The Radio 3 Boards Forum from myforum365.com
17:15:49, 01-12-2008 *
Welcome, Guest. Please login or register.

Login with username, password and session length
News: Whilst we happily welcome all genuine applications to our forum, there may be times when we need to suspend registration temporarily, for example when suffering attacks of spam.
 If you want to join us but find that the temporary suspension has been activated, please try again later.
 
   Home   Help Search Login Register  

Pages: [1] 2 3 4
  Print  
Author Topic: My Christmas presents  (Read 1281 times)
trained-pianist
*****
Posts: 5455



« on: 14:13:27, 23-12-2007 »

For me Christmas came early. I got interesting DVD as a present from a student.


I found it very useful DVD. I found out that I neglected back muscles and to feel that everything comes from the body.
Explanations are very clear. I am not sure about Yoga part of DVD. They are useful exercises in general, no doubt.
However, the first part explains well how the whole arm operates from the back and how one is much stronger by using big musles (not fingers or wrists).
I have students that can not relax, make their arms like ropes, swing their arms etc. Penelope Roskell also provided examples. She plays with fingers only and then she plays with the arms. I already tried it on a student and she could hear the difference right away.
I think this DVD  is going to be a useful tool.
Logged
oliver sudden
Admin/Moderator Group
*****
Posts: 6411



« Reply #1 on: 14:53:33, 23-12-2007 »

I did find yoga very useful to me a few years ago and I suppose it still is although alas I've let it slip somewhat...

There's something I've wanted for quite a while which I'm calling my Chrissy present to myself and although I've paid for it I'm not going to be picking it up until about January 7. But as soon as I do you'll know about it. Smiley

Logged
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #2 on: 15:16:39, 23-12-2007 »

I'm not going to be picking it up until about January 7.

And quite right too Smiley  с наступаюшым праздником Рождества (по-православному)  Wink

Dare I ask if this Mystery Item is some outlandish leviathan of the single-reed family?  Smiley

Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
autoharp
*****
Posts: 2778



« Reply #3 on: 15:42:05, 23-12-2007 »

Or one of these?

Logged
oliver sudden
Admin/Moderator Group
*****
Posts: 6411



« Reply #4 on: 15:45:35, 23-12-2007 »

Ah, Reiner, I was actually wondering that just now. Is that a Julian/Gregorian calendar slippage thing, Orthodox Chrissy being then, or is it because they do the pressies at Epiphany (which would make perfect sense really given that that's what marks the visit of the Magi)?

If you ever do see a sarrusophone with a single reed mouthpiece, I'm up for it...  Cool Or for that matter a slide clarinet although I hope it isn't restricted to persons of a certain hair style.  Shocked

From wiki:

Quote
Contrabass sarrusophones take rather large reeds; they are larger than contrabassoon reeds. ... but single reed mouthpieces have also been used. These mouthpieces are similar in size to soprano or alto saxophone mouthpieces.

So. Either bigger than a contrabassoon reed or similar in size to a soprano sax mouthpiece... Wink
« Last Edit: 15:55:08, 23-12-2007 by oliver sudden » Logged
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #5 on: 17:07:25, 23-12-2007 »

Ah, Reiner, I was actually wondering that just now. Is that a Julian/Gregorian calendar slippage thing, Orthodox Chrissy being then, or is it because they do the pressies at Epiphany (which would make perfect sense really given that that's what marks the visit of the Magi)?

Neither of the above Smiley  Both the Eastern & Western Churches celebrated Christ-Mass on Jan 7th until 325 AD - when Emperor Constantine declared (under some pressure from his bishoprics) that Christmas could redated to Dec 25th...  it was a recruiting measure, to move the date towards the Winter Solstice, so it coincided with pagan festivities already happening.  The lowest point the sun appears on the horizon (in the Northern Hemisphere, ehem...) is Dec 22nd, which was a fearful day in pagan calendar... the day on which Chiornobog (the god of darkness) seemed to be getting the better of Belobog (the god of light) in their neverending struggle.  But by Dec 25th, a visible rise in the sun's position can be seen (if you're looking for it - as you might be In The Bleak Midwinter as a gatherer/herder) - so its the 25th of Dec which is the Festival of the Solstice, the "Rising Of The Sun".   The Eastern Church railed against this outrageous twisting of the Eccliastical calendar to achieve such a result, and has refused to go along with it ever since.  The Ethiopian, Greek, Armenian, Georgian, Ukrainian Autocephalous, Serbian and other Orthodox faiths have also clung to Jan 7th ever since. 

