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Author Topic: Eurovision 2007  (Read 2825 times)
IgnorantRockFan
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« Reply #60 on: 17:17:28, 14-05-2007 »

Did anyone else think the Irish lead singer was decidedly off key?

I decided to be charitable and assume it was a case of stage nerves. She did look petrified throughout the whole performance.

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Allegro, ma non tanto
ahinton
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« Reply #61 on: 17:23:21, 14-05-2007 »

There is one issue of class that is of relevance in the context of Eurovision - that of the owners of capital (the bourgeoisie) who sponsor the event, and in whose interests it is run. The website of one of the companies owned by members of the aforementioned bourgeoisie can be found here, whose titanium dental implants have been claimed to cause bone losses - see here for example. Another major sponsor of Eurovision is this company, who (like their rival Nordic company Nokia) have in recent years been engaging in lay-offs - see here.

May I ask who exactly are the bourgeoisie?

The owners of significant amounts of capital.

But Ian, socialism isn't about nobody owning a Rolls Royce, it's about everybody owning a Rolls Royce.
That's right; Hugh MacDiarmid, the communist, when asked what he wanted to do about the poor, said that he wanted to get rid of them; I don't think he meant by extermination...

Best,

Alistair
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ahinton
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« Reply #62 on: 17:32:27, 14-05-2007 »

...Alistair. All I was going to say to him is that the amount of detail within his post (and previous posts by him in other threads) about inheritance tax, 'the vagaries of the property market' etc. makes it quite clear that he is quibbling about details within precisely the system that Ian would like to see the back of. Asking for a definition of 'significant amounts of capital' and then effectively giving a selection of multiple-choice answers on a spectrum from small business owners to the landed gentry is hardly going to get us anywhere.
I wasn't actually trying to get any of us anywhere on this for the sake of it; I was merely asking Ian a series of straight questions. OK, I might have been better simply to have asked him how he defines "significant amounts of capital" and wait for his answer rather than going into more detailed questions (although I suspect that his non-answer would have been more or less the same if I had); the fact remains that what constitutes "significant amounts of capital" will inevitably vary widely between most people.

This "system that Ian would like to see the back of" is just never going to go away, however; it's held good almost everywhere in the world where any kind of wealth exists or can and has been created, irrespective of the prevailing political systems, the principal differences being in the matter of who holds and controls how much of that wealth at any given time. In other words, all the socialism/communism etc. in the world simply doesn't "see the back of" such things - it merely alters the balances of who and how many people it might favour at any given time.

Best,

Alistair
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time_is_now
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« Reply #63 on: 17:36:35, 14-05-2007 »

With respect, I don't agree with your final assertions there, and that's not even just because I don't believe that the way things have always been is the way things have to remain. But I fear we may be causing discords in what is already, admittedly, a sometimes alarmingly discordant subject (I'm talking about Eurovision, not Marx Wink ) and I don't think we're about to agree anyway, besides which I have a massive pile of invoices to register Angry so maybe we should leave this one for another time.

Speaking of which, is your SJSS concert on 22 June or have I misremembered that date?
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ahinton
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« Reply #64 on: 21:09:20, 14-05-2007 »

With respect, I don't agree with your final assertions there, and that's not even just because I don't believe that the way things have always been is the way things have to remain.
I don't believe that either; I just have not so much a a shred of evidence that things will or even could change completely from this, for the simple (but I hope not overly simplistic) reason that no régime from the farthest right to the farthest left of which we know from history has been exempt from the essential capitalist pursuit from which Ian and others recoil. Believe me, I am not seeking to defend or desecrate any present or past economic system fof any kind or the sake of it here - merely pointing out that every one of them has depended entirely upon wealth creation in some form or another for the benefit of someone or another.

But I fear we may be causing discords in what is already, admittedly, a sometimes alarmingly discordant subject (I'm talking about Eurovision, not Marx Wink )
Well, that may be so - and I do not want to hijack this thread into any of these things (if anyone wants to start a separate thread about them, that's another matter) - so leet's leave well (or ill, or both) alone here, at least...

and I don't think we're about to agree anyway,
I don't yet know about that for sure - and I'm certainly not seeking to find disagreement for the sake of so doing...

besides which I have a massive pile of invoices to register >:
That does sound rather capitalistic to me - but I'm not about to blame you for it!

so maybe we should leave this one for another time.
Yes, maybe.

Speaking of which, is your SJSS concert on 22 June or have I misremembered that date?
Yes, it is; I look forward very much to meeting you there if you can make it.

