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Author Topic: The other place  (Read 18397 times)
Ian Pace
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« Reply #345 on: 14:18:26, 12-07-2007 »

Certainly I'm not prepared to debate with active supporters of the [edit: silly party] (the question of debating with working-class people who are misled by the [edit: silly party]'s propaganda is another matter, but let's not open that can of worms).
Now who's the snob? Can't middle-class people by misled by the [edit: silly party]'s propaganda? Or is it just that they're more culpable (because the working class are too thick to think for themselves, obviously)?
No, working-class people have more obvious reason to be dissatisfied with the politics of the major parties than do middle-class people. The [edit: silly party] prey upon this dissatisfaction, offering false diagnoses concerning immigrants, asylum seekers, political correctness, etc., etc., in ways that can seem more immediate to those living on a housing estate than in a cushy Islington house.

Also, if one is a socialist, it is the views and interests of the working classes that count, hence why this is an issue. Certainly it's a big one for those involved in political action on the left, realising that it's not enough simply to dismiss members of the working classes who are drawn to the [edit: silly party] as bigots and racists, etc., from a position of comfortable middle-class superiority.
« Last Edit: 14:21:53, 12-07-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
perfect wagnerite
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« Reply #346 on: 14:22:18, 12-07-2007 »


robust, healthy and beardless.


Excuse me? To be healthily robust does not necessitate beardlessness.

This is NOT, for once, an opinion, but a fact, as I speak on this issue with knowledge and experience as someone healthy, robust and with a beard.

S-S!

Well, I've got a beard too ....  Smiley

As a listener, and one who has never been professionally involved in music, I find the debate about audience fascinating.  I think there is an issue about what one senses as a listener - to take an example, I know plenty of people who find my admiration for Birtwistle's music incomprehensible, and the fact that this music takes one so far outside what is the baseline experience of tonality is one of the obstacles.  But what I cannot accept is the suggestion that my experience of what I regard as endlessly fascinating and often extraordinarily beautiful music is in some way inauthentic - in the same way that I have no basis for arguing that their enjoyment of tonal composers who do nothing for me - Rubbra, say, or Arnold - is inauthentic.  But I am aware that for people to get what I get out of Birtwistle I am expecting them in many cases to go a long way outside a musical comfort zone, and while I might argue that it would be worthwhile for them to do so I am hardly in a position to condemn them for not doing so.


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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
SimonSagt!
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« Reply #347 on: 14:25:41, 12-07-2007 »

From the other place, a diplomatic, honest, reasoned and reasonable comment in reply to one of mine from a chap who probably knows a bit about the contemporary music scene:

"Message 19 - posted by howardskempton (U7258870) , Feb 25, 2007

I am happy to take the opportunity to answer your question, even though I risk being teased for being too serious amidst the "office banter" of the message boards.

I think there is less charlatanry and fraud than we imagine. There is much in the field of experimental work (and this would include conceptual art) that is half-baked and pretentious and there is much in the long-established tradition that is imitative and seeking merely to impress. I doubt whether deception is rife, on either side.






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The Emperor suspected they were right. But he dared not stop and so on he walked, more proudly than ever. And his courtiers behind him held high the train... that wasn't there at all.
Ian Pace
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« Reply #348 on: 14:30:46, 12-07-2007 »

Methinks that the issue of facial hair is not exactly the primary issue at stake here, and might be better relegated to here.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
richard barrett
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« Reply #349 on: 14:57:07, 12-07-2007 »

I have never expressed approval of the [edit: silly party]. What I did say, some time ago, was that probably about 90% of their manifesto as set out on their website, to which I was directed by another poster, would be, in my opinion, perfectly acceptable to most people. I quoted a passage from it, relating to music and the arts, to prove the point. I then went on to say that it was the extreme sentiments expressed in the other 10% that made the party objectionable and that, because of this, I would never be able to support them.

The programme of this organisation is not divided tidily into 90% nice and 10% nasty, but in fact is all logically tied together. What you approved of concerning their arts policy is all of a piece with the brutal racism which lies behind all of their policies. "Traditional British values" are what produced a violently repressive empire as well as (for the few) a green and pleasant land.

So much for "slurs and lies".
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Ian Pace
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« Reply #350 on: 15:04:28, 12-07-2007 »

The programme of this organisation is not divided tidily into 90% nice and 10% nasty, but in fact is all logically tied together. What you approved of concerning their arts policy is all of a piece with the brutal racism which lies behind all of their policies. "Traditional British values" are what produced a violently repressive empire as well as (for the few) a green and pleasant land.