Biblical scholars have pegged the actual date of Christ's birth as being anywhere between November and March, so there is no absolute certainty on the matter Wink  After all, if a mere mortal monarch can have both an "official" and "actual" birthdays, surely a Godhead might do also? Wink

The Russian sect of the Old Believers (with whom I was, as you know, in some contact with for some time) then do what you mention above, which is to celebrate Christmas on the "old 7th of January", which is 14 days later than the one in the conventional calendar.  Many, many Russians celebrate the "Old New Year" on January 14th.

"Catholic" Christmas = 25th Dec  (not celebrated & actually goes unnoticed in Russia, except for Expats, Polish/Ukrainian Catholics & Lutheran Germans)
New Year = 1st Jan
Orthodox Christmas = 7th Jan
Old New Year = 14th Jan

.... makes for a party every week for a month Smiley)
Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Don Basilio
*****
Gender: Male
Posts: 2682


Era solo un mio sospetto


« Reply #6 on: 17:42:48, 23-12-2007 »

I don't want to go into the details but I rise to the bait.

The Greek Orthodox certainly do keep the Nativity according to the Flesh of our Lord and Saviour Jesus Christ on 25 December, which as they use the Gregorian calendar is the same as ours.  They also keep The Holy Theophany of our Lord and Saviour Jesus Christ on 6 January: for them, as for the Russians, it commemorates the Baptism, but is symbolically equivalent of the Western Epiphany.

There is no certain proof as to why these dates would have been chosen.  Certainly only fundamentalist scholars would waste their time speculating when the actual birth date occurred.

My understanding was that before Christianity could be in the open after Constantine, the West commemorated the mystery of the Incarnation (rather than an historical birthday) on 25 December (maybe in opposition to a pagan festival) and the East on 6 January.  After Constantine they adopted each others' feasts.

The Syrians certainly keep 25 December

http://sor.cua.edu/
 
and I believe the Copts do as well.  I suspect Armenians and Ethiopians only keep the later feast.

As Ollie says, the whole thing is muddled up by the Gregorian and Julian calendars.
« Last Edit: 21:10:35, 23-12-2007 by Don Basilio » Logged

To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #7 on: 18:14:37, 23-12-2007 »


There is no certain proof as to why these dates would have been chosen. 

And I am sure that is the most sensible statement on the entire business Smiley

The Armenians and Georgians certainly keep 7th January as Christmas, as I have been in both countries previously on the date.  They had told me the Greeks did too - I'd obviously become confused with the Feast Of The Baptism, as this was regularly celebrated by the Greek Cypriot churches around where I spent my mispelt youth in Camden Town (the location of a large Greek community both then and now).
Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
trained-pianist
*****
Posts: 5455



« Reply #8 on: 19:31:43, 23-12-2007 »

I know for sure that Greek have their Christmas on 25th of Dec as well as Romanians. I know that these people are both Orthodox Christians and I have no idea why it is so.
When I was growing up there was no religion allowed. We had New Year pine tree. It is strange to me to see the country change so much.

Reiner, I love to here singing in Russian church. Do you go to hear them or you don't like it. Do you have churches where they sing during mass. I did not hear much of it in my days. In fact I don't think I heard it at all.
Logged
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #9 on: 20:09:42, 23-12-2007 »

Hi t-p!

I have to admit that my belief is not in God. However, there is a great beauty in the music of the Orthodox Church, and when it is performed by real experts the results are certainly something not quite of this world Smiley  The chorus of Helikon Opera have recorded several disks of liturgical music (the Chorus-Master was trained in the Church, and so were many of the singers - so it's a very "correct" performance approach) - I like these performances very much.  They also sing some of the "sacred cantatas" by Bortnyansky etc.

