thompson1780
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« Reply #1560 on: 22:47:41, 03-03-2008 » |
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254: Probably completely wrong, but something tells me Arnold Grand Grand Overture
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Il Grande Inquisitor
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« Reply #1561 on: 22:52:01, 03-03-2008 » |
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Mr 1780, 254 is indeed Mr Arnold's Grand, Grand Overture, op.57. Please ensure any celebrations are suitably...grand.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #1563 on: 23:00:06, 03-03-2008 » |
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255 is Debussy's La Mer
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #1564 on: 23:01:13, 03-03-2008 » |
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256 is Schoenberg's Verklarte Nacht
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Il Grande Inquisitor
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« Reply #1565 on: 23:02:57, 03-03-2008 » |
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Is 257 Dvorak's Noon Witch?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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thompson1780
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« Reply #1566 on: 23:03:59, 03-03-2008 » |
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Mr 1780, 254 is indeed Mr Arnold's Grand, Grand Overture, op.57. Please ensure any celebrations are suitably...grand.
WHOO-HOO! Thanks Mr Inquisitor, we are most amused Mr 1780
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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thompson1780
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« Reply #1567 on: 23:04:56, 03-03-2008 » |
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255 is Debussy's La Mer
Mr I, We regret to inform you that n this occasion you are Incorrect! Mr 1780
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Baz
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« Reply #1568 on: 23:05:15, 03-03-2008 » |
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255 is Debussy's La Mer
I fear IGI may be wrong, so for 255 I'll go for Debussy: L'Apres-midi d'un faune.
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thompson1780
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« Reply #1569 on: 23:07:28, 03-03-2008 » |
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256 is Schoenberg's Verklarte Nacht Mr Inquisitor, We are pleased to inform you that you are indeed correct. The snatch is the transcription by Steuermann. Mr 1780
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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thompson1780
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« Reply #1570 on: 23:08:08, 03-03-2008 » |
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Is 257 Dvorak's Noon Witch?
Mr I, Sadly, no Mr 1780
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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thompson1780
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« Reply #1571 on: 23:09:26, 03-03-2008 » |
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255 is Debussy's La Mer
I fear IGI may be wrong, so for 255 I'll go for Debussy: L'Apres-midi d'un faune.Mr Iron Indeed! One of my favourite moments of all music - which is indeed a huge thing to say! Congratulations Mr 1780
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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oliver sudden
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« Reply #1572 on: 23:09:43, 03-03-2008 » |
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Is 257 the Golden Spinning Wheel then? (Dvorak of course)
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Il Grande Inquisitor
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« Reply #1573 on: 23:12:48, 03-03-2008 » |
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The Prélude à l'après-midi d'un faune is one of my favourites too, which makes my misidentification unforgiveable! To make up for it, we offer: Puzzle 258 - SendSpace or Rapidshare
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Baz
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« Reply #1574 on: 23:14:14, 03-03-2008 » |
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255 is Debussy's La Mer
I fear IGI may be wrong, so for 255 I'll go for Debussy: L'Apres-midi d'un faune.Mr Iron Indeed! One of my favourite moments of all music - which is indeed a huge thing to say! Congratulations Mr 1780 Whoopee! IRON
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