Best,

Alistair
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Ian Pace
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« Reply #65 on: 21:31:15, 14-05-2007 »

If we want to continue this discussion concerning the nature of the bourgeoisie (to which I do essentially subscribe to the Marxist definition, maintaining that the ownership of capital is an essential prerequisite - putting specific numbers on it is meaningless, it is about owning enough capital to have that relationship Richard describes, so that one is not obliged to sell one's labour in order to survive) we should have another thread. The only relevance to Eurovision is in terms of those companies who finance it.
« Last Edit: 21:34:16, 14-05-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Tony Watson
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« Reply #66 on: 21:45:49, 14-05-2007 »

Yes, this is the home of Euro-tat. Our entry this year, about flying, doesn't compare with Volare, Italy's entry for 1958 which came third.
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Alison
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« Reply #67 on: 21:52:54, 14-05-2007 »

Last ever game at gay meadow has just finished then toneee.
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Tony Watson
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« Reply #68 on: 21:57:32, 14-05-2007 »

Hi, Aleeee

I've never been to Gay Meadow but I know a few who have. It's always a bit sentimental when a ground closes but it won't be missed that much. It was very basic and liable to flooding. I know someone who went there to watch a special game with teams made up entirely of football mascots. A cultural event on a level with the Eurovision Song Contest.

Tone
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ahinton
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« Reply #69 on: 22:39:47, 14-05-2007 »

If we want to continue this discussion concerning the nature of the bourgeoisie (to which I do essentially subscribe to the Marxist definition, maintaining that the ownership of capital is an essential prerequisite - putting specific numbers on it is meaningless, it is about owning enough capital to have that relationship Richard describes, so that one is not obliged to sell one's labour in order to survive) we should have another thread. The only relevance to Eurovision is in terms of those companies who finance it.
Fair enough - and agreed in principle, at least. You have now defined your view of "significant amounts of capital" as amounts which enable their owners to survive without the need to offer their labour service and, without any need for you or anyone else to be specific about a threshold figure, I understand and accept that, as far as it goes; my earlier remarks about the fact that the dividing lines are far less defined than once they were remain, however, in that the clear once-and-for-all dividing line between members of "the bourgeoisie" and people outside that membership are quite different today to what they were - or may have been perceived to be - a mere half century ago.

Another thing that bothers me about the purely economic definition of "the bourgeoisie" or any other conveniently contrived definitional class is that, rather as in the case of the Indian caste system, there seems still to be quite a generalised repository of received opinion that if one is born to a particular "class" one should, as a matter of principle, expect and be expected to remain therein for the entirety of one's life; this, too, seems to be far less obviously prevalent in practice than once it was.

Perhaps the thing that concerns me the most is that so many people have only to hear the word "politics" nowadays and their thoughts turn - in some kind of kee-jerk response - immediately to specific issues of economics, as though the entire business of matters financial has somehow managed to invade all shades of public political "thinking" almost to the exclusion of other considerations; notwithstanding the undeniable importance of such factors, this strikes me - when I contempate it - as a matter of great sadness.

Anyway - that's more than enough of that stuff from me! I have that thing called "work" to do...

Best,

Alistair
« Last Edit: 22:44:25, 14-05-2007 by ahinton » Logged
Ian Pace
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« Reply #70 on: 22:46:06, 14-05-2007 »

I need to reply to Alistair's post, so I'll do so in a new thread in News and Current Affairs - 'Definition of the 'bourgeoisie''
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Tony Watson
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« Reply #71 on: 22:51:50, 14-05-2007 »

It's all starting to make sense now. Sandie Shaw's winning song Puppet on a String is about a member of the proletariate who is being manipulated by the bourgeoisie.
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Bryn
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« Reply #72 on: 22:55:34, 14-05-2007 »

Of course, Tony, her bare feet were a dead give-away.
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Ian Pace
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« Reply #73 on: 23:00:38, 14-05-2007 »

It's all starting to make sense now. Sandie Shaw's winning song Puppet on a String is about a member of the proletariate who is being manipulated by the bourgeoisie.

Well, would you argue with the idea that ABBA's 'Waterloo' has something to do with imperialism? And then, not a Eurovision winner, but by the same group, there's 'Money, money, money'.....
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Tony Watson
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« Reply #74 on: 23:05:49, 14-05-2007 »

Does anyone remember the TV sitcom Citizen Smith? At the end of the opening credits, he would shout out in the street with a raised, clenched fist: "Power to the people!" with some unforeseen consequence.

That reminds me of Cliff Richard's entry for Eurovision in 1973, which begins:

Power to all our friends
To the music that never ends
To the people we want to be
Baby, power to you and me

There's one old man
Spent his life growing flowers
Caring for the bees
Power to the bees

There's one old lady
Spent her days making wine
The wine tasted fine
Power to the vine
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