The other chorus I like a lot is maybe a somewhat unlikely one - Хор Турецкого. Turetsky was the Cantor of the Moscow Liberal Synagogue, but there was some kind of "disagreement", and he left.  Now he runs a small choir of 8-10 male singers, who perform both the Russian jewish liturgial repertoire, and all sorts of other things too Smiley  They've become a kind of cabaret "hit", and the tickets for their New Year Show (in the Palace of Congresses in the Kremlin, and you know how huge that place is) are top-price. Turetsky introduces their performances, and he's very funny.  They had a show called "An Hour Of Jewish Happiness", which Turetsky explained... "well, it's the hour when we're happy..  in between 23 other hours of authentic jewish misery".  Oh, and they sing "Murka", too  Wink
Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Don Basilio
*****
Gender: Male
Posts: 2682


Era solo un mio sospetto


« Reply #10 on: 21:17:01, 23-12-2007 »

I have been to a number of services at All Saints Camden Town, (including the Good Friday procession).  They certainly have Christmas on 25 December and Theophany on 6 January.  As in all Greek churches in Britain:

http://www.thyateira.org.uk/index_files/News.htm

Greek chant is less beautiful than Russian singing (it is not harmonised other than a drone bass and they do not typically have female singer) but in either case I have never seen a sheet of scored music in an Orthodox choir.  They see the words, and somehow know what to do with them.
Logged

To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #11 on: 23:53:05, 23-12-2007 »

"Composed" Russian polyphony is conventionally notated on normal musical staves, like any other choral music.  However, the chanted liturgical texts - at least amongst the Old Believers - are still notated in campo aperto neumes!  (this means not with notes, and not on staves - but with little "arrows" above the words showing you where the melody goes up and down, and whether by "a lot", or "a little", but not exactly how much.  In other words, it's an aide-memoire and not actually a musical notation).  I was once in a Syrian Coptic church in Mardin (E Turkey), and I noticed that the choir there used neumes for everything they sang.
Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
time_is_now
*****
Gender: Male
Posts: 4653



« Reply #12 on: 00:37:06, 24-12-2007 »

an aide-memoire and not actually a musical notation
... the dividing line being of course a thin one. Wink
Logged

The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #13 on: 01:09:07, 24-12-2007 »

... the dividing line being of course a thin one. Wink

Since these are campo aperto the line's practically invisible, in fact  Grin Grin

Hmmm, since there is no key, no note-values, no specific pitches and no rhythm, it's probably closer to being a "graphic score"..  Smiley
Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Reiner Torheit
*****
Gender: Male
Posts: 3391



WWW
« Reply #14 on: 03:04:06, 24-12-2007 »

Here's a special Christmas Present for Don Basilio, who wanted to get the music for "The Field-Mice Carol" (from The Wind In The Willows).  I think this is more-or-less right, but I've done it "by ear" and last heard it 15-18 years ago.  It's a bit "choppy" as it's just created in Finale...  although I tried hard to make an authentic recording, you simply cannot get the Field-Mice these days Sad   So these are synthesised Field-Mice of extremely low IQ, who cannot memorise the words, so they sing to "la".  I've scored it for a hypothetical "Mellstock Quire" Church Band line-up (as per Thomas Hardy's specification) because you don't get tenor and bass fieldmice, and wassailing was traditionally done with a small band (clarionet, tenor viol, basset horn, bassoon and bass viol). 

To set the Christmassy scene, let's go now to two small and furry characters not unlike Chafing-Dish's avatar, who are struggling through the snow and wind on Christmas Eve, hoping to reach River Bank, Rat's house, before nightfall




Poor Mole found it difficult to get any words out between the upheavals of his chest that followed one upon another so quickly and held back speech and choked it as it came. `I know it's a-- shabby, dingy little place,' he sobbed forth at last, brokenly: `not like--your cosy quarters--or Toad's beautiful hall--or Badger's great house--but it was my own little home--and I was fond of it--and I went away and forgot all about it--and then I smelt it suddenly--on the road, when I called and you wouldn't listen, Rat--and everything came back to me with a rush--and I WANTED it!--O dear, O dear!--and when you WOULDN'T turn back, Ratty--and I had to leave it, though I was smelling it all the time--I thought my heart would break.--We might have just gone and had one look at it, Ratty--only one look--it was close by--but you wouldn't turn back, Ratty, you wouldn't turn back! O dear, O dear!'

