martle
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« Reply #930 on: 18:41:01, 25-02-2008 » |
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I'm going to have a stab at 158 too: Tippett, The Mask of Time?
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Green. Always green.
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Tony Watson
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« Reply #931 on: 19:07:57, 25-02-2008 » |
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160 is Stravinsky's Symphony opus 1 (second movement).
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Baz
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« Reply #932 on: 19:15:58, 25-02-2008 » |
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Is 158 Elliot Carter's Lauds and Lamentations possibly?
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Il Grande Inquisitor
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« Reply #933 on: 19:21:07, 25-02-2008 » |
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151 - Is it Roussel's Le Festin de l'Araignée, Tony?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Bryn
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« Reply #934 on: 19:28:20, 25-02-2008 » |
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Is 158 from Rutter's Requiem?
It most certainly is not, Ron. I am most disappointed to find you even consider such a possibility.
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Bryn
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« Reply #935 on: 19:29:37, 25-02-2008 » |
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160 is Stravinsky's Symphony opus 1 (second movement).
Spot on, Tony. With all the recent stuff about G&S on here, I felt it had to be aired.
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Tony Watson
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« Reply #936 on: 19:32:32, 25-02-2008 » |
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151 - Is it Roussel's Le Festin de l'Araignée, Tony?
Sorry, no, IGI. It's not by Roussel but a later composer.
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Bryn
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« Reply #937 on: 19:33:03, 25-02-2008 » |
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Is 158 Elliot Carter's Lauds and Lamentations possibly?
A most lamentable attempt indeed. Perhaps I should let on that the composer shared a sporting interest with a cetain Termite Lover.
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Tony Watson
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« Reply #938 on: 19:37:06, 25-02-2008 » |
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160 is Stravinsky's Symphony opus 1 (second movement).
Spot on, Tony. With all the recent stuff about G&S on here, I felt it had to be aired. I suppose it does sound a bit like G&S, if that's what you mean, Bryn. It feels odd my identifying that because I first heard it as the signature tune to a schools programme in the 1970s. I was immediately taken by it but I could never find out what it was until years later.
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harmonyharmony
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« Reply #939 on: 19:40:35, 25-02-2008 » |
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Is 158 Elliot Carter's Lauds and Lamentations possibly?
A most lamentable attempt indeed. Perhaps I should let on that the composer shared a sporting interest with a cetain Termite Lover. Honegger then? It doesn't sound like Jeanne d'Arc but I don't know enough Honegger to have a stab at anything else
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Tony Watson
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« Reply #940 on: 19:42:40, 25-02-2008 » |
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Two for the price of one: Puzzle 161Puzzle 162And for Rapidshare fans Puzzle 161Puzzle 162
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« Last Edit: 19:48:13, 25-02-2008 by Tony Watson »
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Bryn
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« Reply #941 on: 19:48:16, 25-02-2008 » |
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I'm going to have a stab at 158 too: Tippett, The Mask of Time?
Sorry, I passed straight by that one as it appeared to have no conceivable connection with the clip posted. Still, at least you had a stab, martle, rather than merely going on about maybe having a stab. How does one respond to such equivocation as that displayed by hh?
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Bryn
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« Reply #942 on: 19:50:34, 25-02-2008 » |
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Is 158 Elliot Carter's Lauds and Lamentations possibly?
A most lamentable attempt indeed. Perhaps I should let on that the composer shared a sporting interest with a cetain Termite Lover. Honegger then? It doesn't sound like Jeanne d'Arc but I don't know enough Honegger to have a stab at anything else Well, if it does not sound like it, I can understand why you have not stepped forward to actually take your stab, hh. [Or should I say, to stake your claim?]
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« Last Edit: 19:52:25, 25-02-2008 by Bryn »
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harmonyharmony
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« Reply #943 on: 19:51:30, 25-02-2008 » |
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Oh right sorry. It is Honegger's Jeanne d'Arc au bûcher.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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Bryn
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« Reply #944 on: 19:53:39, 25-02-2008 » |
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Oh right sorry. It is Honegger's Jeanne d'Arc au bûcher.
Indeed, hh, in the CBS recording made in London, and in English. Well done.
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