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Ian Pace
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« Reply #540 on: 11:20:02, 19-02-2007 » |
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Are you there, roslyn? I've just had a terrible thought re Ian's tricky group! He said to 'use your eyes' and asks questions like 'where did you begin?'... Well...where did you begin when you first opened this forum this morning? At the login section, headed 'Welcome, Guest'....Blow's 'Welcome Every Guest'?!! Are they all titles of headings/ sections/ threads?  No, sorry, you're totally on the wrong track there (would have been an interesting link). Try 'with what did you begin' (though I don't know your profession, so you may not have done so - but I reckon there's a fair chance that plenty of people here will have).  |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #541 on: 11:20:29, 19-02-2007 » |
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My Blow reference material is rather scanty - Welcome, Welcome every guest is, acc to Grove, ?St Cecilia's Day; that doesn't help with Zimmermann; the first piece that comes to mind when I think of him is his Requiem für einen jungen Dichter. Something about polystylism? Something that could apply both to the opera and the Requiem?
No, not those pieces. |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #542 on: 11:47:13, 19-02-2007 » |
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Signing in? Clocking on?
J. Strauss II Morning Papers?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #543 on: 12:32:01, 19-02-2007 » |
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Signing in? Clocking on?
J. Strauss II Morning Papers?
Er - no.....  Some of you might kick yourself when you see the answers (at least the link). I am going to give a deadline for this - I'll be out much of the afternoon and evening, but will post the answer by 1:30am - see if anyone can get it before then! |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #544 on: 12:36:45, 19-02-2007 » |
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Dare I suggest a Haydn link?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #545 on: 12:43:01, 19-02-2007 » |
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Dare I suggest a Haydn link?
You can suggest whatever you like! To confuse things even more, you might consider (indirectly) some type of Czech link. |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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oliver sudden
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« Reply #546 on: 12:53:12, 19-02-2007 » |
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The Ireland isn't The Holy Boy by any chance?
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Il Grande Inquisitor
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« Reply #547 on: 12:54:12, 19-02-2007 » |
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Something to do with travelling to work? Strauss 'Accelerations' Waltz?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #548 on: 12:55:45, 19-02-2007 » |
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The Ireland isn't The Holy Boy by any chance?
Clever - that is correct! |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #549 on: 12:57:18, 19-02-2007 » |
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So, Ollie, what's the link?!
Blow Welcome every guest
Palestrina - Lamentations for Good Friday
Ireland The Holy Boy
B.A. Zimmermann -
Charpentier
J. Strauss II
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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oliver sudden
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« Reply #550 on: 12:57:53, 19-02-2007 » |
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IGI - every? Good? Boy?...
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Il Grande Inquisitor
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« Reply #551 on: 13:00:31, 19-02-2007 » |
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IGI - every? Good? Boy?...
Deserves football! |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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oliver sudden
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« Reply #552 on: 13:02:07, 19-02-2007 » |
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Maybe Ian deserved Flowers, which case it might be Charpentier's La Couronne de Fleurs...
Still trying to nut out the others though.
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oliver sudden
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« Reply #553 on: 13:16:26, 19-02-2007 » |
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EGBDF Elephants Get Big Dirty Feet (music; mnemonic for the lines of the treble clef)
EGBDF Elvis's Guitar Broke Down Friday (music; mnemonic for the lines of the treble clef)
EGBDF Empty Garbage Before Dad Flips (music; mnemonic for the lines of the treble clef)
EGBDF Even George Bush Drives Fast (music; mnemonic for the lines of the treble clef)
EGBDF Every Good Bird Does Fly (music; mnemonic for the lines of the treble clef)
EGBDF Every Good Boy Deserves Favour (UK music; mnemonic for the lines of the treble clef)
EGBDF Every Good Boy Deserves Football (UK music; mnemonic for the lines of the treble clef)
EGBDF Every Good Boy Deserves Fruit (music; mnemonic for the lines of the treble clef)
EGBDF Every Good Boy Deserves Fudge (Mudhoney song)
EGBDF Every Good Boy Deserves Fun (mnemonic for treble clef)
EGBDF Every Good Boy Does Fine (music; mnemonic for the lines of the treble clef)
EGBDF Every Green Bus Drives Fast (music; mnemonic for the lines of the treble clef)
And that still doesn't give us what the 6th would be. I can only assume 'FACE'...
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Il Grande Inquisitor
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« Reply #554 on: 13:17:01, 19-02-2007 » |
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Strauss - The Blue Danube?
Every Good Boy Deserves Favour = Moody Blues (the Czech link being that they were asked to make a rock and roll version of Dvořák's New World Symphony)
Any warmer?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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