Recollection brought fresh waves of sorrow, and sobs again took full charge of him, preventing further speech.

The Rat stared straight in front of him, saying nothing, only patting Mole gently on the shoulder. After a time he muttered gloomily, `I see it all now! What a PIG I have been! A pig-- that's me! Just a pig--a plain pig!'

He waited till Mole's sobs became gradually less stormy and more rhythmical; he waited till at last sniffs were frequent and sobs only intermittent. Then he rose from his seat, and, remarking carelessly, `Well, now we'd really better be getting on, old chap!' set off up the road again, over the toilsome way they had come.

`Wherever are you (hic) going to (hic), Ratty?' cried the tearful Mole, looking up in alarm.

`We're going to find that home of yours, old fellow,' replied the Rat pleasantly; `so you had better come along, for it will take some finding, and we shall want your nose.'

`Oh, come back, Ratty, do!' cried the Mole, getting up and hurrying after him. `It's no good, I tell you! It's too late, and too dark, and the place is too far off, and the snow's coming! And--and I never meant to let you know I was feeling that way about it--it was all an accident and a mistake! And think of River Bank, and your supper!'

`Hang River Bank, and supper too!' said the Rat heartily. `I tell you, I'm going to find this place now, if I stay out all night. So cheer up, old chap, and take my arm, and we'll very soon be back there again.'

Still snuffling, pleading, and reluctant, Mole suffered himself to be dragged back along the road by his imperious companion, who by a flow of cheerful talk and anecdote endeavoured to beguile his spirits back and make the weary way seem shorter. When at last it seemed to the Rat that they must be nearing that part of the road where the Mole had been `held up,' he said, `Now, no more talking. Business! Use your nose, and give your mind to it.'

They moved on in silence for some little way, when suddenly the Rat was conscious, through his arm that was linked in Mole's, of a faint sort of electric thrill that was passing down that animal's body. Instantly he disengaged himself, fell back a pace, and waited, all attention.

The signals were coming through!

Mole stood a moment rigid, while his uplifted nose, quivering slightly, felt the air.

Then a short, quick run forward--a fault--a check--a try back; and then a slow, steady, confident advance.

The Rat, much excited, kept close to his heels as the Mole, with something of the air of a sleep-walker, crossed a dry ditch, scrambled through a hedge, and nosed his way over a field open and trackless and bare in the faint starlight.

Suddenly, without giving warning, he dived; but the Rat was on the alert, and promptly followed him down the tunnel to which his unerring nose had faithfully led him.

It was close and airless, and the earthy smell was strong, and it seemed a long time to Rat ere the passage ended and he could stand erect and stretch and shake himself. The Mole struck a match, and by its light the Rat saw that they were standing in an open space, neatly swept and sanded underfoot, and directly facing them was Mole's little front door, with `Mole End' painted, in Gothic lettering, over the bell-pull at the side.

Mole reached down a lantern from a nail on the wail and lit it, and the Rat, looking round him, saw that they were in a sort of fore-court. A garden-seat stood on one side of the door, and on the other a roller; for the Mole, who was a tidy animal when at home, could not stand having his ground kicked up by other animals into little runs that ended in earth-heaps. On the walls hung wire baskets with ferns in them, alternating with brackets carrying plaster statuary--Garibaldi, and the infant Samuel, and Queen Victoria, and other heroes of modern Italy. Down on one side of the forecourt ran a skittle-alley, with benches along it and little wooden tables marked with rings that hinted at beer- mugs. In the middle was a small round pond containing gold-fish and surrounded by a cockle-shell border. Out of the centre of the pond rose a fanciful erection clothed in more cockle-shells and topped by a large silvered glass ball that reflected everything all wrong and had a very pleasing effect.

