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Il Grande Inquisitor
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« Reply #990 on: 22:09:21, 26-02-2008 » |
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Well how about Ives The Unanswered Question?
No, Mr Thompson, not Ives. I should move across the Atlantic, if I were you... |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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thompson1780
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« Reply #991 on: 22:11:37, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Il Grande Inquisitor
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« Reply #992 on: 22:12:35, 26-02-2008 » |
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Well before Martle gets in with it, how about Respighi Pines of Rome for 164?
Tommo
To increase the tension, can you name which one? (movement, not pine!)  |
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Tony Watson
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« Reply #993 on: 23:02:46, 26-02-2008 » |
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Another puzzle for you: Puzzle 170 Puzzle 170 |
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« Last Edit: 23:05:10, 26-02-2008 by Tony Watson »
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Il Grande Inquisitor
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« Reply #994 on: 23:10:25, 26-02-2008 » |
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170 sounds distinctly Russian. I think it's Borodin's 3rd Symphony.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Tony Watson
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« Reply #995 on: 23:14:12, 26-02-2008 » |
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170 sounds distinctly Russian. I think it's Borodin's 3rd Symphony.
Indeed! An unfinished symphony in fact. Can you name the movement? |
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Il Grande Inquisitor
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« Reply #996 on: 23:15:25, 26-02-2008 » |
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Yep. It's the first of two movements, Moderato assai.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Tony Watson
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« Reply #997 on: 23:18:59, 26-02-2008 » |
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Yep. It's the first of two movements, Moderato assai.
Correct again, Mr Inquisitor.  |
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Baz
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« Reply #998 on: 23:31:32, 26-02-2008 » |
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Come along gentlemen! (Number 148): AHA!! No 148 is this... Max Reger: 4 Tondichtungen nach Arnold Bocklin, Op. 128 (4 Tone Poems after Arnold Bocklin): III. Der Toteninsel Baz |
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Tony Watson
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« Reply #999 on: 23:34:37, 26-02-2008 » |
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I'll have a guess at 165: Falla, Nights in the Gardens of Spain.
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Sydney Grew
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« Reply #1000 on: 23:43:33, 26-02-2008 » |
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AHA!! No 148 is this...
Max Reger: 4 Tondichtungen nach Arnold Bocklin, Op. 128 (4 Tone Poems after Arnold Bocklin): III. Der Toteninsel Full marks to Mr. Iron! |
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oliver sudden
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« Reply #1001 on: 23:49:25, 26-02-2008 » |
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A wild stab at Lambert Rio Grande for 165...
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Bryn
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« Reply #1002 on: 23:51:06, 26-02-2008 » |
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I'll have a guess at 165: Falla, Nights in the Gardens of Spain.
No, no, no, Tony. This composer's only connection to Spain that I can think of is a very cryptic link to Cervantes.  |
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harmonyharmony
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« Reply #1003 on: 23:52:20, 26-02-2008 » |
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Is it just me or is there an awful lot of stabbing happening on this thread? Surely we should stick to talk of stabbing on this thread and leave the actual bloodshed to elsewhere... [edit] Now I'm getting confused... I'm sure that I posted it on the discussion thread...  Time for bed now definitely! Apologies! As you were [/edit] |
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« Last Edit: 00:05:47, 27-02-2008 by harmonyharmony »
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble |
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Bryn
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« Reply #1004 on: 23:54:55, 26-02-2008 » |
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A wild stab at Lambert Rio Grande for 165...
No, not Lambert either. He may have conducted it, but I can find no confirmation of that possibility. |
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