Absolutely they did (and to some extent still do, as Britain is up to its neck in contemporary forms of imperialism spearheaded by the US); the whole 'British way of life' is underpinned by such things. And everything about the [edit: silly party] is thoroughly embroiled with it all, as you say. But if the issue is of whether some might mistakenly perceive elements of their manifesto as seeming reasonable, those for whom the green and pleasant land is simply something they yearn for without realising all that made it possible, then such an issue should be taken very seriously. The party are trying all they can to seem respectable, and I can see why people might read large chunks of their manifesto and think that they are a reformed animal. If the original point was that the party are 90% respectable, then of course I violently disagree, if it was that their manifesto might seem that way, then that is a very valid point (and one reason why they are all the more dangerous today). If you read far right groups' stuff on the Iraq War, for example, on one level you could believe that you were reading some left or liberal perspective on the matter. That has to be seen in the context of their wider agenda. But I don't imagine you would disagree on most of this.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
richard barrett
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« Reply #351 on: 15:25:50, 12-07-2007 »

No I don't disagree with that.

What I ask myself is whether Simon was taken in by the superficially innocuous but actually pernicious aspects of the [edit: silly party] programme, in which case his contention that people who are "taken in" by Joyce or Mallarmé or Boulez has to be seen in the context of someone who himself isn't capable of looking behind the surface of political propaganda, or he really believes that 90% of that manifesto is perfectly respectable, in which case his original protestations that it was a jolly little wind-up take on a somewhat more sinister character.
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SimonSagt!
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« Reply #352 on: 15:37:26, 12-07-2007 »


So much for "slurs and lies".

Indeed. The slur and lie you stated was to accuse me of supporting the [edit: silly party]. Which you now appear to have ignored, but not had the grace to withdraw.

But I didn't expect graciousness from you, so I haven't been disappointed.
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The Emperor suspected they were right. But he dared not stop and so on he walked, more proudly than ever. And his courtiers behind him held high the train... that wasn't there at all.
SimonSagt!
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« Reply #353 on: 16:01:01, 12-07-2007 »

The programme of this organisation is not divided tidily into 90% nice and 10% nasty, but in fact is all logically tied together. What you approved of concerning their arts policy is all of a piece with the brutal racism which lies behind all of their policies. "Traditional British values" are what produced a violently repressive empire as well as (for the few) a green and pleasant land.

Absolutely they did (and to some extent still do, as Britain is up to its neck in contemporary forms of imperialism spearheaded by the US); the whole 'British way of life' is underpinned by such things. And everything about the [edit: silly party] is thoroughly embroiled with it all, as you say. But if the issue is of whether some might mistakenly perceive elements of their manifesto as seeming reasonable, those for whom the green and pleasant land is simply something they yearn for without realising all that made it possible, then such an issue should be taken very seriously. The party are trying all they can to seem respectable, and I can see why people might read large chunks of their manifesto and think that they are a reformed animal. If the original point was that the party are 90% respectable, then of course I violently disagree, if it was that their manifesto might seem that way, then that is a very valid point (and one reason why they are all the more dangerous today). If you read far right groups' stuff on the Iraq War, for example, on one level you could believe that you were reading some left or liberal perspective on the matter. That has to be seen in the context of their wider agenda. But I don't imagine you would disagree on most of this.

Well I wouldn't agree, even with hindsight, that the Empire was all bad - but then, you wouldn't expect me to! For its time, it was probably as good an Empire as there could have been, given that an Empire existed at all.

But as to the manifesto, the point I originally made, which Bryn seemed to understand completely, had nothing to do with mistakes or being taken in. It's not a question of deciding whether they are "reformed" or not. It is simply a fact that, taken simply as words on paper, 90% of the [edit: silly party]'s manifesto is little different from that of most other political parties in the UK. Indeed, I expect that I would happily agree with 90% of the stated manifesto ideals of them all, including, if it's still around, the CPGB.

What one should look at, IMO, when deciding who to vote for in our democracy, is not "who do I absolutely 100% agree with" - because you probably won't find such a party (as a conservative, I certainly don't agree with ALL that the Tories say or do) but rather a] who do I agree mostly with and b] is there anything in a manifesto that I could never support, whether on moral, social or economic grounds. The latter point would rule out the [edit: silly party] for most people, including me. It would also rule out the LibDems, but probably not Labour.

I agree that it is a worrying thing to find large swathes of eminently repectable and reasonable views carefully wrapped around small, half-hidden snippets of distasteful dogma. Gone are the days when blatant extremism stands up and says "Here I am, this is what I stand for". But that has always been the way lately, on both extremes of the political spectrum. It's a product of spin, in a sense. And we must be wary of it, as it is an insidious threat to our freedoms.

