martle
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« Reply #3660 on: 19:26:35, 12-01-2008 » |
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Not sure I get the significance of that ordering, IGI - I'm sure it's ingenious, though! Not the connections I had in mind in any case, and no lucky strikes either, I'm afraid...
There is one opera amongst the seven works.
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Green. Always green.
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Il Grande Inquisitor
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« Reply #3661 on: 19:43:25, 12-01-2008 » |
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Absolutely no significance at all, martle, just a random guess which proved useless! Ok, little theory forming here…let's test the water: Khachaturian – Ode for JoyTurnage – The Silver Tassie
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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martle
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« Reply #3662 on: 19:48:10, 12-01-2008 » |
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I don't believe it!! You've got it, I think. Do you want to do the lap of honour?
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Ruth Elleson
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« Reply #3663 on: 19:53:53, 12-01-2008 » |
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Ah, I know what it is now, too! Just off to look for some more...
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Il Grande Inquisitor
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« Reply #3664 on: 19:55:02, 12-01-2008 » |
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Birtwistle - Secret Theatre?
Rimsky - The Golden Cockerel?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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martle
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« Reply #3665 on: 19:57:05, 12-01-2008 » |
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Birtwistle - Secret Theatre?
Rimsky - The Golden Cockerel?
Nope to both of those. But I'll give you my order now. You've got it! Birtwistle Kachaturian Rimsky-Korsakov Vaughan Williams Turnage Harris Nielsen
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Il Grande Inquisitor
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« Reply #3666 on: 20:01:29, 12-01-2008 » |
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Birtwistle - The Fields of Sorrow Khachaturian – Ode for Joy Rimsky-Korsakov - The Girl in the Lake (a cantata) Vaughan Williams - The Farmer's Boy Turnage – The Silver Tassie Harris - Nielsen – Secret Christmas, FS 108
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Ruth Elleson
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« Reply #3667 on: 20:03:08, 12-01-2008 » |
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RVW - My Bonny Boy
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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martle
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« Reply #3668 on: 20:04:37, 12-01-2008 » |
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Well done, IGI!! And that RVW would have done nicely too, Ruth. The Harris is 'Fruit of Gold'.
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Ruth Elleson
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« Reply #3669 on: 20:05:38, 12-01-2008 » |
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I was just about to come back with "Fruit of Gold"- found it here: http://www.uclaband.com/history/greatbruinband.php
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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martle
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« Reply #3671 on: 20:19:48, 12-01-2008 » |
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Tony Watson
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« Reply #3672 on: 16:25:04, 13-01-2008 » |
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Regular readers of this thread will know that if I can't spot IGI's connections, I at least try to suggest an additional work. With that in mind, perhaps Jonathan Dove's opera Pinocchio, might have been included in the "nose" works mentioned here recently, or perhaps it would have been too much of a give away. I haven't seen it or heard any of his other work but I've read mixed reviews of it. http://www.musicalcriticism.com/opera/on-pinocchio-1207.shtml
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Il Grande Inquisitor
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« Reply #3673 on: 16:55:36, 13-01-2008 » |
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That's a great addition, Tony. I've now read a couple of reviews and could well find myself heading to see the production when it goes to Sadler's Wells!
Here's a new quartet for you to consider:
Korngold Hindemith Martinů Prokofiev
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Antheil
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« Reply #3674 on: 18:35:44, 13-01-2008 » |
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So, IGI, can we rule out hawks? Because I get two of them, but not the others!
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Reality, sa molesworth 2, is so sordid it makes me shudder
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