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Il Grande Inquisitor
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« Reply #571 on: 20:54:58, 20-02-2007 »
OK, a final throw of the dice before lobbing in the towel on this one.   Cry

Blow – Welcome every guest
Palestrina - Lamentations for Good Friday
Ireland – The Holy Boy
Zimmermann - Die fromme Helene (well, Die Soldaten would have fitted, so on that basis...)
Charpentier – Act I of Charpentier’s ‘Médée’ - Nérine:  ‘Jason veut de Créuse acquerir la faveur,’
J. Strauss II – Cagliostro in Wien, Act II, No. 13: Ha, welch' ein reizendes Gesicht!
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Ian Pace
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« Reply #572 on: 21:17:46, 20-02-2007 »
Quote from: Il Grande Inquisitor on 20:54:58, 20-02-2007
OK, a final throw of the dice before lobbing in the towel on this one.   Cry

Blow – Welcome every guest
Palestrina - Lamentations for Good Friday
Ireland – The Holy Boy
Zimmermann - Die fromme Helene (well, Die Soldaten would have fitted, so on that basis...)
Charpentier – Act I of Charpentier’s ‘Médée’ - Nérine:  ‘Jason veut de Créuse acquerir la faveur,’
J. Strauss II – Cagliostro in Wien, Act II, No. 13: Ha, welch' ein reizendes Gesicht!




Sorry, still not correct. The correct answers are:

Blow – Welcome every guest
Palestrina - Lamentations for Good Friday
Ireland – The Holy Boy
B.A. Zimmermann - Nobody knows de trouble I see
Charpentier - Quemadmodum desiderat cervus
Johann Strauss II - Gunstwerber - 'Wooers of favour'
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Il Grande Inquisitor
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« Reply #573 on: 21:22:19, 20-02-2007 »
De - cervus!!!

Far too good for us, I'm afraid, Ian!!

Just a reminder of a simpler one from earlier:

Couperin
Stockhausen
Chaminade
Josef Strauss
« Last Edit: 21:24:14, 20-02-2007 by Il Grande Inquisitor » Logged
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Il Grande Inquisitor
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« Reply #574 on: 21:35:31, 20-02-2007 »
Something a bit more earthbound, opilec?

Birtwistle - Earth Dances
Brahms - Wie ist doch die Erde so schön, so schön
Mahler – Das Lied von der Erde
Ježek - Heaven on the Earth
Weir – All the Ends of the Earth
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Il Grande Inquisitor
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« Reply #575 on: 22:18:53, 20-02-2007 »
Nocturnal?

Birtwistle - The Shadow of Night
Brahms – Wiegenlied ‘Guten Abend, gut Nacht’
Mahler – Symphony No.7 ‘Song of the Night’
Ježek - "Good Night", for voice and piano
Weir – A Night at the Chinese Opera
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Il Grande Inquisitor
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« Reply #576 on: 22:32:11, 20-02-2007 »
Could there be a travelling/ journeying link?

Birtwistle – Gawain’s Journey
Mahler – Lieder eines fahrenden Gesellen

Worth pursuing? (Probably not...)
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
roslynmuse
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« Reply #577 on: 22:32:54, 20-02-2007 »
Birtwistle Panic
Jezek Nerves

 Shocked
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mahlerei
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« Reply #578 on: 22:38:46, 20-02-2007 »
Light?

Birtwistle: White & Light
Mahler: Urlicht
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mahlerei
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« Reply #579 on: 22:42:23, 20-02-2007 »
Brahms: Warum ist das Licht gegeben?
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mahlerei
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« Reply #580 on: 22:51:41, 20-02-2007 »
Darkness?

Mahler: Dunkel ist das Leben
Jezek's Dark Blue Room
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roslynmuse
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« Reply #581 on: 22:52:29, 20-02-2007 »
Brahms Tragic Overture
Mahler Symphony No 6 ("Tragic")
Birwistle Tragoedia
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Il Grande Inquisitor
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« Reply #582 on: 22:55:52, 20-02-2007 »
Birtwistle – Antiphonies from the Moonkeeper
Brahms – An den Mond
Weir – Moon and Star
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
mahlerei
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« Reply #583 on: 22:56:06, 20-02-2007 »
roslynmuse

That looks promising!

Re darkness: Birtwistle drew on Dowland's lute song In darkness let me dwell for Shadows etc.
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mahlerei
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« Reply #584 on: 23:24:51, 20-02-2007 »
Sadness?

Birtwistle: The Sadness of Komachi
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