Mole's face-beamed at the sight of all these objects so dear to him, and he hurried Rat through the door, lit a lamp in the hall, and took one glance round his old home. He saw the dust lying thick on everything, saw the cheerless, deserted look of the long-neglected house, and its narrow, meagre dimensions, its worn and shabby contents--and collapsed again on a hall-chair, his nose to his paws. `O Ratty!' he cried dismally, `why ever did I do it? Why did I bring you to this poor, cold little place, on a night like this, when you might have been at River Bank by this time, toasting your toes before a blazing fire, with all your own nice things about you!'

The Rat paid no heed to his doleful self-reproaches. He was running here and there, opening doors, inspecting rooms and cupboards, and lighting lamps and candles and sticking them, up everywhere. `What a capital little house this is!' he called out cheerily. `So compact! So well planned! Everything here and everything in its place! We'll make a jolly night of it. The first thing we want is a good fire; I'll see to that--I always know where to find things. So this is the parlour? Splendid! Your own idea, those little sleeping-bunks in the wall? Capital! Now, I'll fetch the wood and the coals, and you get a duster, Mole--you'll find one in the drawer of the kitchen table--and try and smarten things up a bit. Bustle about, old chap!'

Encouraged by his inspiriting companion, the Mole roused himself and dusted and polished with energy and heartiness, while the Rat, running to and fro with armfuls of fuel, soon had a cheerful blaze roaring up the chimney. He hailed the Mole to come and warm himself; but Mole promptly had another fit of the blues, dropping down on a couch in dark despair and burying his face in his duster. `Rat,' he moaned, `how about your supper, you poor, cold, hungry, weary animal? I've nothing to give you--nothing-- not a crumb!'

`What a fellow you are for giving in!' said the Rat reproachfully. `Why, only just now I saw a sardine-opener on the kitchen dresser, quite distinctly; and everybody knows that means there are sardines about somewhere in the neighbourhood. Rouse yourself! pull yourself together, and come with me and forage.'

They went and foraged accordingly, hunting through every cupboard and turning out every drawer. The result was not so very depressing after all, though of course it might have been better; a tin of sardines--a box of captain's biscuits, nearly full--and a German sausage encased in silver paper.

`There's a banquet for you!' observed the Rat, as he arranged the table. `I know some animals who would give their ears to be sitting down to supper with us to-night!'

`No bread!' groaned the Mole dolorously; `no butter, no----'

`No pate de foie gras, no champagne!' continued the Rat, grinning. `And that reminds me--what's that little door at the end of the passage? Your cellar, of course! Every luxury in this house! Just you wait a minute.'

He made for the cellar-door, and presently reappeared, somewhat dusty, with a bottle of beer in each paw and another under each arm, `Self-indulgent beggar you seem to be, Mole,' he observed. `Deny yourself nothing. This is really the jolliest little place I ever was in. Now, wherever did you pick up those prints? Make the place look so home-like, they do. No wonder you're so fond of it, Mole. Tell us all about it, and how you came to make it what it is.'

Then, while the Rat busied himself fetching plates, and knives and forks, and mustard which he mixed in an egg-cup, the Mole, his bosom still heaving with the stress of his recent emotion, related--somewhat shyly at first, but with more freedom as he warmed to his subject--how this was planned, and how that was thought out, and how this was got through a windfall from an aunt, and that was a wonderful find and a bargain, and this other thing was bought out of laborious savings and a certain amount of `going without.' His spirits finally quite restored, he must needs go and caress his possessions, and take a lamp and show off their points to his visitor and expatiate on them, quite forgetful of the supper they both so much needed; Rat, who was desperately hungry but strove to conceal it, nodding seriously, examining with a puckered brow, and saying, `wonderful,' and `most remarkable,' at intervals, when the chance for an observation was given him.

At last the Rat succeeded in decoying him to the table, and had just got seriously to work with the sardine-opener when sounds were heard from the fore-court without--sounds like the scuffling of small feet in the gravel and a confused murmur of tiny voices, while broken sentences reached them--`Now, all in a line--hold the lantern up a bit, Tommy--clear your throats first--no coughing after I say one, two, three.--Where's young Bill?--Here, come on, do, we're all a-waiting----'

`What's up?' inquired the Rat, pausing in his labours.

