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Author Topic: Prom 58: An Evening with Michael Ball  (Read 3727 times)
tonybob
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vrooooooooooooooom


« Reply #90 on: 00:23:59, 29-08-2007 »

Grin
tonybob - please tell me what tune your squirrel's playing - you really should have audio for your avatar. Wouldn't it be fun if all our avatars had sound which you could hear when you clicked on them...

'spanish flea' by herb alpert and his tijuana brass.
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sososo s & i.
IgnorantRockFan
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« Reply #91 on: 09:00:12, 29-08-2007 »

Wouldn't it be fun if all our avatars had sound which you could hear when you clicked on them...

My avatar is humming a deep and resonant "At the Castle Gate" by Jean Sibelius  Smiley

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Allegro, ma non tanto
IgnorantRockFan
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« Reply #92 on: 09:02:12, 29-08-2007 »

The purer "yoo" would belong to the Brian Sewell way of speaking.

You mead the Brian Sooo-well way of speaking?  Tongue

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Allegro, ma non tanto
George Garnett
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« Reply #93 on: 09:12:12, 29-08-2007 »

My Little Wolf is singing the Russian lullaby

Баю-баюшки-баю,
Не ложися на краю.
Придёт серенький волчок,
Он ухватит за бочок
И утащит во лесок
Под ракитовый кусток.
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Milly Jones
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« Reply #94 on: 09:15:46, 29-08-2007 »

I'm with Mary on this one.   I hate "yew". Next thing you know they'll be singing about "lerve".  Roll Eyes

Having had singing lessons for some time, the pronunciations that are taught seem to give the best possible sound that's for sure.  Ooos are definitely much better than yews.

I don't speak like Brian Sewell, but I think that 'yoo' is far preferable to 'yew' when speaking, let alone singing.  We seem to have been far too influenced by American programmes/songs.  Pet hates are the current trend for "bucks" instead of "books" and Hannah Gordon telling us that "this isn't just fewd, this is M and S fewd.  'Book' should rhyme with 'hook' not 'duck'.
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Reiner Torheit
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« Reply #95 on: 09:21:11, 29-08-2007 »

ПоздравляЮ !
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Mary Chambers
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« Reply #96 on: 09:24:04, 29-08-2007 »

I'm with Mary on this one.   I hate "yew". Next thing you know they'll be singing about "lerve".  Roll Eyes

Having had singing lessons for some time, the pronunciations that are taught seem to give the best possible sound that's for sure.  Ooos are definitely much better than yews.

I don't speak like Brian Sewell, but I think that 'yoo' is far preferable to 'yew' when speaking, let alone singing.  We seem to have been far too influenced by American programmes/songs.  Pet hates are the current trend for "bucks" instead of "books" and Hannah Gordon telling us that "this isn't just fewd, this is M and S fewd.  'Book' should rhyme with 'hook' not 'duck'.

Is that Hannah Gordon? It's been driving me mad, too.
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ahinton
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« Reply #97 on: 09:24:57, 29-08-2007 »

Furthermore, it hardly seems as if audiences are denied opportunities otherwise to see Michael Ball in concert, whereas for some other things that are featured in the Proms, that certainly could be argued to be the case.
But that would be an argument against excluding all sorts of things, not just Michael Ball.
But as it stands, Ian's remark is perfectly fair and reasonable, since it does not of itself argue for the exclusion of Michael Ball the singing person from the Proms; OK, Ian may argue that as well (although he didn't say so above), in which case what you write in response might indeed apply. I iamgine that the main point is the importance of ensuring inclusion of things in the Proms that are both deserving of and rarely receive such exposure, rather than the concentration on the idea of "excluding" other things that are already amply exposed elsewhere.

Anyone with anything to say about the other Michael Ball yet?...

Best,

Alistair
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Milly Jones
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« Reply #98 on: 09:27:20, 29-08-2007 »

Is that Hannah Gordon? It's been driving me mad, too.

I think it is, but don't know for sure.  Undecided  It sounds very like her anyway. If I had to put money on it I'd bet that it's Ms Gordon.
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Milly Jones
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« Reply #99 on: 09:35:43, 29-08-2007 »

Anyone with anything to say about the other Michael Ball yet?...
Best,

Alistair

Michael Ball was born in Manchester in 1946. As a Ralph Vaughan Williams Trust Scholar at the Royal College of Music, he studied with Herbert Howells, Humphrey Searle and John Lambert. In 1970 he was one of four students selected to take part in master classes with Nadia Boulanger on her visit to the RCM and in the same year was awarded all the major composition prizes of the College, including the Octavia Travelling Scholarship, which he used to study with Franco Donatoni in Italy during the summers of 1972 and 1973. Whilst he was there, he participated in master classes with Luciano Berio and György Ligeti.

Michael is active within all main areas of composition and his music is regularly played and broadcast, particularly in the United Kingdom and increasingly, world-wide. He has received many commissions, including five from the BBC over the last ten years, and has written several large-scale works for orchestra. Both Resurrection Symphonies (1982) and Danses vitales: Danses macabres (1987) were first performed by the BBC Philharmonic Orchestra, conducted by Edward Downes. Following Omaggio, commissioned by Timothy Reynish for the Royal Northern College of Music Wind Orchestra in 1986, his recent writing for wind and brass number Chaucer's Tunes (premièred at the 1993 BASBWE Conference by Stockport School Wind Band), Frontier! (1984), selected as test-piece for the 1987 European Brass Band Championships and again for the regional finals of the Championship Section of the National Brass Band Championships in 1992 and Midsummer Music, commissioned by Paul Hindmarsh for Besses o'th'Barn Band in 1991. Whitsun Wakes, was commissioned by the BBC and first performed by the Black Dyke Band, conductor James Watson at the Bridgewater Hall in Manchester on 26 May 1997, as part of the BBC 'Music Live!' Festival. It was subsequently selected as test-piece for the 1997 British Open Brass Band Championship.

Important choral works by this composer include Sainte Marye Virgine (1979), A Hymne to God my God (1984) for sixteen solo voices, commissioned by the BBC for the BBC Northern Singers' 30th anniversary, and Nocturns (1990) for mixed choir, two pianos and percussion. A number of smaller choral pieces for both the church and the concert hall are also to be found in his choral catalogue

Michael has also written several pieces for younger musicians, including his opera The Belly Bag, to a libretto by Alan Garner.

Michael Ball lives in Ireland with his wife Miriam and young son, Alexander.   
 
Work List
Orchestra 3
Soloist(s) and Orchestra 1
Works for Band/Wind/Brass Ensemble 8
Works for 2-6 Players 5
Solo Works (excluding keyboard) 1
Solo Keyboard(s) 2
Chorus a cappella / Chorus plus 1 instrument 7
Chorus and Orchestra/Ensemble 2
Solo Voice(s) and up to 6 players 1
Opera and Music Theatre 1
Complete Works 31 

Best,

Milly
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ahinton
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« Reply #100 on: 09:45:11, 29-08-2007 »

At last - thank you, Milly! That's the one!

Resurrection Symphonies (for all that the title might be deemed a tad risky by some) hasn't been played in ages, to my knowledge and this and a couple of other works by Michael Ball are certainly deserving of Proms performances; in so saying, I'm not going as far as to recommend "An Evening with Michael Ball" - merely to suggest that some of his work might arguably have better reason to be performed at the Proms than the other Michael Ball has to be strutting his stuff on the stage of the RAH during that most famous of the worl'd musical summer seasons...

Best,

Alistair
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BobbyZ
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« Reply #101 on: 10:41:30, 29-08-2007 »

Is that Hannah Gordon? It's been driving me mad, too.

I think it is, but don't know for sure.  Undecided  It sounds very like her anyway. If I had to put money on it I'd bet that it's Ms Gordon.

I believe it is Dervla Kirwan.
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Dreams, schemes and themes
Milly Jones
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« Reply #102 on: 10:42:51, 29-08-2007 »

Really?  Good job I didn't bet then.  Anyway whoever it is, she says fewd.
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Andy D
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« Reply #103 on: 11:56:53, 29-08-2007 »

As someone who is occasionally teased about my "cockney" diphthongs by my fellow Brummies, I defend the right of anyone to say "fewd" although I say "food" myself. However I pronounce "suit" as "sewt" and not to rhyme with "boot".

Shouldn't the vowel sound in "book" be the same as in "boot"?  Wink
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IgnorantRockFan
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« Reply #104 on: 12:07:13, 29-08-2007 »

However I pronounce "suit" as "sewt" and not to rhyme with "boot".

But "boot" rhymes with "sewt"!

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Allegro, ma non tanto
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