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Baz
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« Reply #2145 on: 17:09:33, 14-03-2008 » |
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Is 349 Messiaen's Theme and Variations for Violin and Piano?
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martle
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« Reply #2146 on: 17:13:07, 14-03-2008 » |
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With slight trepidation, I will take a wobbly aim at 349: Xenakis, Dikhthas?
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Green. Always green.
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Sydney Grew
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« Reply #2147 on: 21:27:32, 14-03-2008 » |
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Unless we are mistaken - a circumstance by no means beyond the bounds of imagination - this message is off the topic, in that the member already has two open puzzles. (We thank a member in the other place for drawing this to our attention.) The next number available to be assigned to new puzzles is therefore 348. |
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« Last Edit: 22:08:33, 14-03-2008 by Sydney Grew »
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martle
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« Reply #2148 on: 21:44:40, 14-03-2008 » |
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An interesting issue arises thus, does not it? At least two members have essayed solutions to puzzles 348 and 349, ourselves included; will the correctitude or otherwise of their stabs be rewarded or penalised According To The Rules? Or shall the entire affair be written off as a circumstantial aberration, we wonder.
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Green. Always green.
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thompson1780
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« Reply #2149 on: 23:28:16, 14-03-2008 » |
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CLUETIME! Here is Puzzle 332 in SS and RSThis composer has already been identified correctly 5 times. It's title is not be be confused with an opera by a composer who has been correctly identified 4 times. Here is Puzzle 343 in SS and RSThere has been one snatch already identified by this composer, and two snatches whose titles include this title. Tommo |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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richard barrett
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« Reply #2150 on: 23:52:16, 14-03-2008 » |
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Since Member Grew seems to have temporarily disappeared, I revise my earlier post thus. This is now Puzzle 348. which was previously called Puzzle 349. It's the piece for violin and piano in other words. I shall however have to disappoint Messrs Iron and Martle in so far as it is neither by Messiaen nor Xenakis, but by a composer who has as far as I know never lived in France. |
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thompson1780
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« Reply #2151 on: 00:17:40, 15-03-2008 » |
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And to fill the gap, here is a new Puzzle 349 in SS and RSTommo |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Sydney Grew
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« Reply #2152 on: 00:38:37, 15-03-2008 » |
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HERE or HERE may be found puzzle 350.
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oliver sudden
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« Reply #2153 on: 00:44:43, 15-03-2008 » |
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Si mes vers avaient des ailes? Fauré? |
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oliver sudden
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« Reply #2154 on: 00:45:37, 15-03-2008 » |
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Ah, no, not Fauré but Reynaldo Hahn. Sorry.
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Sydney Grew
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« Reply #2155 on: 00:51:07, 15-03-2008 » |
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HERE and HERE is puzzle 351. We should warn members that it comes from one of those modernistical pieces so inexplicably popular in a certain camp which lack form balance structure rhythm melody counterpoint and a sense of harmony.
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Sydney Grew
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« Reply #2156 on: 00:54:08, 15-03-2008 » |
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Si mes vers avaient des ailes? Fauré? That is incorrect. Ah, no, not Fauré but Reynaldo Hahn. Sorry. But that is entirely right! |
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Il Grande Inquisitor
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« Reply #2157 on: 01:11:45, 15-03-2008 » |
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Mr 1780, I believe that Puzzle 332 is Rachmaninov's The Isle of the Dead, not to be confused with Janacek's House of the Dead?  |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #2158 on: 02:08:31, 15-03-2008 » |
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A guess at No.343 now - could it be Dvorak's Silent Woods?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #2159 on: 02:12:58, 15-03-2008 » |
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A further clue to No.321 ( SendSpace or Rapidshare): The composer of this wacky sounding piece was organist at the Parisian churches of Saint-Roch (1841-1846), the Église de la Madeleine (1846-1858), and Saint-Sulpice (1863-1869). A further clue to No.320 ( SendSpace or Rapidshare): It's a very early English work for five instruments by a composer who enjoyed walking holidays! |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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