Another insidious threat comes from the unelected, unaccountable bureaucracy in the EU. Again, 90% of their activities seem reasonable. But if you look deeper, and they start talking of making "anti-EU" activities a crime, then I think we should worry. The ghosts of Hitler and Stalin walk... I personally think that our freedoms have more to fear from the EU than from either of the minority extreme parties in the UK.
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The Emperor suspected they were right. But he dared not stop and so on he walked, more proudly than ever. And his courtiers behind him held high the train... that wasn't there at all.
Ian Pace
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« Reply #354 on: 16:09:55, 12-07-2007 »

Well I wouldn't agree, even with hindsight, that the Empire was all bad - but then, you wouldn't expect me to! For its time, it was probably as good an Empire as there could have been, given that an Empire existed at all.
It was extremely bad, it dispossessed and exploited brutally hundreds of millions of people, and was responsible for the most comprehensive genocide in the whole of human history (that in Tasmania). Supporting the British Empire is little better than supporting Nazi Germany.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #355 on: 16:56:11, 12-07-2007 »

Another insidious threat comes from the unelected, unaccountable bureaucracy in the EU. Again, 90% of their activities seem reasonable. But if you look deeper, and they start talking of making "anti-EU" activities a crime, then I think we should worry. The ghosts of Hitler and Stalin walk... I personally think that our freedoms have more to fear from the EU than from either of the minority extreme parties in the UK.
Could you give a source which will detail what 'anti-EU' activities are deemed to be in this context?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
increpatio
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« Reply #356 on: 17:46:39, 12-07-2007 »

hmmm....just had a quick glance at the *** mission statement (http://www.***********.policies/mission.htm); don't think I liked the sound of a single sentence in it, except maybe the last one "A key role of the ************


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The moderators have said before that although political discussions are toleraterd on this forum, any posting of links and cut'n'pasting of policy statements from extremist politcal parties is not.

John W
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WWW
« Reply #357 on: 17:59:23, 12-07-2007 »

Well I wouldn't agree, even with hindsight, that the Empire was all bad - but then, you wouldn't expect me to! For its time, it was probably as good an Empire as there could have been, given that an Empire existed at all.
It was extremely bad, it dispossessed and exploited brutally hundreds of millions of people, and was responsible for the most comprehensive genocide in the whole of human history (that in Tasmania). Supporting the British Empire is little better than supporting Nazi Germany.
I'm not, of course, going to say a single word in support of genocide or to defend the indefensible, wherever or by whomsoever's hand it took place, but by "the most comprehensive genocide" in Tasmania, are you referring to the percentage of the total Tasmanian population so killed (in which case you may well be correct - I simply do not know), because in terms of sheer numbers slain, it's pretty small fry compared to the work of the three largest culprits - Hitler, Stalin and (above all) Mao, surely?

Best,

Alistair
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Ian Pace
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« Reply #358 on: 18:08:06, 12-07-2007 »

Well I wouldn't agree, even with hindsight, that the Empire was all bad - but then, you wouldn't expect me to! For its time, it was probably as good an Empire as there could have been, given that an Empire existed at all.
It was extremely bad, it dispossessed and exploited brutally hundreds of millions of people, and was responsible for the most comprehensive genocide in the whole of human history (that in Tasmania). Supporting the British Empire is little better than supporting Nazi Germany.
I'm not, of course, going to say a single word in support of genocide or to defend the indefensible, wherever or by whomsoever's hand it took place, but by "the most comprehensive genocide" in Tasmania, are you referring to the percentage of the total Tasmanian population so killed (in which case you may well be correct - I simply do not know), because in terms of sheer numbers slain, it's pretty small fry compared to the work of the three largest culprits - Hitler, Stalin and (above all) Mao, surely?

In terms of percentage, it is the largest (almost 100% - one could hardly find anything mitigating in the fact that the numbers (I think around 100 000) were not larger simply on account of the fact that there were no people left). In terms of numbers, I believe the actions of King Leopold of Belgium in the Congo (possibly killing 10 million) make that the largest. Playing number games is of course crass - the point is that there were other genocides that were equally horrific but do not receive anything like the same attention as the Nazi Holocaust; I would suggest that when the victims are non-white, and not in Europe, somehow they aren't seen as of comparable importance. Genocide defined in terms of an intent to wipe out a whole people defined in terms of ethnicity, is not really an applicable term for the crimes of Stalin or Mao. A large percentage of the victims attributed to Mao (for which figures vary hugely, as is the case with Stalin's victims) died from massive famine at the time of the Great Leap Forward. This is directly attributed to Mao's policies, and rightly so; however, if you look at the death tolls in the contemporary third world, on a yearly basis, as a direct result of the policies of the World Bank and IMF, the figures are as bad if not worse (there are UN-sponsored reports and figures on this which I can track down if anyone wants). The mass murderous crimes of capitalism are on a par with those of communism.
« Last Edit: 18:12:20, 12-07-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #359 on: 18:09:31, 12-07-2007 »

hmmm....just had a quick glance at the *** mission statement (http://www.************/policies/mission.htm); don't think I liked the sound of a single sentence in it, except maybe the last one "A key role ***************


Moderator editing

Moderator editing

The moderators have said before that although political discussions are toleraterd on this forum, any posting of links and cut'n'pasting of policy statements from extremist politcal parties is not.

John W
Even if 90% of their policies did look quite reasonable/mainstream on paper, to take the [edit: silly party] at face value is crazy in the extreme (I'm sure you are not doing that, of course).
« Last Edit: 18:22:51, 12-07-2007 by John W » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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