`I think it must be the field-mice,' replied the Mole, with a touch of pride in his manner. `They go round carol-singing regularly at this time of the year. They're quite an institution in these parts. And they never pass me over--they come to Mole End last of all; and I used to give them hot drinks, and supper too sometimes, when I could afford it. It will be like old times to hear them again.'

`Let's have a look at them!' cried the Rat, jumping up and running to the door.

It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little fieldmice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat- sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, `Now then, one, two, three!' and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.

http://www.sendspace.com/file/e5gu3g

CAROL

Villagers all, this frosty tide,
Let your doors swing open wide,
Though wind may follow, and snow beside,

Yet draw us in by your fire to bide;
Joy shall be yours in the morning!

Here we stand in the cold and the sleet,
Blowing fingers and stamping feet,
Come from far away you to greet--

You by the fire and we in the street--
Bidding you joy in the morning!

For ere one half of the night was gone,
Sudden a star has led us on,
Raining bliss and benison--
Bliss to-morrow and more anon,

Joy for every morning!

Goodman Joseph toiled through the snow--
Saw the star o'er a stable low;
Mary she might not further go--
Welcome thatch, and litter below!

Joy was hers in the morning!

And then they heard the angels tell
`Who were the first to cry NOWELL?
Animals all, as it befell,
In the stable where they did dwell!

Joy shall be theirs in the morning!'

The voices ceased, the singers, bashful but smiling, exchanged sidelong glances, and silence succeeded--but for a moment only. Then, from up above and far away, down the tunnel they had so lately travelled was borne to their ears in a faint musical hum the sound of distant bells ringing a joyful and clangorous peal.

`Very well sung, boys!' cried the Rat heartily. `And now come along in, all of you, and warm yourselves by the fire, and have something hot!'

`Yes, come along, field-mice,' cried the Mole eagerly. `This is quite like old times! Shut the door after you. Pull up that settle to the fire. Now, you just wait a minute, while we--O, Ratty!' he cried in despair, plumping down on a seat, with tears impending. `Whatever are we doing? We've nothing to give them!'

`You leave all that to me,' said the masterful Rat. `Here, you with the lantern! Come over this way. I want to talk to you. Now, tell me, are there any shops open at this hour of the night?'

`Why, certainly, sir,' replied the field-mouse respectfully. `At this time of the year our shops keep open to all sorts of hours.'

`Then look here!' said the Rat. `You go off at once, you and your lantern, and you get me----'

Here much muttered conversation ensued, and the Mole only heard bits of it, such as--`Fresh, mind!--no, a pound of that will do-- see you get Buggins's, for I won't have any other--no, only the best--if you can't get it there, try somewhere else--yes, of course, home-made, no tinned stuff--well then, do the best you can!' Finally, there was a chink of coin passing from paw to paw, the field-mouse was provided with an ample basket for his purchases, and off he hurried, he and his lantern.

The rest of the field-mice, perched in a row on the settle, their small legs swinging, gave themselves up to enjoyment of the fire, and toasted their chilblains till they tingled; while the Mole, failing to draw them into easy conversation, plunged into family history and made each of them recite the names of his numerous brothers, who were too young, it appeared, to be allowed to go out a-carolling this year, but looked forward very shortly to winning the parental consent.

The Rat, meanwhile, was busy examining the label on one of the beer-bottles. `I perceive this to be Old Burton,' he remarked approvingly. `SENSIBLE Mole! The very thing! Now we shall be able to mull some ale! Get the things ready, Mole, while I draw the corks.'

It did not take long to prepare the brew and thrust the tin heater well into the red heart of the fire; and soon every field- mouse was sipping and coughing and choking (for a little mulled ale goes a long way) and wiping his eyes and laughing and forgetting he had ever been cold in all his life.

(from Chapter Five of THE WIND IN THE WILLOWS by Kenneth Grahame - published in 1908


Now who said I only ever did shows about prison-camps, eh?  Wink
« Last Edit: 03:10:58, 24-12-2007 by Reiner Torheit » Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Pages: [1] 2 3 4
  Print  
 
Jump to: