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Author Topic: Eurovision 2007  (Read 2825 times)
Reiner Torheit
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« Reply #45 on: 12:48:05, 14-05-2007 »

A clear tone each time, Tommo, or various combinations of little steps?   I always think a minor third is stronger than a tone, if you're really going to do that :-)

Shame on me, I didn't hear a single one of these songs, except a snatch of the winner because it was on the tv news here.  I missed the Russian and British songs entirely.  Looks like the judges missed the British song too.  Was it really the publicity puff for British Airways that it looked like from the photograph?   I couldn't help thinking of "The High Life" (starring Forbes Masson) when I saw the pic?  A great tv series that just never caught-on at all....
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Peter Grimes
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« Reply #46 on: 12:52:39, 14-05-2007 »

Anyway, why not counsel Ian for his view on Eurovision and "class"? I'm not entirely certain of the extent of his knowledge of Eurovisual history, but I have it on the best possible authority that he's an expert on "class"...

There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs - see here.

May I ask who exactly are the bourgeoisie?
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Tony Watson
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« Reply #47 on: 13:00:11, 14-05-2007 »

A clear tone each time, Tommo, or various combinations of little steps?   I always think a minor third is stronger than a tone, if you're really going to do that :-)

A step of a semitone is quite common in songs. In "Gee Officer Krupke" from West Side Story, each verse is a semitone higher than the one before it. The key of the theme tune to Match of the Day goes up a semitone at the end, I think. On the other hand, Elgars Pomp and Circumstance no. 1 starts in E flat before settling down to D major after the introductory bars.
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Ian Pace
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« Reply #48 on: 13:16:38, 14-05-2007 »

There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs - see here.

May I ask who exactly are the bourgeoisie?

The owners of significant amounts of capital.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
thompson1780
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« Reply #49 on: 14:02:50, 14-05-2007 »

A clear tone each time, Tommo, or various combinations of little steps?   I always think a minor third is stronger than a tone, if you're really going to do that :-)

All tones, I believe, with the possible exception of Belarus, which was muckily executed and could easily have been two semis in rapid succession.....

Actually, the concert opened with a hat trick.  Boznia-Herzegovina, Spain and Belarus all had yanks of key signature.  After a fourth in song 7 from Slovenia, there was a long wait until Latvia (song 14), Germany (16), Serbia (17), and Ukraine (18, twice) all piled in with the cheesy feature.

Armenia and Moldova, the penultimate and ultimate acts, also yanked the key sig.

Tommo
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ahinton
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« Reply #50 on: 14:13:38, 14-05-2007 »

There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs - see here.

May I ask who exactly are the bourgeoisie?

The owners of significant amounts of capital.
What is the amount that serves as a threshold above which you deem amounts of capital to be deemed "significant"? Does this figure rise from time to time in line with one of the inflation indices and could it fall in line with severe economic woes? How amenable would you be to the differing opinions of others on such an amount? Does the amount concerned apply to UK only and would you cite different amounts applicable to other countries whose economies differ from that of UK? By "capital", do you mean disposable capital in the form of readily realiable assets such as cash on deposit or total worldwide assets of all kinds (including individuals' homes)? Would you apply different interpretative standards to individual and corporate entities in this regard? In arriving at such figures for each country (were you to do so), what allowances, if any, would you make in countries such as France and Spain who impose a wealth tax (which UK does not), in the sense of regarding wealth net (i.e. after payment of) such tax as being below such a threshold?

Sorry to ask so many questions in one go, but they are, I believe, all directly pertinent to an understanding of what you mean by "significant amounts of capital"; in particular, for example, if home ownership is incorporated in calculations, it is worth noting that many who have owned their main residences for some years might once have fallen below the threshold but now find themselves above it purely due to the vagaries of a property market which is by definition beyond their control.

I don't know whether you would, for example, take inheritance tax thresholds as any kind of indicators here (although, since they are so low, I would very much hope not), but it may also be worth noting that, in countries whose governments currently impose such tax, the thresholds under which liability does not apply differ widely from one to another.

Best,

Alistair
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Ian Pace
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« Reply #51 on: 14:21:16, 14-05-2007 »

Sorry, I'm not biting.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
increpatio
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« Reply #52 on: 14:24:25, 14-05-2007 »

And yet there were only 3 occasions when peopel stood behind eachother and did wavy things with their arms (or 4 if you count Greece's entry).

Anyone notice how whenever Greece was shown in the greenroom, the camera pretty much zeroed on the four girls rather than on the 6 foot 3 singer "who can cook". : (

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Germany got my vote, followed by Ukraine, Latvia, Georgia (!), Sweden, Lithuania.

I have to say I rather liked the sound of georgia's chorus-bit.  Germany were entertaining; it's a pity that Belgium (or whoever had the badly lyricked funk set) didn't make it to the finals I think.
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ahinton
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« Reply #53 on: 16:32:47, 14-05-2007 »

Sorry, I'm not biting.
No need to apologise. You can actually be exceedingly biting sometimes, though! We'll all just have to recognise that, whilst we understand your in-principle definition of "the bourgeoisie", we must remain in total ignorance as to what for you constitutes "significant amounts of capital", so we'll effectively be unable to determine who might and might not be part of that "bourgeoisie" in your view. As long as you understand that my questions were intended to be genuine and reasonable, rather than facetious and unreasonable, that's OK, I guess.

I'm not biting either, by the way (in any sense)...

Best,

Alistair
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richard barrett
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« Reply #54 on: 16:45:06, 14-05-2007 »

Alistair, I don't think that membership of the bourgeoisie is means-tested or index-linked - it has more to do with the relationship to capital than the possession of specific amounts of it.

The classic Marxist definition (to which I imagine Ian subscribes) characterises the bourgeoisie as those who derive their income from ownership or trade in capital, as opposed to the working class who derive theirs from selling their labour-power. I think that puts the idea on a more secure footing!
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Peter Grimes
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« Reply #55 on: 16:54:01, 14-05-2007 »

Whenever a term like "bourgeoisie" is bandied about pejoratively, I am reminded of Dylan Thomas's comment: "An alcoholic is someone you don't like who drinks as much as you do."
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Tony Watson
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« Reply #56 on: 17:04:49, 14-05-2007 »

Did anyone else think the Irish lead singer was decidedly off key?

As for those cliches and cheesy moments that have been mentioned, how many of us remember how it was in the 1960s and 70s? So many songs seemed to be of the Binga Bang Bong, Ding Ding Dong, Boom Boom Boom type, which Monty Python made a lot of fun of.
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IgnorantRockFan
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« Reply #57 on: 17:05:34, 14-05-2007 »

There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs - see here.

May I ask who exactly are the bourgeoisie?

The owners of significant amounts of capital.

But Ian, socialism isn't about nobody owning a Rolls Royce, it's about everybody owning a Rolls Royce.
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Allegro, ma non tanto
time_is_now
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« Reply #58 on: 17:07:50, 14-05-2007 »

Yes, well, the fact that Dylan Thomas was a cynical alcoholic with a nice line in wit and a slightly more tangled line in poetry doesn't mean we all have to suspend our critical faculties.

I haven't seen anyone 'band[ying] terms about pejoratively' actually, PG, just a couple of people trying to do a bit of objective economic and sociological analysis. Now, you may not agree with their conclusions, but I certainly don't think Ian was the one using bourgeoisie as a term of abuse. Read what he said again -
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There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs
- and now tell me who's engaging in cynical point-scoring and who's actually expressing human concern about a significant political issue.

Sorry for that. Your post appeared just as I was about to type a response to Alistair. All I was going to say to him is that the amount of detail within his post (and previous posts by him in other threads) about inheritance tax, 'the vagaries of the property market' etc. makes it quite clear that he is quibbling about details within precisely the system that Ian would like to see the back of. Asking for a definition of 'significant amounts of capital' and then effectively giving a selection of multiple-choice answers on a spectrum from small business owners to the landed gentry is hardly going to get us anywhere.

Please note that I'm not expressing a political opinion in this post, just asking for a bit of analytical rigour in the discussion of other people's politics.
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increpatio
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« Reply #59 on: 17:14:32, 14-05-2007 »

Did anyone else think the Irish lead singer was decidedly off key?

Yes, as I said earlier on.  According to the dude who wrote the song, it was far better than any of their rehearsals heh.
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