Mary Chambers
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« Reply #105 on: 13:28:16, 11-02-2007 » |
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Is it anything to do with China?
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Il Grande Inquisitor
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« Reply #106 on: 14:10:01, 11-02-2007 » |
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No Chinese connection here.
Time for an extra composer to help out...Mussorgsky.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ian Pace
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« Reply #107 on: 14:12:23, 11-02-2007 » |
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Here is a new one for you all
Ives Walter Murphy Finnissy Schnebel
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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roslynmuse
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« Reply #108 on: 14:35:56, 11-02-2007 » |
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Something to do with quoting Beethoven 5?
Ives Concord Sonata, Walter Murphy Fifth of Beethoven...
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Mary Chambers
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« Reply #109 on: 14:40:34, 11-02-2007 » |
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No Chinese connection here.
Time for an extra composer to help out...Mussorgsky.
I was going to say Autumn until you added Mussorgsky - but I don't know much about Mussorgsky.
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Il Grande Inquisitor
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« Reply #110 on: 14:40:53, 11-02-2007 » |
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A mythological link? Walter Murphy - Cupid Finnissy – Mars & Venus Schnebel – Medusa or Orpheus' Bücher Ives - Or days? Ives - Holidays Symphony - Decoration Day Walter Murphy – Saturday Night Fever Finnissy – Glad Day Schnebel - Re roslynmuse's idea, I believe there are references to Beethoven, amongst others, in Finnissy’s ‘History of Photography in Sound’. And Dieter Schnebel arranged Beethoven’s Symphonies ( Re-Visionen I, no. 2) for percussion and chamber ensemble (1985).
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« Last Edit: 14:59:00, 11-02-2007 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #111 on: 14:43:50, 11-02-2007 » |
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I was going to say Autumn until you added Mussorgsky - but I don't know much about Mussorgsky.
Nothing autumnal, no. The Mussorgsky is a very well known opera excerpt. The English pieces are well known, apart from the Rubbra which is a solo piano piece, although the Vaughan Williams is contained within the first line of the song, not the title. Britten Arnold Delius Rubbra Mussorgsky
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« Last Edit: 15:23:44, 11-02-2007 by Il Grande Inquisitor »
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Mary Chambers
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« Reply #112 on: 15:35:31, 11-02-2007 » |
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Vaughan Williams? Where did he come from?
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Il Grande Inquisitor
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« Reply #113 on: 15:38:38, 11-02-2007 » |
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Sorry, Mary, ignore that one...brain's getting addled. VW is for another quartet not as yet unleashed on the public!! As you were...
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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roslynmuse
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« Reply #114 on: 15:44:52, 11-02-2007 » |
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Clocks!
Clock Scene in Boris
Stop all the Clocks Britten Caberet Songs
ermmm
clocks
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Il Grande Inquisitor
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« Reply #115 on: 15:56:07, 11-02-2007 » |
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I like your thinking, but Boris isn't the opera concerned.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Mary Chambers
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« Reply #116 on: 16:11:57, 11-02-2007 » |
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The first line of a song by whom, if not VW? The clue must be in the Rubbra, because he didn't write much for solo piano.
I don't know why I can't get this. It's driving me mad, so I think I'll stop for now.
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roslynmuse
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« Reply #117 on: 16:15:32, 11-02-2007 » |
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Dawn?
Khovantschina Prelude
Dawn - Britten - Peter Grimes
Song before Sunrise - Delius
Arnold Sunrise in music for Bridge over the River Kwai
Rubbra???
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Ian Pace
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« Reply #118 on: 16:28:56, 11-02-2007 » |
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Something to do with quoting Beethoven 5?
Ives Concord Sonata, Walter Murphy Fifth of Beethoven...
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Keep going - what are the pieces in question?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Il Grande Inquisitor
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« Reply #119 on: 16:29:45, 11-02-2007 » |
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Mary, forget the first line to a song (that can wait for another puzzle!) roslynmuse, no it's not dawn, but you have identified, ironically, the Mussorgsky and the Arnold! Ian...see my reply at the top of this page (No.136)... I think I might be close.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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